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Eugène Burnand
In The Forest - Etching by Eugène Burnand - Late 19th century
Late 19th century

About the Item

In The Forest is an etching realized by Eugène Burnand (1850-1921) in the Late 19th century. Good conditions with foxing. The artwork is realized through short and deft strokes, an admirable scene created by realistic mastery through well-application of chiaroscuro.

Creator:

Eugène Burnand

Creation Year:

Late 19th century

Dimensions:

Height: 10.63 in (27 cm)Width: 7.49 in (19 cm)Depth: 0.08 in (2 mm)

Medium:

Engraving,Etching

Movement & Style:

Old Masters

Period:

Late 19th Century

Framing:

Framing Options Available

Condition:

Insurance may be requested by customers as additional service, contact us for more information.

Gallery Location:

Roma, IT

Reference Number:

Seller: T-1415491stDibs: LU650312863732

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Horse Drivers is an etching realized by Eugène Burnand (1850-1921) in the Late 19th century. Signed on the plate. Good conditions with foxing. The artwork is realized through sho...

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The Farmers is an etching realized by Eugène Burnand (1850-1921) in the Late 19th century. Good conditions with foxing. The artwork is realized throu...

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Study of Five Heads - Original Etching by J.-J. Boissieu

By Jean-Jacques de Boissieu

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Study of Five Heads is a beautiful black and white etching with drypoint interventions on paper, realized at the end of XVIII century by the French artist Jean-Jacques de Boissieu (Lyon, 1736- 1810). Five study of heads of which two profiles (a female and a male) are lightly sketched with the drypoint technique, and we could appreciate the incredible draftsmanship. Instead, the bigger three portraits are very detailed and etched with a superb technique. Although the subjects are drawn in different scales and with different degrees of finish, each portrait has the dignity of a unique piece and the composition is very balanced. In particular on the lower margin at the center there is the portrait of "Le Père Cotrot, Garçon Teinturier à Lyon'", an elderly man, toothless and with a large-nosed, slightly turned to left, with a hat and unbuttoned jacket over waistcoat, shows all his wrinkles in a very realistic way. Signed on plate on lower right margin “De Boissieu”. This old master’s original print with fresh impressions, is in very good conditions, except for a usual yellowing of the paper above all on the edges and some signs of the time and light foxing along the margins, do not affect the image. Jean-Jacques de Boissieu (Lyon,1736 –1810) Jean-Jacques de Boissieu was a French artist studied at the École de Dessin in Lyon, but he was mostly self-taught. His first prints were realized between 1758–64. When he went to Italy in the retinue of the ambassador and Duc de la Rochefoucauld d’Enville, he had the lifechanging encounter: he met Voltaire and he entered in the world of luminaries, he had the opportunity of realizing some plates for the Diderot-d’Alembert’s Encyclopèdie. Then he continued to produce prints in Lyon, Boissieu made many etchings of the Roman and Dutch countryside, as well as the French countryside around Lyon, which earned him a reputation as the last representative of the older etching...

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Eugène Burnand
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