Georges Rouault

Triste Os (Sad Bones)

1934

Danseuses s'habillant (Laurence adjusting her hair and Mignon adjusting hre clothes) Drypoint & aquatint, 1893 Signed in the plate (see photo) After the division of the plate into A. 81 (as here) and A. 82 Divant la glace Editon 100 printed on velin paper Issued by Pellet in the set, Les Petites du Ballet, Gustave Pellet editeur, 1893 (13 plates), second state (b) without remarque Reference: Arwas 81, top portion of the plate vii/VIII Plate/Image size: 6 x 8 7/16 inches Condition: excellent Louis Auguste Mathieu Legrand (29 September 1863 – 1951) was a French artist, known especially for his aquatint engravings, which were sometimes erotic. He was awarded the Légion d'honneur for his work in 1906. Life Legrand was born in the city of Dijon in the east of France. He worked as a bank clerk before deciding to study art part-time at Dijon's Ecole des Beaux-Arts. He won the Devosge prize at the school in 1883.[2] In 1884 Legrand studied engraving under the Belgian printmaker Félicien Rops. Legrand's artworks include etchings, graphic art and paintings. His paintings featured Parisian social life. Many were of prostitutes, dancers and bar scenes, which featured a sense of eroticism. According to the Hope Gallery, "Louis Legrand is simply one of France's finest early twentieth century masters of etching." His black and white etchings especially provide a sense of decadence; they have been compared to those of Henri de Toulouse-Lautrec, though his drawings of the Moulin Rouge, the can-can dance and the young women of Montmartre preceded Toulouse-Lautrec's paintings of similar scenes. He made over three hundred prints of the night life of Paris. They demonstrate "his remarkable powers of observation and are executed with great skill, delicacy, and an ironic sense of humor that pervades them all." Two of his satirical artworks caused him to be tried for obscenity. The first, "Prostitution" was a symbolic drawing which depicted a naked girl being grasped by a dark monster which had the face of an old woman and claws on its hands; the second, "Naturalism", showed the French novelist Émile Zola minutely studying the thighs of a woman with a magnifying glass. Defended by his friend the lawyer Eugène Rodrigues-Henriques (1853–1928), he was found not guilty in the lower court, but was convicted in the appeal court and then given a short prison sentence for refusing to pay his fine. Legrand was made famous by his colour illustrations for Gil Blas magazine's coverage of the can-can, with text by Rodrigues (who wrote under the pseudonym Erastene Ramiro). It was a tremendous success, with the exceptional quantity of 60,000 copies of the magazine being printed and instantly sold out in 1891. In 1892, at the instigation of the publishing house Dentu, Legrand made a set of etchings of his Gil Blas illustrations. The etchings were published in a book, Le Cours de Danse Fin de Siecle (The End of the Century Dance Classes). Legrand took a holiday in Brittany, which inspired him to engrave a set of fourteen lithographs of simple country life called Au Cap de la Chevre...

L'Aieule (The Grandmother) Etching and aquatint printed in colors, 1904 Signed with the red stamp of the publisher, Gustave Pellet, Lugt 1193 and numbered (see photo) Edition: 100 (81/100) Reference: Arwas 202 iv/IV IFF 98 Condition: Excellent, the sheet aged as usual Image size: 14 1/4 x 18 5/8" Sheet size: 16 15/16 x 24 1/4" Louis Auguste Mathieu Legrand (29 September 1863 – 1951) was a French artist, known especially for his aquatint engravings, which were sometimes erotic. He was awarded the Légion d'honneur for his work in 1906. Life Legrand was born in the city of Dijon in the east of France. He worked as a bank clerk before deciding to study art part-time at Dijon's Ecole des Beaux-Arts. He won the Devosge prize at the school in 1883.[2] In 1884 Legrand studied engraving under the Belgian printmaker Félicien Rops. Legrand's artworks include etchings, graphic art and paintings. His paintings featured Parisian social life. Many were of prostitutes, dancers and bar scenes, which featured a sense of eroticism. According to the Hope Gallery, "Louis Legrand is simply one of France's finest early twentieth century masters of etching." His black and white etchings especially provide a sense of decadence; they have been compared to those of Henri de Toulouse-Lautrec, though his drawings of the Moulin Rouge, the can-can dance and the young women of Montmartre preceded Toulouse-Lautrec's paintings of similar scenes. He made over three hundred prints of the night life of Paris. They demonstrate "his remarkable powers of observation and are executed with great skill, delicacy, and an ironic sense of humor that pervades them all." Two of his satirical artworks caused him to be tried for obscenity. The first, "Prostitution" was a symbolic drawing which depicted a naked girl being grasped by a dark monster which had the face of an old woman and claws on its hands; the second, "Naturalism", showed the French novelist Émile Zola minutely studying the thighs of a woman with a magnifying glass. Defended by his friend the lawyer Eugène Rodrigues-Henriques (1853–1928), he was found not guilty in the lower court, but was convicted in the appeal court and then given a short prison sentence for refusing to pay his fine. Legrand was made famous by his colour illustrations for Gil Blas magazine's coverage of the can-can, with text by Rodrigues (who wrote under the pseudonym Erastene Ramiro). It was a tremendous success, with the exceptional quantity of 60,000 copies of the magazine being printed and instantly sold out in 1891. In 1892, at the instigation of the publishing house Dentu, Legrand made a set of etchings of his Gil Blas illustrations. The etchings were published in a book, Le Cours de Danse Fin de Siecle (The End of the Century Dance Classes). Legrand took a holiday in Brittany, which inspired him to engrave a set of fourteen lithographs of simple country life called Au Cap de la Chevre (On Goat Promontory). It was published by Gustave Pellet who became a close friend of Legrand's. Pellet eventually published a total of 300 etchings by Legrand, who was his first artist; he also published Toulouse-Lautrec and Félicien Rops among others. He did not only work in graphics; he exhibited paintings at the Paris salon of the Société Nationale des Beaux-Arts starting in 1902. In 1906 he was made a chevalier of the Légion d'honneur. Legrand died in obscurity in 1951. A retrospective exhibition was held at the Félicien Rops museum in Namur, Belgium in 2006 to celebrate his graphic art. The art collector Victor Arwas published a catalogue raisonné for the occasion. Books illustrated de Maupassant, Guy: Cinq Contes Parisiens, 1905. Poe, Edgar Alan: Quinze Histoires d'Edgar Poe...

Sevillanas Etching and color aquatint on laid watermarked paper, c. 1900 Signed by the artist in pencil lower right (see photo) Editioned in pencil lower left corner of sheet Publish...

Signed in pencil lower right Color etching with aquatint From: Monsour and Matta, Les Damnations, 1966 (11 plates, this one of 7 hors text images) Edition: 85 portfolios in the re...

Ballerine (Ballerina) Lift ground aquatint over heliogravure, printed in color, 1930 Unsigned (as issued) From: Andre Suares, Cirque (Livre d’Artiste with 8 plates), 1930 Published ...

Son avocat, en phrases creuses, clame sa totale inconscience (His lawyer, in hollow phrases, proclaims his total indiffference) Aquatint, drypoint, roulette and burnishing over heliogravure, 1922 Unsigned (as issued) From: Miserere (Have Mercy), 58 plates Plate 19 Aquatint, drypoint, roulette and burnishing over heliogravure 1922-1927 Edition: 425 on Arches vellum with the Ambrose Vollard watermark 25 Hors commerce portfolios All published impression are unsigned, as issued Signed and numbered only on the colophon Published by Societe d’Editions l’Etoile Filante, Paris, 1948 Printer: Jacquemin, Paris, 1922-1927 Reference: Chapon & Rouault 72 c/c Condition: excellent Image/Plate size: 21 1/16 x 15 7/8 Rouault’s Miserere...

Ernst Fuchs (Austrian, 1930 - 2015) Jesus speaking from the cross A rare Artist proof sheet from the Folio “Jean Paul. Die Rede des toten Christus vom Weltgebaude herab, dass kein Gott sei”, published in 1972 by Propyläen, Berlin, Germany. • Aquatint etching on French Arches paper (watermarked) • Sheet ca. 57 x 38 cm • Plate, ca. 24.7 x 19.7 cm • Signed bottom right • Inscribed in pencil bottom left: IV/XX E. A. (Print No. 4 out a run of twenty, Épreuve d'artiste (Artist’s proof) Worldwide shipping is complimentary - There are no additional charges for handling & delivery. Ernst Fuchs was an Austrian painter...

Lester Johnson Girls Walking State 3 etching 1986. Designated edition number 8 of 21 in pencil lower left recto. Signed in pencil "Lester Johnson" lower right recto.

Etching in colours by Max Ernst. "Bonjour", 1966 66,5 x 50,1 cm Copy 7/99 Edition of 111 copies (approx.)

An aquatint etching out of 1988 in a very good condition and bright colours. 57 x 66 cm. Edition of 90, signed and numbered.

deluxe limited edition of 25 medium: etching, aquatint, with carborundum, collage on paper year: 1980 paper size: 58" x 38" image size: 58" x 38" (145 x 98 cm.) frame size: 65.5" x...

This is an aquatint print by French painter Georges Rouault titled "Dors mon amour" ("Sleep, My Love") (plate facing page 164) from Cirque de l'étoile filante (The Shooting Star Circ...