George Overbury Hart

Springtime in New Orleans (Man Shaving/Jackson Sq apt in New Orleans)

1925

This image shows a cleric seated in a church sacristy surrounded by religious statues, croziers, various saints, statues and chalices. It is an origina...

In Anne Dykmans' "Fructidore", a well endowed woman uses her plaid apron to carry a bunch of fruit. Parts of her body clothed in plaid seem to suggest the same fruit she is carrying...

Binyon 232 - A fine impression in fine condition in an edition of 55 signed and inscribed by the artist. Strang was a prolific printmaker and across his lifetime produced over 750 o...

"Sew What" is a color mezzotint with burin engraving created in an edition of 35. This impression is #6. I love sumptuously designed textiles in both real life and art. Patterns metamorphosing over fabric folds appeal to my interest in modulating rhythmic forms, particularly the swells and swirls of calligraphic stripes. I’m also fascinated by articulated wooden hand models, which appear in many of my paintings. Combining these passions with sewing paraphernalia from my seamstress days provided inspiration for my color mezzotint engraving "Sew What". Carol Wax originally trained to be a classical musician at the Manhattan School of Music but fell in love with printmaking. Soon after she began engraving mezzotints she was asked by the renowned print dealer...

GUSTAVE BAUMANN (1881 – 1971) THE PRINT SHOP 1910 (Chamberlain 27) Color woodcut signed in pencil. Unnumbed from an edition 100 as published in the Hills o’ Brown Portfolio, (plate 11 of 12). Image 9 x 13 1/8, sheet 10 ¼ x 13 7/8 with deckle edge at the bottom. The print portrays the Brown County...

No matter the seriousness of the subject, everything is always beautifully drawn on the lithographic stone by Bendiner, but in this instance the negative space is exploited amazingly. This courtroom...

This exact subject is in the permanent collection of the Portland Art Museum (OR). Root also has works in the McNay Art Museum, San Antonio, and the Smithsonian Museum American Art M...

David Feintstein is a master draughtsman working in the genre of everyday life in New York City. His style is highly original, especially in this work. Here he's used Visitors' Day (...