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JR (aka Jean René)JR, In the Container Wall - Lithograph, Urban Art, Street Art, Signed Print2020
2020
$4,064.70
£2,962.39
€3,400
CA$5,573.31
A$6,222.75
CHF 3,245.95
MX$76,517.93
NOK 40,967.99
SEK 38,569.92
DKK 25,871.29
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About the Item
JR (French, b. 1983)
In the container wall, Le Havre, France, 2014, 2020
Medium: Lithograph in colors on wove paper
Dimensions: 49.8 × 69.9 cm (19 3/5 × 27 1/2 in)
Edition of 180: Hand-signed, numbered and stamped
Condition: Mint
- Creator:JR (aka Jean René) (1983)
- Creation Year:2020
- Dimensions:Height: 19.61 in (49.8 cm)Width: 27.52 in (69.9 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Hamburg, DE
- Reference Number:1stDibs: LU704316359992
JR (aka Jean René)
JR has the largest art gallery in the world. Thanks to his photographic collage technique, he exhibits his work free of charge on the walls of the whole world – attracting the attention of those who do not usually go to museums. Originator of the 28 Millimeters Project which he started in and around Clichy-Montfermeil in 2004, continued in the Middle East with Face 2 Face (2007), in Brazil and Kenya for Women Are Heroes (2008-2011), the documentary for which was presented at the Cannes Film Festival in 2010 (Critics' Week). JR has created "Infiltrating art". During his collage activities, the local communities take part in the act of artistic creation, with no stage separating actors from spectators. The anonymity of JR and the absence of any explanation accompanying his huge portraits leave him with a free space in which issues and actors, performers and passers-by meet, forming the essence of his work. In 2011 he received the Ted Prize, giving him the opportunity to make a vow to change the world. He created Inside Out, an international participatory art project that allows people from around the world to receive a print of their portrait and then billboard it as support for an idea, a project, an action and share that experience. In 2014, working with the New York City Ballet, he used the language of dance to tell his version of the riots in the Clichy-Montfermeil district. He created The Groves, a ballet and short film, the music for which was composed by Woodkid, Hans Zimmer and Pharrell Williams, and which was presented at the Tribeca Film Festival. At the same time, JR worked in the abandoned hospital of Ellis Island, an important place in the history of immigration – and made the short film ELLIS, with Robert De Niro. In 2016, JR was invited by the Louvre, whose pyramid he made disappear the with the help of an astonishing anamorphosis. The same year, during the Olympic Games in Rio, he created gigantic new sculptural installations throughout the city, to underline the beauty of the sporting gesture. In 2013, the first retrospectives of JR's work took place in Tokyo (at the Watari-Um Museum) and the Cincinnati Contemporary Arts Center, followed by exhibitions at the Frieder Burda Museum in Baden Baden in 2014, and at the HOCA Foundation in Hong Kong in 2015. He exhibited in 2018 at the Maison Européenne de la Photographie in Paris, and in 2019 at the San Francisco Museum of Modern Art (SFMOMA) and the Brooklyn Museum. JR is represented by Perrotin, PACE Gallery, Galleria Continua and Nara Roesler.

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JR, Olho, Estadio de Pacaembu, Sao Paulo, 2020 - Lithograph, Signed Print
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JR // Un Groupe Posant Dans Une Barque Amarrée Sur La Plage // Street Art
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The street artist and photographer JR started out his artist practice in the streets of Paris. Using the pseudonym JR, the artist is keeping his identity hidden from the public.
As part of the "Jusqu'ici tout va bien", an exhibition by students from the Kourtrajmé school that JR is in charge of the art section of the school, JR created a pasting on the facade of the Palais de Tokyo, in Paris, through an anamorphic image.
The collage was visible from August until September 2020, between the buildings of Clichy-Montfermeil and the Eiffel Tower, whose shadow is outlined on the visual in anamorphosis.
What is very characteristic of JR’s art is the impermanence nature of the project, which the only way that the installation is captured, is through the creation of this lithograph - commemorating its presence, as the sun dries the glue, and the wind and rain tears the fragile paper with every moment.
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