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Francisco Goya
Lo que puede un Sastre! (What a Tailor Can Do!)

1799

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  • One Can't Tell Why - Proof from the Disasters of War
    By Francisco Goya
    Located in New York, NY
    Francisco José de Goya y Lucientes (1746 Fuendetodos – Bordeaux 1828), No se puede saber por qué – One can’t tell why ca. 1808–1814, etching, burnished aquatint, drypoint, an...
    Category

    1810s Old Masters Figurative Prints

    Materials

    Drypoint, Etching, Aquatint

  • Disparate Pobre (Two Heads are Better Than One) – Trial Proof
    By Francisco Goya
    Located in New York, NY
    Francisco de Goya y Lucientes (1746-1828), Disparate Pobre (Two Heads are Better Than One) – Trial Proof, with burnished aquatint, drypoint and engraving, c. 1812; plate 11 from Los...
    Category

    1810s Old Masters Figurative Prints

    Materials

    Engraving, Drypoint, Etching, Aquatint

  • Descending from the Cross, by Torchlight
    By Rembrandt van Rijn
    Located in New York, NY
    Rembrandt Harmensz. van Rijn 1606 Leiden – Amsterdam 1669 The Descent from the Cross by Torchlight 1654 etching and drypoint; sheet 213 x 163 mm (8 3/8 x 6 7/16 inches) Bart...
    Category

    17th Century Old Masters Figurative Prints

    Materials

    Drypoint, Etching

  • Auction
    By Bernhard Kretzschmar
    Located in New York, NY
    Bernard Kretzschmar (1889-1972), Auction, etching, drypoint, and burnished aquatint, 1921, signed and dated (’20) in pencil lower right [also initialed in the plate lower left] Refe...
    Category

    1920s Expressionist Figurative Prints

    Materials

    Drypoint, Etching, Aquatint

  • A Peaceful Sunday in the Woods (Repos du Dimanche dans le Bois)
    By Camille Pissarro
    Located in New York, NY
    Camille Pissarro (1830-1903), A Peaceful Sunday in the Woods (Repos du Dimanche dans le Bois), etching, aquatint and drypoint, 1891, signed in pencil lower right and inscribed by t...
    Category

    1890s Impressionist Figurative Prints

    Materials

    Drypoint, Etching, Aquatint

  • Minne Playing with a Cat (Minne Jouant avec un Chat)
    By Jacques Villon
    Located in New York, NY
    Jacques Villon (1875-1963) etching, aquatint, and drypoint, Minne Playing with a Cat (Minne Jouant avec un Chat),1907, signed in pencil and numbered (12/30)(Ginestet and Pouillon 192...
    Category

    Early 1900s Impressionist Figurative Prints

    Materials

    Drypoint, Etching, Aquatint

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    By Giovanni Battista Piranesi
    Located in Alamo, CA
    "Veduta del Sepolcro della Famiglia Plauzia per la Strada Che Conduce da Roma a Tivoli vicino a Ponte Lugano" from "Le Antichità Romane" (Roman Antiquities), one of the most famous works by Piranesi. "Antichita" illustrates the tombs along the Appian Way...
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    Early 18th Century Old Masters Figurative Prints

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    Etching, Engraving, Drypoint

  • The Spectacle Seller
    By Adriaen Jansz van Ostade
    Located in Middletown, NY
    Etching and drypoint on cream laid paper, 4 x 3 3/8 inches (102 x 86 mm), 1/4 inch margins. Signed in the plate, lower left corner. The 3rd state (of 6), after the rounding of the pl...
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    Mid-17th Century Old Masters Figurative Prints

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  • Street in Smyrna
    By Marius Bauer
    Located in Storrs, CT
    Street in Smyrna. 1889. Etching. Wisselingh 34. 7 x 5 1/4 (sheet 12 7/8 x 8 7/8).Edition 100, number 49. A rich, tonal impression printed on Strasbourg cream laid paper on the full s...
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    Late 19th Century Old Masters Figurative Prints

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    Drypoint, Etching

  • Breaking up of the Agamemnon, No 1
    By Sir Francis Seymour Haden, R.A.
    Located in Storrs, CT
    Etching and drypoint. Schneiderman 133.v/xi. 7 3/4 x 16 3/8 (sheet 9 1/4 x 17 1/2). A rich impression with plate tone printed in black/brown in on antique cream wove paper. Signed in...
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    Mid-19th Century Old Masters Landscape Prints

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  • Jan Uytenbogaert, The Goldweigher
    By Rembrandt van Rijn
    Located in Boston, MA
    Bartsch 281, Hind 167 iii/III, Nowell-Usticke 281, iii/III. A fine impression, with burr, as retouched by Baillie in 1792. With an unidentified collectors stamp, verso.
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    17th Century Old Masters Figurative Prints

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  • The Sacrifice of Iphigenia
    By Nicolas Beatrizet
    Located in Roma, IT
    Black and white etching and drypoint on wire rod paper, representing the myth of the sacrifice of Iphigenia. On the altar is inscribed "Iphigenia" in capital letters. On the lower left margin is inscribed "N. Beatrizet Lo Taringus F.", slightly discolored (Beatrizet usually signed his plates with the letters "N. B. L. F."). At the center of the lower margin is inscribed "Romae, Michaelis Tramezini formis cum privilegio summi Pont. M.D.L.III". After a drawing attributed to either Michelangelo Buonarroti, Salviati, or Baccio Bandinelli...
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    16th Century Old Masters Figurative Prints

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