Carlo Lasinio

Carlo Lasinio "Ermina and the Wounded Tancredi" Original Etching C.1820

Circa 1820

19th Century Etching "Master of Flutes" Etching After Robert Boissard Framed etching with neoclassical elements After Robert Boissard (1570-160...

Jean Vyboud "Reclining Nude" Original Pencil Signed Etching C.1920 Beautiful 1920s nude etching by listed French artist Jean Vyboud (1872-1944) P...

The menace from "The Life and Death of Saint Genoveva" is an original etching artwork on Ivory-colored paper, realized in the 1830s by Joseph Ritter von Führic also known as Josef Ritter von Führich (February 9, 1800 – March 13, 1876), was a Bohemian-Austrian painter of religious themes (Nazarenes) and historian. This series of etchings were based on " Ludwig Tieck’s play The Life and Death of Saint Genoveva". Good conditions except for minor decoloration stain. Joseph Ritter von Führich was a well-known fresco painter and draftsman, he was active in Rome with the Brotherhood of the Nazarene, the preference was a style of drawing that employed expressive outlines and clarity of detail reminiscent of Albrecht Dürer and Raphael. Führich illustrated many religious-themed books, such as an edition of Ludwig Tieck's play The Life and Death of Saint Genoveva (1799/1800), based on a medieval legend about betrayed innocence. The play in which Genoveva is unfairly accused of being unfaithful by her husband, a character likely based on the 13th-century Duke Ludwig II of Bavaria. Robert Schumann...

The amour scene from" "The Life and Death of Saint Genoveva"is an original etching artwork on Ivory-colored paper, realized in the 1830s by Joseph Ritter von Führic also known as Josef Ritter von Führich (February 9, 1800 – March 13, 1876), was a Bohemian-Austrian painter of religious themes (Nazarenes) and historian. This series of etchings were based on " Ludwig Tieck’s play The Life and Death of Saint Genoveva". Good conditions except for minor decoloration stain. Joseph Ritter von Führich was a well-known fresco painter and draftsman, he was active in Rome with the Brotherhood of the Nazarene, the preference was a style of drawing that employed expressive outlines and clarity of detail reminiscent of Albrecht Dürer and Raphael. Führich illustrated many religious-themed books, such as an edition of Ludwig Tieck's play The Life and Death of Saint Genoveva (1799/1800), based on a medieval legend about betrayed innocence. The play in which Genoveva is unfairly accused of being unfaithful by her husband, a character likely based on the 13th-century Duke Ludwig II of Bavaria. Robert Schumann...