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Arthur B. DaviesUp-Rising1919
1919
About the Item
Arthur B. Davies, Up-Rising, soft ground etching and aquatint on a cream laid paper, 1919, signed in pencil lower right margin. Reference: Czestochowski 78, second state (of 3). In good condition, with margins. From a small edition, 6 x 9, the sheet 8 3/8 x 12 1/4 inches.
A fine atmospheric impression.
The first state of this print was before the aquatint; it was in soft ground etching only (the third state was printed in color by Frank Nankivell in 1924).
At this stage of his career Davies was experimenting with modernism in his printmaking; he had developed substantial expertise in sophisticated printmaking techniques (here effectively using soft ground and aquatint), and was fusing the cubism which interested him in the years after the 1912 Armory Show (he was a primary organizer of the show), with the symbolism that had led him to be regarded as America’s most distinguished artist prior to that. His printmaking continues to be one of the most interesting areas of his work.
- Creator:Arthur B. Davies (1862 - 1928, American)
- Creation Year:1919
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU51531463133
Arthur B. Davies
Born in Utica, NY in 1962, Arthur Davies sold his first sculpture — a small, detailed sailboat carved with a pocketknife — at the age of 12 for $25. After the 1913 Armory Show, Davies began to regularly cast small bronze sculptures and reliefs from wood carvings, and later from clay. These pieces were carved from life on occasion but more often from sketches. As Bennard B. Perlman notes in The Lives, Loves, and Art of Arthur B. Davies (1999), "experimentation in a three-dimensional medium was akin to his use of abstraction in painting, except that color was eliminated, allowing him to concentrate on the angular break up of shapes without the added complexity of considering hue, value, and intensity." Davies exhibited internationally, saw his work enter major public and private collections, and at the time of his death, the Metropolitan Museum of Art organized a large memorial exhibition. Today Davies’ artworks can be found in numerous public collections, including the Metropolitan Museum of Art; Museum of Fine Arts, Boston; Phillips Collection, Washington, D.C.; Art Institute of Chicago; National Gallery of Art; Philadelphia Museum of Art; and Minneapolis Institute of Arts.
(Biography provided by Driscoll Babcock Galleries)
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