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Emil NoldeConversation Unterhaltung German Expressionism Romantic Scene1906
1906
About the Item
EMIL NOLDE 1867-1956
Nolde 1867 - 1956 Seebüll (German)
Title: Conversation Unterhaltung, 1906
Technique: Original Hand Signed, Dated and Titled Etching in Colour on Heavy Van Gelder Laid Paper
Paper size: 53.7 x 38 cm. / 21.1 x 15 in.
Image size: 15.2 x 19 cm. / 6 x 7.5 in.
Additional Information: This original etching in blue ink is hand signed and dated in pencil by the artist "Emil Nolde 06" at the lower right margin.
It is also titled “Unterhaltung” [Conversation], by the artist’s wife Ada Nolde, in the lower margin.
It is also hand numbered in pencil from the edition of 20, at the lower left margin.
It is additionally signed and inscribed by the printer “O. Felsing Berlin gdr.” [Otto Felsing, Berlin Printed], along the lower left platemark
The paper bears the Van Gelder Zonen watermark in the upper right margin.
Literature: Schiefler, G., Mosel, C. & Urban, M.(1995). Emil Nolde : das graphische Werk. Cologne: M. DuMont Schauberg.
Reference: Schiefler, Mosel & Urban 37 IV (of IV)
Condition: Excellent condition. Very pale, minor staining in the margins. Tissue paper attached along the left sheet edge.
- Creator:Emil Nolde (1867-1956, German)
- Creation Year:1906
- Dimensions:Height: 21.15 in (53.7 cm)Width: 14.97 in (38 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU1803485931
Emil Nolde
Emil Nolde (born Hans Emil Hansen; 7 August 1867 – 13 April 1956) was a German-Danish painter and printmaker. He was one of the first Expressionists, a member of Die Brücke, and was one of the first oil painting and watercolor painters of the early 20th century to explore color. He is known for his brushwork and expressive choice of colors. Golden yellows and deep reds appear frequently in his work, giving a luminous quality to otherwise somber tones. His watercolors include vivid, brooding storm-scapes and brilliant florals. Emil Nolde’s etchings reach far beyond the traditional printmaking of the early 20th century. He created rich tonal and textural areas through unusual applications of acid to his etching plates, masses of undulating, interwoven lines, and scratching with a variety of tools. He taught his inventive techniques to other Die Brucke artists.
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