Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 3

Edward Topham
Union - Whom --- Has Join'd, Let No Man put Asunder!

1783

About the Item

Etching and engraving with hand coloring in watercolor on cream laid paper. 6 3/4 X 9 5/8 inches (170 x 244 mm), margins trimmed, image intact. Rubbing in the lower left image area obscuring the publishing information (which reads Published by Mm. Darchery, St. James Street March 11, 1783), scattered light foxing, corner loss, top left corner, well outside of image area. "SMP" collector's stamp in red ink on the verso (not in Lugt), and the name "Renier" and the initials "AR" in black ink on the verso. Colors are extremely fresh. Impressions of this work may be found in the permanent collection of the British Museum, and the Yale Center for British Art. Ex-Collection of Anne & Ferdinand Gabriel (F.G.) Renier, reknowned for their inspriational collection of children's books and works on paper, now housed in the Victoria & Albert Museum. _____ The devil officiates at the wedding of Tory Lord North, and Charles James Fox, the Whig statesman whose career spanned almost four decades in Parliament. The satirical scene is the signing of the Fox-North coalition, which was a short-lived partnership the two formed while combining forces in the House of Commons to oust then Prime Minister William Petty, Earl of Shelburne. Fox had fallen out of favor with the Irish born Shelburne, also a Whig, whose ministry remained in power just long enough to see the American War of Independence through to peace. Here we see the "sly" Fox accepting a gold ring from his bewildered adversary, forming an otherwise unthinkable union in an effort to double cross the head of his own political party and undermine the government.

More From This Seller

View All
A Peep at a Peer _ or the Guildford High Mettled Racer
Located in Middletown, NY
Etching with extensive hand coloring in watercolor on cream wove paper laid down to archival cardstock, 9 1/4 x 13 1/2 inches ( 235 x 342 mm), margins trimmed inside the platemark. C...
Category

Early 19th Century English School Figurative Prints

Materials

Handmade Paper, Watercolor, Etching

To Calais – after an illustration by Captain Frederick Marryat
By George Cruikshank
Located in Middletown, NY
London: Thomas McLean, 1835. Etching with hand coloring in watercolor on cream wove paper. 6 1/4 x 8 3/8 inches (157 x 210 mm), full margins. Initialed in the plate by Cruikshank, a...
Category

Early 19th Century English School Figurative Prints

Materials

Handmade Paper, Etching, Watercolor

Walking Sticks and Round-A-Bouts. For the Year 1801
By Thomas Rowlandson
Located in Middletown, NY
An excellent example of Rowlandson's visual commentary on the challenges of changing fashion for those with a less than ideal physique. Rowlandson, Thomas (after George Murgatroyd W...
Category

Early 19th Century English School Portrait Prints

Materials

Watercolor, Handmade Paper, Engraving, Etching

'The Protestants Champion!!' (... Duke of Sussex, Son of King George III)
By George Cruikshank
Located in Middletown, NY
This portrait of King George the III's son was published in the same year that Beethoven's Ninth Symphony premiered in London. 'The Protestants Champion!!' (Prince Augustus Frederick, Duke of Sussex...
Category

Early 19th Century English School Portrait Prints

Materials

Watercolor, Handmade Paper, Engraving, Etching

Country Christening – English School, 19th century
Located in Middletown, NY
London: Thomas McLean, 1825. Aquatint with engraving and handcoloring in watercolor on wove paper, 8 7/8 x 10 3/4 inches (225 x 272 mm), wide margins. Light handling wear and four s...
Category

Early 19th Century English School Figurative Prints

Materials

Watercolor, Handmade Paper, Engraving, Aquatint

Sarah Whitehead; The Bank Nun, or the Lady in Black – English School, 19th Cent.
Located in Middletown, NY
A well-colored Victorian portrait of the woman whose ghost is known to haunt the Bank of England and Threadneedle Street. Lithograph with hand-coloring in watercolor, 9 x 6 1/2 inch...
Category

Early 19th Century English School Figurative Prints

Materials

Watercolor, Handmade Paper, Lithograph

You May Also Like

Anaïs- 21st Century, Contemporary, Figurative, Pigment Print, Portrait
By Ger Doornink
Located in Barcelona, Catalonia
Edition of 50 Ger Doornink's limited editions are based on a high resolution scan of the original artwork. They are printed on archival Hahnemühle German Etching paper. This techniq...
Category

21st Century and Contemporary Contemporary Portrait Prints

Materials

Handmade Paper, Laid Paper, Digital Pigment

Solis - 21st Century, Contemporary, Figurative, Pigment Print, Portrait
By Ger Doornink
Located in Barcelona, Catalonia
Edition of 50 Ger Doornink's limited editions are based on a high resolution scan of the original artwork. They are printed on archival Hahnemühle German Etching paper. This techniq...
Category

21st Century and Contemporary Contemporary Portrait Prints

Materials

Handmade Paper, Laid Paper, Digital Pigment

"Gertrude" - Eleven Color Woodcut on Laid Rice Paper 2/45
Located in Soquel, CA
"Gertrude" - Eleven Color Woodcut on Laid Rice Paper 2/45 Portrait of a woman by artist, Dan Miller (American, b. 1928) made by layers of color in woodcuts in Miller's signature sty...
Category

1980s Contemporary Portrait Prints

Materials

Rice Paper, Laid Paper, Woodcut

John Evelyn Esq., English diarist, early 19th century portrait engraving print
Located in Melbourne, Victoria
'John Evelyn Esq' Copper-line engraving, by WH Worthington after Robert Walker. John Evelyn FRS was an English writer, landowner, gardener, courtier and minor government official, ...
Category

Early 19th Century English School Portrait Prints

Materials

Engraving

Samuel Cousins, engraver, self portrait mezzotint engraving
By Samuel Cousins
Located in Melbourne, Victoria
Samuel Cousins Mezzotint, by Edwin Long after Samuel Cousins (1801-1887). 1884. 530mm by 405mm (platemark) 620mm by 495mm (sheet). India-laid proof before lettering, signed in p...
Category

Late 19th Century English School Portrait Prints

Materials

Engraving, Mezzotint

Paul Julius de Reuters, late 19th century portrait engraving
By Rudolf Lehmann
Located in Melbourne, Victoria
Line engraving, on India paper, marked 'Private Plate' to lower margin. Circa 1870. 510mm by 380mm (platemark) 575mm by 455mm (sheet) Lehmann's painting dates to 1869 when Reuters ...
Category

Late 19th Century English School Portrait Prints

Materials

Engraving

Recently Viewed

View All