David Avery

The Coming of the Cocklicranes, No. 4 (Winter)

2015

David Avery has been creating finely detailed black and white etchings in San Francisco for twenty five years. Originally trained as a classical musician, he discovered etching almost by accident in a class at the local community college. After learning the basic techniques, he intently pursued his own course of discovery--being essentially -self taught. Over--the years, he has, developed an exceptional technique and has created a remarkable body of finely wrought miniature etchings and drypoints. David Avery continues to explore the expressive and technical possibilities inherent in black and white line etching. His work is included in the collections of the Fogg Museum at Harvard University, the New York Public Library, the Achenbach Foundation for the Graphic Arts, the Stanford University Library among others, and has been noted in the New York Times. Even though “black and white doesn’t sell”, he has eschewed the use of color, finding the subtleties and tonalities of black and white most capable of creating the psychological mood that allows his work to be effective. Public Collections: Library of Congress The Fogg Museum of Fine Arts, Harvard University, Cambridge, MA The Achenbach Foundation for Graphic Arts, San Francisco, CA Stanford University Library, Special Collections, Stanford, CA The Turner Print Gallery, California State University, Chico, CA The Folger Shakespeare Library, Washington, D.C. St. Mary’s College, Moraga, CA New York Public Library, New York, NY San Francisco Public Library, Book Arts and Special Collections Center Lakeview Museum Permanent Collection, Peoria, IL Arkansas State University Permanent Collection, AR Purdue University Galleries Bradbury Art Museum, Jonesboro, AR Kellogg University Art Gallery, Pomona, CA