Chris Plowman

Odds and Ends, 1987 - Colourful Lithograph Print with Screws and Metalwork Items

1987

Untitled (Abstract), Aquatint Painting by Johnny Friedlaender, 1960 Additional information: Medium: 76.2 x 57.1 cm 30 x 22 1/2 in Signed and numbered 92/95 in pencil

Liknon by Joe Tilson, 1994 Additional information: Medium: screenprint, woodblock and etching on BFK Rives paper 57.1 x 76.2 cm 22 1/2 x 30 in signed, dated, numbered II/XXV and ins...

Nature morte a la Pipe (Still life with a Pipe) by Henri Hayden, 1968 Additional information: Medium: lithograph 65.5 x 48.5 cm 25 3/4 x 19 1/8 in signed, dated and numbered 61/90 ...

George Dannatt 1915-2009 Marine Motif with two variations, (Dart Point), 1979-1990 mixed media 79 x 43 cm 31 1/8 x 16 7/8 in signed, inscribed and dated verso

A fun and unusual silk screen print done in the CMYK method with pointillist texture. The still life shows a selection of various plastic objects on a table. The artist has signed, d...

Objects in a Field, Lithograph Print by Vernon Fisher, 1990 Additional information: Medium: Lithograph print Condition: Excellent Dimensions: 36 × 36 in (91.4 × 91.4 cm) About arti...

Still Life is a Vintage Offset Print on ivory-colored paper, realized by Franco Gentilini (Italian Painter, 1909-1981), in the 1970s. The state of preservation of the artwork is exc...

Hand signed and numbered edition of 25. 16 x 36" sheet size without frame. “Workshop” is an ambitious color lithograph and linocut with chine collé printed in twelve colors from nine plates and one linocut. It has been printed in an edition of 25, plus proofs, on white Rives BFK paper 16 x 36” with chine collé of various papers. (No, it’s not upside down) Born 1964 in New York where he still currently resides and works alongside his partner the ceramist Kathy Butterly. Son of the photographer Rudy Burckhardt and painter Yvonne Jacquette, Tom Burckhardt was 1986, BFA, State University of New York, Purchase, NY 1992–1993, Skowhegan School of Painting and Sculpture, ME 1996, Marie Walsh Sharpe Art Foundation Studio Grant 1997, New York Foundation for the Arts, Painting Grant 1997 Pollock-Krasner Foundation Grant 2002 George Hitchcock Award, National Academy of Arts 2003, Richard & Hinda Rosenthal Foundation Award, American Academy 2005, AICA Best Show of an Emerging or Underknown Artist 2005 Pollock-Krasner Foundation Grant 2006 Best Installation, Best of Houston, the Houston Press 2009 Guggenheim Foundation Grant 2010, New York Foundation for the Arts Drawing/Print Grant 2010 Joan Mitchell Foundation Grant Tom Burckhardt’s work is a carnival of images jumbled and jostling each other in precarious nonsensical compositions. He uses lushly colored and patterned images from all kinds of sources that bounce between abstraction and representation. Images come from tool catalogs, paper and fabric patterns, funhouse painting, architectural details, stripes, dots and squiggles. It is as if Burckhardt is a cartoonist merrily channeling Ellsworth Kelly, Paul Feeley, Robert Therrien, and Myron Stout, among others. Like Red Grooms, for whom he worked as an assistant, Burckhardt ransacks his influences yet ends up with something unmistakably his own. His work bears the influence of is a synthesis of many things: the tribal-influenced abstract painting of Steve Wheeler...