Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 5

Armand Queyroy
Menhirs de Meneck - Etching by Armand Queyroy - Late 19th Century

Late 19th Century

About the Item

Menhirs de Meneck is a black and White etching realized by A. Queyroy in the Late 19th Century.  Titled in the lower Image Size: 31x22 Very good impression. Realized by Cadart for the "Société des Aquafortistes. Born on the initiative of the publisher Alfred Cadart, the Société des Aquafortistes had the aim of reviving etching which had slowly been replaced by the cheaper lithography. Among the first participants in the association were the Barbizon painters who helped raise the medium to new heights, but over 100 leading French artists contributed to the creation of the 300 engravings. With the publication of the last volume in 1867 the society, given the high costs and modest commercial success, was dissolved but new experiments were soon born: Félicien Rops, former member, founded the Société Internationale des Aquafortistes in Brussels in December 1869 , while in London The Portfolio and the Society of Painter-Etchers were born respectively in 1870 and 1880. In Paris, in 1873, the magazine Paris à l'eau-forte was founded.
  • Creator:
    Armand Queyroy
  • Creation Year:
    Late 19th Century
  • Dimensions:
    Height: 20.87 in (53 cm)Width: 14.18 in (36 cm)Depth: 0.04 in (1 mm)
  • Medium:
  • Movement & Style:
  • Period:
  • Framing:
    Framing Options Available
  • Condition:
    Insurance may be requested by customers as additional service, contact us for more information.
  • Gallery Location:
    Roma, IT
  • Reference Number:
    Seller: T-1500311stDibs: LU650314891402

More From This Seller

View All
Environs de Fontainebleau - Etching by Michelin - 1860s
Located in Roma, IT
Environs de Fontainebleau is a black and White etching realized by Michelin in the 1860s.  Titled in the lower. Image size: 29x30. Very good impression with wide margins and a ver...
Category

1860s Impressionist Figurative Prints

Materials

Etching

Parc a Moutons - Etching by Charles-François Daubigny - 1860s
Located in Roma, IT
Parc a Moutons is a black and White etching realized by Charles-François Daubigny in 1860s  Titled in the lower Image Size:21x38 Very good impression. Realized by Cadart for the ...
Category

1860s Impressionist Figurative Prints

Materials

Etching

Passage de la Ternoise - Etching by Théophile-Narcisse Chauvel-Late 19th Century
Located in Roma, IT
Passage de la Ternoise is a black and White etching realized by Théophile-Narcisse Chauvel in the Late 19th Century.  Titled in the lower Image Size: 23x32 Very good impression. ...
Category

Late 19th Century Impressionist Figurative Prints

Materials

Etching

Vue de La Tamise - Etching by Francis Seymour Haden - Late 19th Century
By Sir Francis Seymour Haden, R.A.
Located in Roma, IT
Vue de La Tamise is a black and White etching realized by Francis Seymour Haden in the Late 19th Century.  Titled in the lower Image Size: 12x28 Very good impression. Realized by...
Category

Late 19th Century Impressionist Figurative Prints

Materials

Etching

Etang de la Canau - Etching by Leo Drouyn - Late 19th Century
Located in Roma, IT
Etang de la Canau is a black and White etching realized by Leo Drouyn in the Late 19th Century.  Titled in the lower Image Size: 24x32 Very good impression. Realized by Cadart fo...
Category

Late 19th Century Impressionist Figurative Prints

Materials

Etching

Une A Sienne - Etching by Leconte de Roujou - Late 19th Century
By Louis-Auguste Leconte de Roujou
Located in Roma, IT
Une A Sienne is a black and White etching realized by Leconte de Roujou in the Late 19th Century.  Titled in the lower Image Size: 32x26 Very good impression. Realized by Cadart ...
Category

Late 19th Century Impressionist Figurative Prints

Materials

Etching

You May Also Like

The Venetian Mast
By James Abbott McNeill Whistler
Located in Storrs, CT
The Venetian Mast. 1879-80. Etching and drypoint. Kennedy catalog 195 state .vi; Glasgow catalog 219 state x/xii. 13 3/8 x 6 3/8. Glasgow records 53 impressions. A fine, atmospheric...
Category

1870s American Impressionist Landscape Prints

Materials

Drypoint, Etching

Billingsgate
By James Abbott McNeill Whistler
Located in Middletown, NY
Etching printed in dark brownish black ink on cream laid paper, 6 x 8 7/8 inches (152 x 226 mm); full margins. Extremely minor and unobtrusive band of toning along the top sheet edg...
Category

Mid-19th Century Impressionist Landscape Prints

Materials

Laid Paper, Drypoint, Etching

'Bridges of Florence' — Firenze Impressionism
Located in Myrtle Beach, SC
Alonzo C. Webb, 'Bridges of Florence', etching, 1929, edition 100. Signed and titled in pencil. Signed and dated in the plate, lower left. A superb, richly-inked impression, in warm ...
Category

1920s American Impressionist Figurative Prints

Materials

Etching

La petite marine -- Souvenir de Medway. (Little Seascape, a Remembrance of the M
By Félix Hilaire Buhot
Located in Storrs, CT
La petite marine -- Souvenir de Medway. (Little Seascape, a Remembrance of the Medway). 1879. Etching, drypoint, false biting, aquatint, and stop-out. Bourcard-Goodfriend catalog 15...
Category

1870s Impressionist Landscape Prints

Materials

Drypoint, Etching, Aquatint

Over the Hill and Far Away and Magenta Sky diptych
Located in Deddington, GB
Over the Hill and Far Away and Magenta Sky Overall size cm : H31 x W40 Over the Hill and Far Away by Karen Keogh [2018] limited_edition Etching on Pape...
Category

21st Century and Contemporary Impressionist Figurative Prints

Materials

Paper, Etching

Arch Beach, California
Located in San Francisco, CA
This artwork titled "Arch Beach, California" c.1910 is an original etching on Wove paper by American artist Harley DeWitt Nichols, 1859-1939. It is hand signed and titled in pencil by the artist. The plate mark (image) size is 6.5 x 9.5 inches, framed size is 13 x 17 inches. it is custom framed in a wooden silver frame, with off white matting. It is in excellent condition, especially considering the age. About the artist: Born in the small rural Wisconsin town of Barton, Harley lived a peripatetic life. As a young child, he accompanied his family to Lincoln, Nebraska where he found great excitement in the roaming herds of buffalo and Native Americans. It was in these years that a talent for drawing was discovered. In 1870, after several years of hardship, his father moved the family back to Wisconsin. At the age of 11 he became a water boy...
Category

Early 20th Century American Impressionist Landscape Prints

Materials

Etching

Recently Viewed

View All