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Ethel Mars
In the Garden

1916

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United Auto Workers, 1936-1937.
By Antonio Frasconi
Located in New York, NY
Antonio Frasconi created this woodcut and offset lithograph entitled "United Auto Worker, 1936-1937" in 1991. It is signed, titled, dated and inscribed “2/10” in pencil. The paper ...
Category

1990s Contemporary More Prints

Materials

Lithograph, Woodcut

Steel Workers, 1946
By Antonio Frasconi
Located in New York, NY
Steel Workers, 1946. By Antonio Frasconi, 1990. "Steel Workers, 1946" is a woodcut and offset lithograph created by Antonio Frasconi in 1990. This p...
Category

1990s Contemporary Figurative Prints

Materials

Lithograph, Woodcut

Tiendelitas
By Emilio Sanchez
Located in New York, NY
Emilio Sanchez (1921-1999) created this color lithograph entitled “TIENDECITAS” in 1967. This impression is signed, titled, and inscribed “21/50” in pencil. The printed image size 15 x 23.13 inches (38 x 58.8 cm) and paper size 20.75 x 29 3/8 inches (53 x 74.5 cm). Printed in an edition of 50. Stamped on verso "Estate of Emilio Sanchez." “Best known for his architectural paintings and lithographs, Emilio Sanchez (1921-1999) explored the effects of light and shadow to emphasize the abstract geometry of his subjects. His artwork encompasses his Cuban heritage...
Category

1960s Modern Landscape Prints

Materials

Lithograph

Levana
By Ben Shahn
Located in New York, NY
This elegant Ben Shahn lithograph entitled “Levana” was created in 1966. It was printed by Gemini G. E. L., Los Angeles, California, in an editi...
Category

1960s Modern Figurative Prints

Materials

Lithograph

Blind Botanist
By Ben Shahn
Located in New York, NY
This 1963 lithograph, printed in color, is a fine example of Ben Shahn’s long preoccupation with the theme of the blind botanist and illustrates his con...
Category

Late 20th Century Modern Figurative Prints

Materials

Lithograph

Tanks #1.
By Louis Lozowick
Located in New York, NY
This 1929 lithograph by Louis Lozowick was printed in an edition of 50. Lozowick signed this impression in pencil lower right with a monogram on stone, in the lower left. The sheet...
Category

Mid-20th Century Modern Figurative Prints

Materials

Lithograph

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By Ted Davies
Located in New York, NY
In the 1950s woodcuts were getting bigger and bigger. This one isn't gigantic, but at an image size of 17 x 11 inches it is substantial. And of course NYC's El Trains and their stati...
Category

Mid-20th Century American Modern Figurative Prints

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Located in Soquel, CA
Portrait of Anger - Multilayer Woodblock in Ink on Paper Bold and saturated woodblock print of a screaming man by Michael Dow (American, 20th Century). The man is centered in this m...
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1990s American Modern Figurative Prints

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Joseph Zirker, Playhouse
By Joseph Zirker
Located in New York, NY
In the 1950s woodcuts started to get bigger and bigger as they competed with paintings for a space on the wall. This California print by Joseph Zirke...
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1950s American Modern Figurative Prints

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Self Portrait-L.B. AET 56
By Leonard Baskin
Located in Fairlawn, OH
Self Portrait-L.B. AET 56 Color woodcut printed in black and green, 1978 Signed in pencil lower right (see photo) Edition: 150 (97/150) Condition: Excellent Image: 32 x 22” Sheet: 35...
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1970s American Modern Figurative Prints

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THE RUG WEAVER
By Gustave Baumann
Located in Santa Monica, CA
GUSTAVE BAUMANN (1881 – 1971) THE RUG WEAVER, 1910 (Chamberlain 26) Color woodcut signed in pencil. Unnumbed from an edition 100 as published in the Hills o’ Brown...
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1910s American Modern Figurative Prints

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On the Beach (Coney Island, New York) — 1930s Graphic Modernism, WPA
By Lou Barlow
Located in Myrtle Beach, SC
Lou Barlow (Louis Breslow), 'On the Beach' (Coney Island) wood engraving, c. 1937, edition c. 25. Signed and titled in pencil. Stamped 'FEDERAL ART PROJECT NYC WPA' in the bottom left margin. A fine, richly-inked impression, with all the fine lines printing clearly, on cream wove paper, with full margins (1 1/2 to 3 inches), in excellent condition. Matted to museum standards, unframed. Scarce. Image size 11 x 8 1/8 inches; sheet size 16 x 11 3/8 inches. Created during the Great Depression for the Works Progress Administration (WPA), Federal Art Project, New York City. Impressions of this work are in the permanent collections of the Amon Carter Museum of Art, Illinois State Museum, and the New York Public Library. ABOUT THE IMAGE Due to Coney Island's proximity to Manhattan, Brooklyn, and other New York boroughs, it began attracting vacationers in the 1830s and 1840s. Most of the vacationers were wealthy and went by carriage roads and steamship services that reduced travel time from a formerly half-day journey to two hours. By the late 1870s, the development of Coney Island's amusement park attractions and hotels drew people from all social classes. When the Brooklyn Rapid Transit Company electrified the steam railroads and connected Brooklyn to Manhattan via the Brooklyn Bridge at the beginning of the 20th century, Coney Island turned rapidly from a resort to an accessible location for day-trippers seeking to escape the summer heat in New York City's tenements. In 1915, the Sea Beach Line was upgraded to a subway line, and the opening of the Stillwell Avenue station in 1919 ushered in Coney Island's busiest era. On the peak summer days, over a million people would travel to Coney Island. In 1937, New York City purchased a 400-foot-wide strip of land along the shoreline to allow the boardwalk to be moved 300 feet inland. At this point, Coney Island was so crowded on summer weekends that parks commissioner Robert Moses...
Category

1930s American Modern Figurative Prints

Materials

Woodcut

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