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Balthus (Balthasar Klossowski de Rola) Composition, Così fan tutte, Balthus2001
2001
About the Item
Woodcut in colors on vélin paper. Paper Size: 19 x 18 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Così fan tutte. Dramma giocoso in due atti. Musica di Wolfgang Amadeus Mozart, 2001. Published by The Limited Editions Club, New York; printed by Keiji Shinohara, Middletown, 2001. Excerpted from the album, CCC examples, designed, set, and printed in monotype centaur by Michael and Winifred Bixler. The woodblocks were cut and editioned by Keiji Shinohara.
BALTHASAR KLOSSOWSKI DE ROLA (1908-2001), known as BALTHUS, was a Polish-French modern artist. He is known for his erotically charged images of pubescent girls, but also for the refined, dreamlike quality of his imagery. Throughout his career, Balthus rejected the usual conventions of the art world. He insisted that his paintings should be seen and not read about, and he resisted attempts to build a biographical profile. Nevertheless, towards the end of his life he took part in a series of dialogues with the neurobiologist Semir Zeki, conducted at his chalet at Rossinière, Switzerland and at the Palazzo Farnese (French Embassy) in Rome. They were published in 1995 under the title La Qûete de l'essentiel, and in them he gives some of his views on art, painting and some other painters. His work has influenced many contemporary artists, notably Duane Michals, and Émile Chambon. He has also influenced the filmmaker Jacques Rivette of the French New Wave, whose film Hurlevent (1985) was inspired by Balthus's drawings made at the beginning of the 1930s: "Seeing as he's a bit of an eccentric and all that, I am very fond of Balthus (...) I was struck by the fact that Balthus enormously simplified the costumes and stripped away the imagery trappings (...)".
- Creator:Balthus (Balthasar Klossowski de Rola) (1908 - 2001, French)
- Creation Year:2001
- Dimensions:Height: 19 in (48.26 cm)Width: 18 in (45.72 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Auburn Hills, MI
- Reference Number:1stDibs: LU1465216146222
Balthus (Balthasar Klossowski de Rola)
Balthus was born on 29 February 1908 into a cosmopolitan family; his father was of Prussian and Polish origin and his mother, Elsa Dorothea Spiro, nicknamed Baladine, was of Ashkenazi and Russian descent. At the beginning of the war, his family took refuge in Switzerland, where he stayed with his mother while his parents separated. In 1919, his mother met the poet Rainer Maria Rilke (1875 - 1926) who became her lover; Balthus (the nickname of the painter from which he chose his artist's name) was brought up in the artistic milieu of his mother's friends. Balthus moved to Paris with his mother in 1924. He enrolled at the Grande Chaumière academy and frequented Pierre Bonnard's studio. In 1926, he travelled to Italy where he discovered the frescoes of Piero della Francesca and Masaccio, which had a lasting influence on his art. Influenced by the surrealists, he held his first solo exhibition in 1934. Alongside his paintings, which were increasingly successful, he created several theatre, ballet and opera sets, an activity he continued after the war. In 1938, he held his first exhibition in New York.
He married Antoinette de Watteville (1912-1997) in 1937 and the couple settled during the war first in Champrovent in Savoie, then in Fribourg in Switzerland where two of their sons were born and finally in Cologny near Geneva from 1942 onwards. In 1945 the couple separated and Balthus returned to Paris. In 1953, Balthus, then aged 45, decided to move to the Château de Chassy in the Morvan region. He was soon joined there by his niece by marriage (the daughter of his brother Pierre Klossowski's wife from her first marriage), Frédérique Tison, who became his muse and mistress. At Chassy, facing the landscapes of the Morvan, in the immense space of the house, Balthus worked and created a huge number of works. His painting evolved to become closer to the fresco, in the manner of the Italian Renaissance masters. Frédérique Tison accompanied Balthus to Rome when he was appointed Director of the Villa Medici by André Malraux in 1961. When they finally broke up in 1966, Balthus gave her Chassy where she settled. In 1962, during a trip to Japan, Balthus met Setsuko Ideta. She became his wife in 1967. In 1977, at the end of their time in Rome, they settled in a large chalet in Rossinière (Switzerland) where the painter lived until his death on 18 February 2001.
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