Items Similar to Beggar Man and Beggar Woman - Engraving after Rembrandt - 19th Century
Want more images or videos?
Request additional images or videos from the seller
1 of 2
Charles Amand DurandBeggar Man and Beggar Woman - Engraving after Rembrandt - 19th Century19th Century
19th Century
About the Item
Beggar Man and Beggar Woman Conversing is an engraving on ivory-colored paper realized by Charles Amand Durand after an etching by Rembrandt dated 1630. This wonderful piece of art belongs to an edition of the late 19th century.
Good conditions.
Rembrandt known simply as Rembrandt (Leiden, 15 July 1606 - Amsterdam, 4 October 1669), was a Dutch painter and engraver. He is generally considered to be one of the greatest painters in European art history. Having achieved great success as a portrait painter from a young age. His drawings and paintings were already popular during his lifetime. Rembrandt's greatest creative triumphs are especially evident in the portraits of his contemporaries, his self-portraits, and illustrations of scenes from the Bible. In both painting and printing, he exhibited a thorough knowledge of classical iconography.
Charles Amand Durand (1831-1905)
Eager to save the masterpieces of the Great Masters of Graphics of the Modern Age, whose plates already at the time of Durand were for the most part irreparably compromised, Durand dedicated a major part of his life to recreating in exact detail the engraved plates of Rembrandt & other old Masters. His work was recognized as innovative and of high quality not only by scholars and dealers, but also by important European art institutions.
- Creator:Charles Amand Durand (1831 - 1905, French)
- Creation Year:19th Century
- Dimensions:Height: 3.35 in (8.5 cm)Width: 5.71 in (14.5 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:Seller: T-1276111stDibs: LU65039222252
Charles Amand Durand
Charles Amand Durand, (1831-1905) is recognized and praised for accomplishing the difficult task of renewing original copper plate designs made by Rembrandt. It is by Amand that many of Rembrandt's works were saved. He also restored plates by Albrecht Durer, Beham, and other various Old Masters from the 15th, 16th, and 17th centuries. The task started when the main curator of the Louvre gave Amand Durand the important mission of restoring the worn down and fragile engravings made by Rembrandt. This is a printing from the Durand plates. Published in "Eaux-Fortes et Gravures des Maîtres anciens, Tirées Des Collections Les Plus Célèbres" by Edouard Lièvre and Georges Duplessis.
About the Seller
4.9
Platinum Seller
Premium sellers with a 4.7+ rating and 24-hour response times
1stDibs seller since 2017
7,505 sales on 1stDibs
Typical response time: 2 hours
- ShippingRetrieving quote...Shipping from: Monaco, Monaco
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllStudy of Five Heads - Original Etching by J.-J. Boissieu
By Jean-Jacques de Boissieu
Located in Roma, IT
Study of Five Heads is a beautiful black and white etching with drypoint interventions on paper, realized at the end of XVIII century by the French artist Jean-Jacques de Boissieu (Lyon, 1736- 1810).
Five study of heads of which two profiles (a female and a male) are lightly sketched with the drypoint technique, and we could appreciate the incredible draftsmanship. Instead, the bigger three portraits are very detailed and etched with a superb technique. Although the subjects are drawn in different scales and with different degrees of finish, each portrait has the dignity of a unique piece and the composition is very balanced.
In particular on the lower margin at the center there is the portrait of "Le Père Cotrot, Garçon Teinturier à Lyon'", an elderly man, toothless and with a large-nosed, slightly turned to left, with a hat and unbuttoned jacket over waistcoat, shows all his wrinkles in a very realistic way.
Signed on plate on lower right margin “De Boissieu”.
This old master’s original print with fresh impressions, is in very good conditions, except for a usual yellowing of the paper above all on the edges and some signs of the time and light foxing along the margins, do not affect the image.
Jean-Jacques de Boissieu (Lyon,1736 –1810)
Jean-Jacques de Boissieu was a French artist studied at the École de Dessin in Lyon, but he was mostly self-taught.
His first prints were realized between 1758–64. When he went to Italy in the retinue of the ambassador and Duc de la Rochefoucauld d’Enville, he had the lifechanging encounter: he met Voltaire and he entered in the world of luminaries, he had the opportunity of realizing some plates for the Diderot-d’Alembert’s Encyclopèdie. Then he continued to produce prints in Lyon, Boissieu made many etchings of the Roman and Dutch countryside, as well as the French countryside around Lyon, which earned him a reputation as the last representative of the older etching...
Category
Late 18th Century Old Masters Animal Prints
Materials
Drypoint, Etching
Study of Six Heads - Etching by J.-J. Boissieu
By Jean-Jacques de Boissieu
Located in Roma, IT
Study of Six Heads is a beautiful black and white etching with drypoint interventions on paper, realized at the end of XVIII century by the French artist Jean-Jacques de Boissieu (Lyon, 1736- 1810).
Six study od heads ( four elder men, a middle-aged man at the center, and a woman with turbant) etched with a superb technique and an incredible draftsmanship are drawn to different scales and with different degrees of finish, have the dignity of six different portraits with the same passion and effort.
Signed on plate on lower right margin “De Boissieu”. Inscription ( number plate) on higher-right corner "10".
This old master’s original print with lifetime impressions, is in very good conditions, except for a usual yellowing of the paper above all on the edges and some signs of the time,do not affect the image.
Jean-Jacques de Boissieu (Lyon,1736 –1810)
Jean-Jacques de Boissieu was a French artist studied at the École de Dessin in Lyon, but he was mostly self-taught.
His first prints were realized between 1758–64. When he went to Italy in the retinue of the ambassador and Duc de la Rochefoucauld d’Enville, he had the lifechanging encounter: he met Voltaire and he entered in the world of luminaries, he had the opportunity of realizing some plates for the Diderot-d’Alembert’s Encyclopèdie. Then he continued to produce prints in Lyon, Boissieu made many etchings of the Roman and Dutch countryside, as well as the French countryside around Lyon, which earned him a reputation as the last representative of the older etching...
Category
Late 18th Century Old Masters Animal Prints
Materials
Drypoint, Etching
De Humana Physiognomonia
Located in Roma, IT
De Humana Physiognomonia - Libri IIII
Original Title: Io: Bap-tistae Portae Neapolitani. De Hum. Physiognomonia. Libri IIII. Ad Aloysium Card. Estensem
Vici Aequensis, Apud Iosephum Cacchium, 1586. Vol. In-4° / cm. 32x22
272 pp (typographic mystake for page 265 indicated as 272 an vice-versa)
Circulation: Rare First Edition
Format: In-4°
Pages: 272
Cover on ancient parchment, with title in ink (ancient calligraphy) on spine and “archivistic” decorations in leather and rope on same spine. Binding restored using original contemporary cover.
Frontispiece fully engraved with portrait of author within an imaginary composition; portrait of Cardinale d’Este, whom the work is dedicated to, follows with full page engraving.
Includes 85 engravings 4 of which full page, showing human physiognomies compared to animals’ in order to demonstrate the relationship between physical aspects and moral features.
Good and clean copy, in a nice state. Black stain on p. 97 and minor tear on p. 198. Some whitening on 3-4 pages which do no affect reading.
Rare first edition of a pillar of modern anthropology, and one of the most popular essays of Italian Renaissance, with important influence during the following 300 years.
First book to be printed in Vico Equense...
Category
16th Century Old Masters Figurative Prints
Materials
Paper, Engraving
Altra veduta del medesimo in prospettiva...
By Giovanni Battista Piranesi
Located in Roma, IT
Title : Altra veduta del medesimo in prospettiva, fra una lampada e un piccolo vaso in bronzo
Artist proof, with a good contrast and sharp details, printed on antique laid paper, lar...
Category
1770s Old Masters Figurative Prints
Materials
Drypoint
In The Forest - Etching by Eugène Burnand - Late 19th century
Located in Roma, IT
In The Forest is an etching realized by Eugène Burnand (1850-1921) in the Late 19th century.
Good conditions with foxing.
The artwork is realized through short and deft strokes, a...
Category
Late 19th Century Old Masters Figurative Prints
Materials
Engraving, Etching
The Death of Mireille - Etching by Eugène Burnand - Late 19th century
Located in Roma, IT
The Death of Mireille is an etching realized by Eugène Burnand (1850-1921) in the Late 19th century.
Signed on the plate.
Good conditions with foxing.
The artwork is realized thr...
Category
Late 19th Century Old Masters Figurative Prints
Materials
Engraving, Etching
You May Also Like
Set of Two Engravings after Cipriani "Four Muses" & "Father and Two Daughters"
By Francesco Bartolozzi
Located in Saint Augustine, FL
Artist: Francesco Bartolozzi (Italian, 1727-1815)
Title: "Four Muses" & "Father and Two Daughters"
Portfolio: Rudiments of Drawing
*Issued unsigned, though both are signed by Bartolo...
Category
1780s Old Masters Figurative Prints
Materials
Engraving, Etching
The New Testament /// Old Masters Biblical Religious Engraving Dutch Angel Art
By Michael Burghers
Located in Saint Augustine, FL
Artist: Michael Burghers (Dutch, c.1647/1648-1727)
Title: "The New Testament"
Portfolio: Holy Bible
*Signed by Burghers in the plate (printed signature) lower left
Year: 1680
Medium: Original Etching and Engraving with recent Hand-Color on watermarked laid paper
Limited edition: Unknown
Printer: John Baskett, London?, UK
Publisher: Moses Pitt, Peter Parker, and Thomas Guy, London?, UK
Sheet size (irregular margins): 17.25" x 10.5"
Image size: 14.75" x 9.5"
Condition: Uneven trimming and light edgewear in margins. One small tear entering image lower right which has been skillfully repaired with added backing paper with archival tape from verso. It is otherwise a strong impression in very good condition with strong colors
Very rare
Notes:
Provenance: private collection - Cotswolds, UK. Comes from the 1685 "Holy Bible" portfolio. John Baskett was deemed printer to the King's most Excellent Majesty, for Great Britain and to the University of Oxford. Large unidentified watermark within center of sheet. There is an example of this work in the permanent collection of the British Museum in London, UK.
In the foreground, John the Evangelist, holding a pen and writing...
Category
1680s Old Masters Figurative Prints
Materials
Watercolor, Engraving, Etching, Laid Paper, Intaglio
'Portrait of Henrico van der Borcht, ' original W. Hollar engraving after Holbei
By Wenceslaus Hollar
Located in Milwaukee, WI
In this print, Wenceslaus Hollar presents a portrait of D. Henrico van der Borcht, copying a painting or drawing by Hans Holbein. Copying works of famous masters was a common task of...
Category
17th Century Old Masters Portrait Prints
Materials
Engraving
Venus and the Rose (2nd State)
By Giorgio Mantovano Ghisi
Located in Chicago, IL
Engraving after Luca Penni
Category
16th Century Old Masters Prints and Multiples
Materials
Engraving
Saint Jerome by Amand-Durand after Albrecht Durer
By Charles Amand Durand
Located in Long Island City, NY
Artist: Albrecht Dürer, After by Amand Durand, German (1471 - 1528)
Title: Saint Jerome
Year: 1873
Medium: Heliogravure
Size: 9 x 7.25 in. (22.86 x 18.42 ...
Category
1870s Old Masters Figurative Prints
Materials
Engraving
San Benedetto Con Altri Nanti, religious engraving after Veronese, circa 1700
Located in Melbourne, Victoria
Religious copper-line engraving by CM after Francesco Petrucci after (Paolo Caliari) Veronese. Depicts Saint Benedict and other holy figures.
Paolo Vero...
Category
Early 1700s Old Masters Portrait Prints
Materials
Engraving