Clarice George Logan

'The Rabbit' original woodcut engraving by Clarice George Logan

1936

The print 'Jones Island' is something of a self portrait. In the image, an artist stands before and easel, depicting the docks and buildings on the coast. The title indicates that this is Jones Island in Milwaukee, the peninsula along Lake Michigan that today is home to largely industrial buildings. The buildings and figures in the print suggest that this might be a view of the last of the Kashubian or German immigrant settlements on the peninsula before they were evicted in the 1940s to make way for the development of the harbor. The artist in the image thus acts as a documentarian of these peoples. The careful line-work of the woodblock engraving adds a sense of expressionism to the scene, leaving the figures and buildings looking distraught and dirty, though the image nonetheless falls into the Social Realist category that dominated American artists during the Great Depression. This print was published in 1936 as part of the Wisconsin Artists' Calendar for the year 1937, which included 52 original, hand-made prints – one for each week of the year. 6 x 5 inches, image 10 x 7.13 inches, sheet 13.43 x 12.43 inches, frame Signed "GS" in the print block,upper left Entitled "Jones Island" lower left (covered by matting) Inscribed "Wood Engraving" lower center (covered by matting) Artist name "Gerrit V. Sinclair" lower right (covered by matting) Framed to conservation standards using 100 percent rag matting and museum glass, all housed in a silver gilded moulding. Gerrit Sinclair studied at the Art Institute of Chicago from 1910 - 1915, under Vanderpoel, Norton, and Walcott. In World War I, he served in the Army Ambulance Corps and later recorded his experiences in a series of oil paintings. He taught in Minneapolis before arriving in Milwaukee in 1920 to become a member of the original faculty of the Layton School of Art. He was also a member of the Wisconsin Painters & Sculptors. Sinclair's paintings and drawings were executed in a lyrical, representational style, usually expressing a mood rather than a narrative. His paintings reveal a great sensitivity for color and atmosphere. His subject matter focused on cityscapes, industrial valleys, and working-class neighborhoods, captured from eye-level. A decade before the popularity of Regionalism, Sinclair's strong interest in the community was reflected not only in his paintings, but also in his encouragement to students to return to their communities as artists and teachers. Joseph Friebert...

"Meditation" is an original linoleum print by Schomer Lichtner, signed in the lower right hand corner. It features a man in the middle of a project, in quiet meditation. Image: 6" x 8" Framed: 14.5" x 14.37" Lichtner and his wife, Ruth Grotenrath (1912-1988), are celebrated as Milwaukee’s first couple of painting and are regarded as major Wisconsin artists. Lichtner’s impressive production, perseverance, longevity, and positive approach to his life and art made him and his work distinctive and much loved by his many admirers. His work is currently represented in collections at the Milwaukee Art Museum, the John Michael Kohler Art Center, the West Bend Museum, and in the collections of many individuals. Books on the lives and art work of both Lichtner and Grotenrath are in progress and it is anticipated that they will be published next year. Recipient of the 2006 Wisconsin Visual Artist Lifetime Achievement Award The late Milwaukee artists, Schomer Lichtner and Ruth Grotenrath, created original silkscreen prints as a part of their Christmas celebration starting in the 1940's. The subjects and colors varied from year to year but they laboriously printed these little gems themselves. Ruth Grotenrath, 1912-1988, and her husband, Schomer Lichtner, (1905-2006), are celebrated as Milwaukee’s first couple of painting and are regarded as major Wisconsin artists. From the outset, Lichtner and Grotenrath were determined to become full-time artists. Ruth Grotenrath and Schomer Lichtner began their careers by creating numerous murals for the WPA (Work Projects Administration), primarily post offices. A wonderful example can be seen in the Sheboygan, Wisconsin post office. Even during the Great Depression they worked producing Post Office murals under the Treasury Department's Section of Fine Arts (SFA). According to James Auer, former Milwaukee Journal Sentinel art critic, "As art and economic trends evolved, the couple’s palettes brightened and warmed. Both fell under the spell of the Mexican social realists, notably Diego Rivera, and modernists such as Matisse and Dufy. The couple’s perspective changed further after they became friends with philosopher Alan Watts...

The Rabbit is an original woodcut print by Giselle Hallf in the first half of the 20th Century. Good conditions. The artwork is depicted through strong strokes in a well-balanced c...

Ex Libris  - Woman Perfected is an Artwork realized for Giorgio Balbi in Mid 20th Century. Woodcut. Good conditions.