Giannetto Malmerendi

Portrait of Enrico Camangi - Original Woodcut by Giannetto Malmerendi - 1925

1925

Portrait is an original woodcut on paper, realized by the Italian Artist Lorenzo Viani in 1930 ca. The State of preservation is excellent. Monogrammed...

Self-Portrait is an original woodcut print by Carlo Zuccarini in the early 20th Century. Good conditions. The artwork is depicted through strong strokes in a well-balanced composition

Portrait is an woodcut print realized after Giuseppe Viviani (1989-1965). Hand signed with pencil "Erolda Benso Viviani" (the artist's wife) in the lower right corner. Good conditi...

The Portrait is an original Woodcut print realized by Mario Vellani Marchi (1895 – 1979) Good conditions. The artwork is depicted through perfect hatching in a well-balanced compos...

Original woodcut. Portrait of the German poet and essayist, Gottfried Benn (1886-1956). Pencil signed, titled and dated to the lower margin. On Japanese paper.

An original woodcut print by the listed Italian-Argentinian artist Victor Luciano Rebuffo (1903-1983). Entitled 'Portuario'. The print depicts a figure, likely a dockworker. Monogram...

Medium: original etching and drypoint. Printed in 1928 and published in Paris in a limited edition of 1100 for Abel Hermant's "Bigarrure". Plate size: 5 5/8 x 4 1/8 inches (143 x 105...

A 1928 woodcut on paper of a self-portrait of Notable Chicago Modernist artist Emil Armin. artowrk size: 10 1/2" x 8". Archivally matted to: 12 1/2" x 14 1/2. Edition 7/30. Emil Armin was born in Radautz, Austria in 1883. By the age of 10, Armin was orphaned and was raised by his older siblings. He supported himself by working in restaurants and drew in his spare time. In 1905, at the age of 21, Armin immigrated to Chicago. He began studying at the Art Institute of Chicago in 1907, but financial difficulties forced him to start and stop a number of times, finally graduating in 1920. He studied with George Bellows and Randall Davey. Armin was an integral part of Chicago’s 57th Street Art Colony and exhibited in both the more avant-garde Chicago No-Jury Society Shows, as well as the more formal and conventional Chicago Society of Artists Exhibitions, the Chicago Renaissance Society and Art Institute of Chicago (1922-1949) exhibitions. He taught at Hull House...