Giacomo Manzú

King Oedipus' Fight - Etching by Giacomo Manzù - 1968

1968

The Scene of Oedipus king is an original etching realized by Giacomo Manzù in 1968. Recolin Press inc New York, Officina Bodoni Verona. Numbered on the lower left. Ed. 38/105. Th...

Oedipus king is an original etching realized by Giacomo Manzù in 1968. Racocin Press inc New York, Officina Bosoni Verona. Numbered on the lower left. Ed. 38/105. The state of pre...

The Portrait of King Oedipus is an original etching realized by Giacomo Manzù in 1970. Numbered on the lower left. Ed. 47/125. The state of preservation is very good. Giacomo Manz...

The Portrait of King Oedipus is an original etching realized by Giacomo Manzù in 1970. Hand-signed. Numbered on the lower left. Ed. 53/125. The state of preservation is very good....

"Le Bouclier" is an original drypoint etching by Claude Weisbuch. The artist signed the piece lower right and wrote the edition number (25/100) in the lower left. This piece depicts ...

Miguel CONDE Battle Scene Original Etching on vellum Handsigned on bottom right Numbered on /XXV 58.2 x 98.5 cm (22.8 x 38.5 in.) Good condition, slight...

Monochromatic abstract figurative etching by Italian artist Giacomo Manzú. The piece depicts an image of Jesus Christ with a distinct facial expression on wove paper. Signed and editioned 98/200 by the artist at the bottom. Glass framed in a natural wooden frame. This particular work is included in the 1975 Portfolio "Omaggio a Michelangelo" (Homage to Michelangelo) which comprises 13 prints (8 partly colored etchings and 5 color lithographs). The portfolio includes other original signed and editioned prints by artists Horst Antes, Jorge Castillo, Emilio Greco, Renato Guttuso, David Hockney, Jean Ipoustéguy, Fiacomo Manzù, Marino Marini, André Masson, Henry Moore, Eduardo Paolzzi, Fritz Wotruba, and Paul Wunderlich. Dimensions Without Frame: H 31 in. x W 23.5 in. Artist Biography: Giacomo Manzù, original name Giacomo Manzoni, (born December 22, 1908, Bergamo, Italy—died January 17, 1991, Ardea), Italian sculptor who, in the mid-20th century, revived the ancient tradition of creating sculptural bronze doors for ecclesiastical buildings. His sober realism and extremely delicate modeling alternately achieved austere severity and sensuousness of form and surface, lending a new spirit of vitality to figurative bronze sculpture. Manzù had to leave school at an early age to learn a trade, and he was apprenticed to local craftsmen who taught him to carve wood and to work in metal and stone. After service in the Italian army from 1927 to 1928, Manzù went to Paris to try his luck as a sculptor, but after three weeks he collapsed from hunger and was deported back to Italy. He settled in Milan, and, after receiving a commission in 1929 to decorate a chapel at the Catholic University, he devoted himself to sculpting full-time. Manzù’s early works were nudes, portraits, and biblical subjects, executed in a style that at first was influenced by Etruscan, Egyptian, and medieval art. However, he soon adopted the Impressionist techniques of the Italian sculptor Medardo Rosso...

Rendered in lines of varying strength, this scene from the Greek comedy Lysistrata written by Aristophanes is full of movement and drama. Staring at one a...