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Georges Braque
L'Aquarium, 1950

1950

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Peintre et Femme Cuillant des Fleurs (Painter and Woman Picking Flowers), 1970
By Pablo Picasso
Located in Palo Alto, CA
Pablo Picasso Peintre et Femme Cuillant des Fleurs (Painter and Woman Picking Flowers), 1970 showcases a beautifully crisp work of art that Picasso imaginatively creates. Simple and ...
Category

1970s Modern Figurative Prints

Materials

Etching

Peintre au Travail (Painter at Work), 1963
By Pablo Picasso
Located in Palo Alto, CA
Pablo Picasso Peintre au Travail (Painter at Work), 1963 depicts three male figures conspicuously sitting beside each other. The contours of their bodies are highly irregular and alm...
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1960s Modern Figurative Prints

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Etching

Le nid vert (The Green Nest), 1950
By Georges Braque
Located in Palo Alto, CA
The bird is Georges Braque's calling card. When the 70-year-old artist was commissioned to create monumental decorations for the Louvre, he chose the bird as his subject. This winged animal appears again and again in his oeuvre, but its representation is noteworthy in this print. To those who would say that Braque is not a draftsman, Dora Vallier writes, "for [him], drawing is not a means of giving outward appearance to forms but of showing what lies within." Along the same lines, Braque himself says, "Forget things, only remember their relationship." These two statements encourage thoughtful viewing. Coming back to its nest and hatched egg, a great black bird is hardly visible against the dark green of its home and the brown leaves behind. Rather than spend time on the details, Braque emphasizes the spatial arrangement of the scene. Everything is compressed down to one level; the curtain of heart-shaped leaves blends together as it falls toward the nest. Braque sees how the tree, nest and bird interrelate, and this entwined relationship is what he chooses to show. Created circa 1950, this original color etching is hand-signed by Georges Braque (Argentueil, Val-d'Oise, 1882 - Paris, 1963) in pencil in the lower right margin and numbered 281/300 in pencil in the lower left margin. The edition was printed by Atelier Krommelinck, Paris on Rives paper, and published by Maeght, Paris. Catalogue Raisonné: Georges Braque The Green Nest (Le nid...
Category

1950s Modern Figurative Prints

Materials

Etching

Femme a la Cruche (Woman with Jug)
By Fernand Léger
Located in Palo Alto, CA
Exhibited for the first time in 1928 at Galerie Bernhiem-Jeune, Paris, this work was published by Bernheim-Jeune and printed under the direction of Villon. Assuming a pose resembling...
Category

1920s Modern Figurative Prints

Materials

Engraving, Aquatint

Le chapeau épinglé (La fille de Berthe Morisot et sa cousine), c. 1894
By Pierre-Auguste Renoir
Located in Palo Alto, CA
Returning to a familiar subject, Renoir captures fellow painter Berthe Morisot's daughter and her cousin in a sweet moment. Morisot, one of the few woman Impressionists to figure as ...
Category

1890s Modern Figurative Prints

Materials

Etching

Emehpylop (Cyclops), 1968
By Joan Miró
Located in Palo Alto, CA
Using his intuitive skill as a master artist, Miró combines dry-point with cement imprint to create a rich textural experience that is enhanced by beautiful and friendly visual image...
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1960s Modern Figurative Prints

Materials

Drypoint, Etching

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Sepolcro Regio o Consolare inciso nella rupe del Monte Albano, or nel Convento di Fr. Frances. ni di Palazzuolo is an original etching realized by Luigi Rossini. From the series “Le ...
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Edouard Goerg - Magic Jungle - Original Etching Paris, Le Gerbier, 1946 Edition of 340 Edouard Joseph Goerg ‘Edouard Goerg’: Born of French parents Edouard Joseph Goerg left Austral...
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Hermine David - Workers - Original Etching
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Hermine David - Workers - Original Etching Paris, Le Gerbier, 1946 Edition of 340 Signed in the plate
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Mercado de la Soledad, Cubist Etching by Alfredo Zalce
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Artist: Alfredo Zalce, Mexican (1908 - 2003) Title: Mercado de la Soledad Year: 1990 Medium: Etching, signed and numbered in pencil Edition: 100 Image Size: 8.25 x 25 inches Size: 16...
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"Mes Petites Amies, Les Deux Sœurs" signed by Jacques Villon
By Jacques Villon
Located in Milwaukee, WI
This is an original drypoint and aquatint artwork by Jacques Villon. The artist signed in pencil on the lower right. As well as signed in plate at the top right of the image. This is a wonderful artwork of different intaglio processes being brought together in a beautiful almost seamless harmony. The thin pencil like markings and hair detailing are made using the Drypoint printmaking method. Whilst the color details around the girls are made using the Aquatint etching method. Jacques Villon shows his skills as a printmaker with the way these pieces line up perfectly and with how clean the rest of the plate is around the girls. Catalogue Raisonne E101, pg. 66-67 (Ginestet & Pouillon. It depicts two young girls. 15" x 11 1/2" art 25 1/8" x 20" frame French painter, printmaker and illustrator. The oldest of three brothers who became major 20th-century artists, including Raymond Duchamp-Villon and Marcel Duchamp, he learnt engraving at the age of 16 from his maternal grandfather, Emile-Frédéric Nicolle (1830-94), a ship-broker who was also a much appreciated amateur artist. In January 1894, having completed his studies at the Lycée Corneille in Rouen, he was sent to study at the Faculty of Law of the University of Paris, but within a year he was devoting most of his time to art, already contributing lithographs to Parisian illustrated newspapers such as Assiette au beurre. At this time he chose his pseudonym: Jack (subsequently Jacques) in homage to Alphonse Daudet’s novel Jack (1876) and Villon in appreciation of the 15th-century French poet François Villon...
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