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Balthus (Balthasar Klossowski de Rola)
Composition, Così fan tutte, Balthus

2001

$1,996
$2,49520% Off
£1,532.84
£1,916.0520% Off
€1,756.62
€2,195.7720% Off
CA$2,809.87
CA$3,512.3420% Off
A$3,147.68
A$3,934.6020% Off
CHF 1,637.19
CHF 2,046.4820% Off
MX$38,395.21
MX$47,994.0120% Off
NOK 20,843.55
NOK 26,054.4320% Off
SEK 19,653.98
SEK 24,567.4720% Off
DKK 13,110.92
DKK 16,388.6520% Off

About the Item

Woodcut in colors on vélin paper. Paper Size: 19 x 18 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Così fan tutte. Dramma giocoso in due atti. Musica di Wolfgang Amadeus Mozart, 2001. Published by The Limited Editions Club, New York; printed by Keiji Shinohara, Middletown, 2001. Excerpted from the album, CCC examples, designed, set, and printed in monotype centaur by Michael and Winifred Bixler. The woodblocks were cut and editioned by Keiji Shinohara. BALTHASAR KLOSSOWSKI DE ROLA (1908-2001), known as BALTHUS, was a Polish-French modern artist. He is known for his erotically charged images of pubescent girls, but also for the refined, dreamlike quality of his imagery. Throughout his career, Balthus rejected the usual conventions of the art world. He insisted that his paintings should be seen and not read about, and he resisted attempts to build a biographical profile. Nevertheless, towards the end of his life he took part in a series of dialogues with the neurobiologist Semir Zeki, conducted at his chalet at Rossinière, Switzerland and at the Palazzo Farnese (French Embassy) in Rome. They were published in 1995 under the title La Qûete de l'essentiel, and in them he gives some of his views on art, painting and some other painters. His work has influenced many contemporary artists, notably Duane Michals, and Émile Chambon. He has also influenced the filmmaker Jacques Rivette of the French New Wave, whose film Hurlevent (1985) was inspired by Balthus's drawings made at the beginning of the 1930s: "Seeing as he's a bit of an eccentric and all that, I am very fond of Balthus (...) I was struck by the fact that Balthus enormously simplified the costumes and stripped away the imagery trappings (...)".

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