Auguste Brouet

"Le Ballet, " Etching and Drypoint Ballet Performance signed by Auguste Brouet

circa 1900

"Le Portrait Termine" is an original drypoint etching by Claude Weisbuch. The artist signed the piece lower right and wrote the edition number (21/50) in...

"Combat Equestre" is an original lithograph by Claude Weisbuch. The artist signed the piece lower right and wrote the edition number (24/100) in the lower left. This piece depicts mu...

"Le Bouclier" is an original drypoint etching by Claude Weisbuch. The artist signed the piece lower right and wrote the edition number (25/100) in the lower left. This piece depicts ...

This is an original drypoint and aquatint artwork by Jacques Villon. The artist signed in pencil on the lower right. As well as signed in plate at the top right of the image. This is a wonderful artwork of different intaglio processes being brought together in a beautiful almost seamless harmony. The thin pencil like markings and hair detailing are made using the Drypoint printmaking method. Whilst the color details around the girls are made using the Aquatint etching method. Jacques Villon shows his skills as a printmaker with the way these pieces line up perfectly and with how clean the rest of the plate is around the girls. Catalogue Raisonne E101, pg. 66-67 (Ginestet & Pouillon. It depicts two young girls. 15" x 11 1/2" art 25 1/8" x 20" frame French painter, printmaker and illustrator. The oldest of three brothers who became major 20th-century artists, including Raymond Duchamp-Villon and Marcel Duchamp, he learnt engraving at the age of 16 from his maternal grandfather, Emile-Frédéric Nicolle (1830-94), a ship-broker who was also a much appreciated amateur artist. In January 1894, having completed his studies at the Lycée Corneille in Rouen, he was sent to study at the Faculty of Law of the University of Paris, but within a year he was devoting most of his time to art, already contributing lithographs to Parisian illustrated newspapers such as Assiette au beurre. At this time he chose his pseudonym: Jack (subsequently Jacques) in homage to Alphonse Daudet’s novel Jack (1876) and Villon in appreciation of the 15th-century French poet François Villon...

Rembrandt's print 'Christ Crucified Between Two Thieves: an oval plate' is one of the most captivating of the artist's oeuvre. Etched to an oval rather than a rectangular plate and t...

"Boy With Cows" is an original drypoint etching by John Edward Costigan. It depicts a young boy with three cows standing in a watering hole. The artist si...

About In-folio Oblong Dimensions : 29x39 cm. Paris Atelier Crommelynck 1968 Edition #41 of 200 copies including 12 original out-of-text etchings (7 etchings, 4 etchings and aquatint...

- Plate 55 from the Suite 156 - with stamp signature - dated in the plate 2.3.70 - edition 26/50 - cat. raisonné Bloch 1910

Artist: Eileen Alice Soper (English, 1905-1990) Title: "Spring Song" *Signed by Soper in pencil lower right Year: 1924 Medium: Original Etching on cream laid paper Limited edition: 178 Printer: Likely printed by Eva Soper, London, UK Publisher: H C Dickens, London, UK Reference: "The Catalogue Raisonne of Prints and Etchings of George and Eileen Soper" - Beetles No. 83, page 119, 141, 157 Sheet size: 8.13" x 10.13" Image size: 6.63" x 9.63" Condition: Paper trimmed in the margins. A few faint areas of discoloration. It is otherwise a strong impression in very good condition Notes: Provenance: private collection - Boulder, CO. Biography: Eileen Soper was born in 1905 in the Municipal Borough of Enfield and moved to the house where she was to spend the rest of her life in Harmer Green, Welwyn in the Hertfordshire countryside in 1908. The house she later named "Wildings" was built by her father, the artist George Soper...

Construction d’un temple – Plate n.6 is a b/w original etching and dypoint realized in 1972 (as it is reported on plate on the lower-right margin) by Paul Delvaux. From the collection “Construction d’un temple en ruine à la déesse Vanadé” came into being from the collaboration of four years between the French author and a memeber of the Nouveau-Roman, Alain Robbe-Grillet (1922-2008), and the Belgian artist Paul Delvaux (1897-1994). Firstly Robbe-Grillet wrote a text, to which Delvaux then replied witha wonderful engraving, Robbe-Grillet then responded with a second text. This is how the building blocks for this beautiful artist's book came together, upon which it was then constructed like a temple. The book was printed in an edition of 187 copies, of which only 40 contain the illustrations by Paul Delvaux. Our copy is unnumbered and printed on “Arches” ivory colored paper with the Bateau Lavoir watermark (on the lower right corner), and “Richard Bas” watermark (on the lower left margin). Image dimensions: 31.3 x 44.3 cm This beautiful artwork representing a woman looking at another woman pictured like ancient Greek marble statue...

French Village is an original artwork realized by Eugène Corneau between the end of the 1920s and the beginning of the 1930s. The monogram of the artist is present on the lower left...

The dancer is an original artwork realized by Ilse Voigt in the first years of the 1950s. Etching and drypoint on Japan paper. Good conditions except for wide stains on the lower corners. Ilse Voigt (Chemnitz, 1905 – Magdeburg, 1990) was an artist, pastellist, illustrator, and drawer. She attended the Fine Arts Academy of Berlin where she took Emil Orlik's classes. From 1964, she participated in international collective exhibitions. At the Salon des Indépendants, she became one of the company members. She exhibited in many art galleries in Paris and Switzerland. She painted and illustrated flowers, portraits...