Antonio Carbonati

Altar of the Fatherland - Etching by Antonio Carbonati - 1947

1947

Colosseum is a modern artwork realized by Antonio Carbonati in 1947. Black and white etching Includes passepartout Hand signed and dated on the lower margin Original title: Colosseo Palatino Celio Via dei Trionfi dai balconi di casa Carcano sul Colle Aventino Good conditions except for yellowing of paper. Antonio Carbonati (1893 - 1956).  He published a series of engravings of Rome...

Church is a modern artwork realized by Giovanni Stradone in the mid-20th century Black and white etching Hand signed and numbered on the lower margin Edition of 19/70 Includes frame

Landscape is an original etching print realized by an unknown artist and signed "M. Bonechi" in the 20th Century. Hand-signed on the lower right in pencil and numbered on the lower ...

The Palace is a beautiful black and white etching on paper, realized at the middle of the 20th century by the Italian artist  Renzo Biasion (Treviso, 1914 - Florence, 1996). Hand-si...

Salvador Dali (1904-1989) Rome and Cadaques (1973) Original Etching on Japan paper Handsigned in pencil Artist proof Size : 30 x 22.2 inch (76 x 56,5 cm) References : Catalog ra...

Signed and dated in plate. Inscribed in graphite to the lower left with the print number 86 and the title. Signed in graphite to the lower right. On Chine-colle on watermarked laid.

Medium: original etching. This impression in sepia on watermarked laid paper was printed in 1907 and published in Paris for the Revue de l'art ancien et moderne. Plate size: 6 1/8 x ...

"Church of St. Aignan Chartres" Etching in Ink on Paper (Demonstration Plate) Delicate and detailed drypoint etching of the Church of St. Aignan in Chartres, France by John Taylor Arms (American, 1887-1953). The viewer stands in an alley near the church, looking out of the shadows at the sunlit towers. The architectural details of the church are well-captured, including the texture of the stone walls, the roof, and ornamental detail. Titled, signed, dated, and inscribed along the bottom edge: Sketch, Saint Aignon, Chartres John Taylor Arms 1950 The inscription includes details about production, as well as a dedication "To my friends Georgia and Jasper Mathews, with my sincerest good wishes" Presented in a wood frame with an off-white mat. Frame size: 12.5"H x 9.25"W Image size: 7"H x 4.5"W John Taylor Arms was born in Washington, DC in 1887. He studied law at Princeton University, transferring to the Massachusetts Institute of Technology, Boston, to study architecture, graduating in 1912. After serving as an officer in the United States Navy during World War I, he devoted himself full-time to etching. He published his first original etchings in 1919. His initial subject was the Brooklyn Bridge in New York City near which he worked. Arms developed a successful career as a graphic artist in the 1920s and 1930s, specializing in series of etchings of Gothic churches and cathedrals in France and Italy. In addition to medieval subjects, Arms made a series of prints of American cities. He used sewing needles and magnifying glasses to get a fine level of detail. A member of many printmaking societies, Arms served as president of the Society of American Graphic Artists. An educator, Arms wrote the Handbook of Print Making and Print Makers (1934) and did numerous demonstrations and lectures. Arms was elected into the National Academy of Design as an Associate member in 1930, and became a full member in 1933. His work was also part of the painting event in the art competition at the 1932 Summer Olympics...