Dzidra Ezergaile

Girl with flowers. 1968, paper, etching, 68x51 cm

1968

Portrait of Philip Andreevich Malavin.1899.Paper, lithography, 32x23 cm, restored: professionally reinforced edges. Leon Bakst. (1866-1924)

Firework. 1970, paper, silk screen printing, 85x61 cm Josif Elgurt (1924-2007) Born in 1924 in Kishinev in Romania. In 1947 resumed his art studies in Kishinev. Since 1952 he has l...

Serenity. 1992., paper, lithograph, 65x50,3 cm

Joyfulness. 2006. Paper, lithography, 72x54.5 cm Flamenco dancer in black and white colors

Monochromatic abstract figurative etching by Italian artist Giacomo Manzú. The piece depicts an image of Jesus Christ with a distinct facial expression on wove paper. Signed and editioned 98/200 by the artist at the bottom. Glass framed in a natural wooden frame. This particular work is included in the 1975 Portfolio "Omaggio a Michelangelo" (Homage to Michelangelo) which comprises 13 prints (8 partly colored etchings and 5 color lithographs). The portfolio includes other original signed and editioned prints by artists Horst Antes, Jorge Castillo, Emilio Greco, Renato Guttuso, David Hockney, Jean Ipoustéguy, Fiacomo Manzù, Marino Marini, André Masson, Henry Moore, Eduardo Paolzzi, Fritz Wotruba, and Paul Wunderlich. Dimensions Without Frame: H 31 in. x W 23.5 in. Artist Biography: Giacomo Manzù, original name Giacomo Manzoni, (born December 22, 1908, Bergamo, Italy—died January 17, 1991, Ardea), Italian sculptor who, in the mid-20th century, revived the ancient tradition of creating sculptural bronze doors for ecclesiastical buildings. His sober realism and extremely delicate modeling alternately achieved austere severity and sensuousness of form and surface, lending a new spirit of vitality to figurative bronze sculpture. Manzù had to leave school at an early age to learn a trade, and he was apprenticed to local craftsmen who taught him to carve wood and to work in metal and stone. After service in the Italian army from 1927 to 1928, Manzù went to Paris to try his luck as a sculptor, but after three weeks he collapsed from hunger and was deported back to Italy. He settled in Milan, and, after receiving a commission in 1929 to decorate a chapel at the Catholic University, he devoted himself to sculpting full-time. Manzù’s early works were nudes, portraits, and biblical subjects, executed in a style that at first was influenced by Etruscan, Egyptian, and medieval art. However, he soon adopted the Impressionist techniques of the Italian sculptor Medardo Rosso...

Black and white etching of a young woman named Jessie Magdalene Brewer. This piece features Beth Secor's iconic swirling and knotted brushwork that echo the dense weave of a tapestry...

Title: Rueckenakt Medium: Etching Edition: 50 Signed and numbered by hand Size: 21.5 × 17.6 on 25.0 × 19.9 inches COA provided Claude Garache is a French artist. He has worked in pa...

Portrait of a Lady is a beautiful etching on paper, realized by the English artist  Thomas Cheesman (1760 - 1834).  Signed on plate on the right corner, the watercolor etching is d'...