1960s Pop Art Miguel Berrocal Embossed Relief Print Aquatint Etching Torso
View Similar Items
Want more images or videos?
Request additional images or videos from the seller
1 of 11
Miguel Ortiz Berrocal1960s Pop Art Miguel Berrocal Embossed Relief Print Aquatint Etching Torso1969
1969
About the Item
- Creator:Miguel Ortiz Berrocal (1933 - 2006, Spanish)
- Creation Year:1969
- Dimensions:Height: 16.74 in (42.5 cm)Width: 19.1 in (48.5 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:minor wear.
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU3826217992
Miguel Ortiz Berrocal
Born in Malaga Spain Miguel had his first exhibition in Madrid in 1952. In 1954 his work was shown at the Venice Biennale. In 1955 the French Government granted him a scholarship to study in Paris, and in 1959 he did his first "dismountable" sculpture, for which he has become so well known. Miguel Ortiz Berrocal was formally educated in mathematics, chemistry, and the exact sciences. Later he studied architecture. He exhibited several paintings in the Spanish pavilion of the XXVII Venice Biennale. . A retrospective of more than 60 works was mounted at the Olympic Museum in Lausanne, Switzerland. He has been the recipient of several important commissions in Madrid, Seville, Bordeaux, Malaga, and Verona, and has received numerous awards and citations, including the Chevalier de l'Ordre des Arts et des Lettres. In Malaga, a museum was founded a few years ago devoted to the work of Berrocal, He was commissioned by the Spanish Government to create a monument to Picasso in 1976.
About the Seller
4.9
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1995
1stDibs seller since 2014
1,549 sales on 1stDibs
Typical response time: 1 hour
More From This SellerView All
- Large American Pop Art Abstract Aquatint Etching James Rosenquist Just DesertBy James RosenquistLocated in Surfside, FLJames Rosenquist (1933-2017) Just Desert (2nd State) (1979, 1979 Etching and aquatint on Pescia Italia paper Printed by Aripeka, Ltd., Aripeka. Published by Multiples, Inc., New York...Category
1970s Pop Art Abstract Prints
MaterialsEtching, Aquatint
- Deborah Kass Feminist Jewish American Pop Art Silkscreen Screenprint Ltd EditionBy Deborah KassLocated in Surfside, FLDeborah Kass (born 1952) Limited edition geometric abstract lithograph in colors on artist paper. Hand signed and dated in pencil to lower right. 1973. Edition: 102/120 to lower left. Dimensions: sight: 16-3/4" W x 21-1/4" H. Frame: 24-5/8" W x 28-7/8" H. Finding inspiration in pop culture, political realities, film, Yiddish, art historical styles, and prominent art world figures, Deborah Kass uses appropriation in her work to explore notions of identity, politics, and her own cultural interests. She received her BFA in painting at Carnegie Mellon University and studied at the Whitney Museum Independent Study Program and the Art Students League of New York. Deborah Kass (born 1952) is an American artist whose work explores the intersection of pop culture, art history, and the construction of self. Deborah Kass works in mixed media, and is most recognized for her paintings, prints, photography, sculptures and neon lighting installations. Kass's early work mimics and reworks signature styles of iconic male artists of the 20th century including Frank Stella, Andy Warhol, Jackson Pollock, and Ed Ruscha. Kass's technique of appropriation is a critical commentary on the intersection of social power relations, identity politics, and the historically dominant position of male artists in the art world. Deborah Kass was born in 1952 in San Antonio, Texas. Her grandparents were from Belarus and Ukraine, first generation Jewish immigrants to New York. Kass's parents were from the Bronx and Queens, New York. Her father did two years in the U.S. Air Force on base in San Antonio until the family returned to the suburbs of Long Island, New York, where Kass grew up. Kass’s mother was a substitute teacher at the Rockville Centre public schools and her father was a dentist and amateur jazz musician. At age 14, Kass began taking drawing classes at The Art Students League in New York City which she funded with money she made babysitting. In the afternoons, she would go to theater on and off Broadway, often sneaking for the second act. During her high school years, she would take her time in the city to visit the Museum of Modern Art, where she would be exposed to the works of post-war artists like Frank Stella and Willem De Kooning. At age 17, Stella’s retrospective exhibition inspired Kass to become an artist as she observed and understood the logic in his progression of works and the motivation behind his creative decisions. Kass received her BFA in Painting at Carnegie Mellon University (the alma mater of artist Andy Warhol), and studied at the Whitney Museum Independent Study Program Here, she created her first work of appropriation, Ophelia’s Death After Delacroix, a six by eight foot rendition of a small sketch by the French Romantic artist, Eugène Delacroix. At the same time Neo-Expressionism was being helmed by white men in the late Reagan years, women were just beginning to create a stake in the game for critical works. “The Photo Girls...Category
2010s Pop Art Figurative Prints
MaterialsScreen
- Large Pop Art Abstract Figure Digital Barcode Silkscreen Screenprint 80s MemphisBy David PrenticeLocated in Surfside, FLI was told this might be by another David Prentice. as I am uncertain I will add his bio. I cannot ascertain which one it is. Vintage 1981 DAVID PRENTI...Category
1980s Pop Art Figurative Prints
MaterialsScreen
- Joe Tilson British Pop Art Screenprint, Color Lithograph 4 Seasons 4 ElementsBy Joe TilsonLocated in Surfside, FLSilkscreen screenprint or Lithograph Hand signed and numbered. An esoteric, mystical, Kabbala inspired print with Hebrew as well as other languages. Joseph Charles Tilson RA (born 2...Category
1970s Pop Art Abstract Prints
MaterialsLithograph, Screen
- Judy Rifka Abstract Expressionist Contemporary Lithograph Hebrew 10 CommandmentBy Judy RifkaLocated in Surfside, FLJudy Rifka (American, b. 1945) 44/84 Lithograph on paper titled "Thou Shalt Not Bear False Witness against Thy Neighbor"; Depicting an abstract composition in blue, green, red and black tones with Hebrew script. Judaica interest. (I have seen this print described as a screenprint and as a lithograph) Hand signed in pencil and dated alongside an embossed pictorial blindstamp of a closed hand with one raised index finger. Solo Press. From The Ten Commandments Kenny Scharf; Joseph Nechvatal; Gretchen Bender; April Gornik; Robert Kushner; Nancy Spero; Vito Acconci; Jane Dickson; Judy Rifka; Richard Bosman and Lisa Liebmann. Judy Rifka (born 1945) is an American woman artist active since the 1970s as a painter and video artist. She works heavily in New York City's Tribeca and Lower East Side and has associated with movements coming out of the area in the 1970s and 1980s such as Colab and the East Village, Manhattan art scene. A video artist, book artist and abstract painter, Rifka is a multi-faceted artist who has worked in a variety of media in addition to her painting and printmaking. She was born in 1945 in New York City and studied art at Hunter College, the New York Studio School and the Skowhegan School of Painting and Sculpture in Maine. Rifka took part in the 1980 Times Square Show, (Organized by Collaborative Projects, Inc. in 1980 at what was once a massage parlor, with now-famous participants such as Jenny Holzer, Nan Goldin, Keith Haring, Kenny Scharf, Jean-Michel Basquiat, and Kiki Smith, the roster of the exhibition reads like a who’s who of the art world), two Whitney Museum Biennials (1975, 1983), Documenta 7, Just Another Asshole (1981), curated by Carlo McCormick and received the cover of Art in America in 1984 for her series, "Architecture," which employed the three-dimensional stretchers that she adopted in exhibitions dating to 1982; in a 1985 review in the New York Times, Vivien Raynor noted Rifka's shift to large paintings of the female nude, which also employed the three-dimensional stretchers. In a 1985 episode of Miami Vice, Bianca Jagger played a character attacked in front of Rifka's three-dimensional nude still-life, "Bacchanaal", which was on display at the Museum of Art Fort Lauderdale. Rene Ricard wrote about Rifka in his influential December 1987 Art Forum article about the iconic identity of artists from Van Gogh to Jean-Michel Basquiat and Keith Haring, The Radiant Child.The untitled acrylic painting on plywood, in the collection of the Honolulu Museum of Art, demonstrates the artist's use of plywood as a substrate for painting. Artist and writer Mark Bloch called her work "imaginative surfaces that support experimental laboratories for interferences in sensuous pigment." According to artist and curator Greg de la Haba, Judy Rifka's irregular polygons on plywood "are among the most important paintings of the decade". In 2013, Rifka's daily posts on Facebook garnered a large social media audience for her imaginative "selfies," erudite friendly comments, and widely attended solo and group exhibitions, Judy Rifka's pop art figuration is noted for its nervous line and frenetic pace. In the January 1998 issue of Art in America, Vincent Carducci echoed Masheck, “Rifka reworks the neo-classical and the pop, setting all sources in quotation for today’s art-world cognoscenti.” Rifka, along with artists like David Wojnarowicz, helped to take Pop sensibility into a milieu that incorporated politics and high art into Postmodernism; Robert Pincus-Witten stated in his 1988 essay, Corinthian Crackerjacks & Passing Go that "Rifka’s commitment to process and discovery, doctrine with Abstract Expressionist practice, is of paramount concern though there is nothing dogmatic or pious about Rifka’s use of method. Playful rapidity and delight in discovery is everywhere evident in her painting." In 2016, a large retrospective of Rifka's art was shown at the Jean-Paul Najar Foundation in Dubai. In 2017, Gregory de la Haba presented a Rifka retrospective at the Amstel Gallery in The Yard, a section of Manhattan described as "a labyrinth of small cubicles, conference rooms and small office spaces that are rented out to young entrepreneurs, professionals and hipsters". In 2019 her video Bubble Dancers New Space Ritual was selected for the International Istanbul Bienali. Alexandra Goldman Talks To Judy Rifka About Ionic Ironic: Mythos from the '80s at CORE:Club and the Inexistence of "Feminist Art" Whitehot Magazine of Contemporary Art. She was included in "50 Contemporary Women Artists", a book comprising a refined selection of current and impactful artists. The foreword is by Elizabeth Sackler of the Brooklyn Museum’s Sackler Center for Feminist Art. Additional names in the book include sculptor and carver Barbara Segal...Category
1980s Pop Art Abstract Prints
MaterialsLithograph, Screen
- MOONWALK 1970 Color Silkscreen Screenprint Acrylic Plexiglass Mod Space ArtBy Lowell NesbittLocated in Surfside, FLSpace Race Silkscreen on Acrylic hand signed and dated 1970, MOON WALK, color screenprint on Plexiglas depicting the moon landing, from the numbered edition of 150, size 30 x 30” Lowell Blair Nesbitt is an American painter, draughtsman, printmaker, and sculptor. Although he worked in a variety of media and covered a wide range of subjects throughout his career, he is best known for his large, Photorealist botanical paintings. Born in Baltimore, Maryland in 1933, Nesbitt earned a degree from the Tyler School of Art at Temple University. Later, he also studied at London’s Royal Academy of Arts. Working in stained glass and etching and also producing abstract paintings in his early career, a 1962 encounter with artist Robert Indiana led him to steer his aesthetic toward realism. Though he held his first solo show at the Baltimore Museum of Art in 1958, it was his 1964 debut at the Corcoran Gallery of Art in Washington D.C. that would truly bring him to the attention of the art world. In this exhibit, his botanical series of paintings, drawings, and prints captivated the art world and public alike. The game-changing Corcoran Gallery show would send his career down the trajectory of sustained success. In 1976, Nesbitt moved from his New York City West 14th Street studio to a massive space located at 389 West 12th Street. The 12,500 square foot living and workspace supplied ample room for creating his enormous paintings...Category
1970s Pop Art Abstract Prints
MaterialsPlexiglass, Screen
You May Also Like
- SPOKES AND SPOKES: 2 STATEBy James RosenquistLocated in Aventura, FLSpokes (1977) and Spokes: 2 State (1978). Each hand signed, dated, numbered and titled by the artist. Both prints have matching editions. Etching and aquatint on Pescia Italia paper....Category
1970s Pop Art Abstract Prints
MaterialsEtching, Aquatint
$4,425 Sale Price25% Off - SPOKESBy James RosenquistLocated in Aventura, FLHand signed, dated, numbered and titled by the artist. Etching and aquatint on Pescia Italia paper. Edition of 78. Published by Multiples, Inc. Sheet size 23 x 40 inches. Frame si...Category
1970s Pop Art Abstract Prints
MaterialsEtching, Aquatint
- SPOKES: 2 STATEBy James RosenquistLocated in Aventura, FLHand signed, dated, numbered and titled by the artist. Etching and aquatint on Pescia Italia paper. Edition of 78. Published by Multiples, Inc. Sheet size 23 x 40 inches. Frame si...Category
1970s Pop Art Abstract Prints
MaterialsEtching, Aquatint
- Donald Baechler Szechuan Garden 2003 (Donald Baechler prints)By Donald BaechlerLocated in NEW YORK, NYDonald Baechler, Szechuan Garden, 2003: Medium: Aquatint and soft-ground etching. Sheet size: 27 x 34 inches. Edition of 35 (30 + 5 artists proofs). Hand-signed, dated and numbered on bottom of sheet. Printed on Hanhnemuhle paper. Unframed. Acquired directly from publisher. Artist Biography: Donald Baechler, a member of the East Village art scene in 1980s New York, is known for his painting-collage-drawing works depicting of childhood imagery and nostalgic ephemera like grammar school primers, old maps, and children’s drawings...Category
21st Century and Contemporary Pop Art Figurative Prints
MaterialsEtching, Aquatint
$2,720 Sale Price20% Off - Donald Baechler Flower 2005 (Donald Baechler flower prints)By Donald BaechlerLocated in NEW YORK, NYDonald Baechler "Flower," 2005: Medium: Aquatint and dry-point on Somerset paper. Sheet size: 25 1⁄2 x 18 inches. Image: 17.25 x 11 inches. Edition of 34 +5 AP. Hand signed, dated a...Category
21st Century and Contemporary Pop Art Figurative Prints
MaterialsDrypoint, Aquatint
$1,880 Sale Price20% Off - American Dream (EAT / DIE / HUG / ERR) (Sheehan 136) UNIQUE Proof Love Food LifeBy Robert IndianaLocated in New York, NYRobert Indiana American Dream (EAT / DIE / HUG / ERR) (Sheehan, 136), 1986 Hard and soft-ground etching, aquatint, drypoint and stencil on white Arches paper 37 inches × 21 inches ...Category
1980s Pop Art Abstract Prints
MaterialsMixed Media, Drypoint, Etching, Aquatint, Stencil
Recently Viewed
View AllMore Ways To Browse
Miro Jewelry
Pablo Picasso Screen Print
Metal Sculptural Screen
Berrocal Miguel
Vintage Toys From The 1960s
Vintage Cast Toys
Three Reclining Figures
Giacometti Etching
Pencil Drawing Of A Reclined Nude
Picasso Reclining
Retro Japanese Toys
Cast Paper Relief
Paper Cast Relief Art
Vintage Toy Figures
La Paloma
Henry Moore Reclining
Small Japanese Gold Screen
Paloma Picasso Print