Giovanni Omiccioli

The Fisherman - Lithograph by Giovanni Omiccioli - 1970s

1970s

The Fisherman is an original etching hand colored by the italian artist Giovanni Omiccioli in 1971. Hand-signed in pencil on the lower right and dated. Numbered on the lower left, e...

The Fisherman is an artwork realized in 1975 by Giovanni Omiccioli (February 25, 1901 – March 1, 1975). Lithograph. Hand-signed and numbered in pencil, edition of 90 prints. The a...

The Fisherman is an artwork realized in 1975 by Giovanni Omiccioli (February 25, 1901 – March 1, 1975). Lithograph. Hand-signed and numbered in pencil, edition of 90 prints. The a...

Portrait  of the Fisherman is a beautiful etching realized in 1971 by the Italian artist Giovanni Omiccioli (Rome, 1901-1975).  Hand-signed in pencil on the lower right and dated. N...

Fisherman Three is an original 1939 signed etching by the American artist John E. Costigan ( 1888-1972 ) a self-taught painter and printmaker. The locale for Costigan...

Alain RAYA SORKINE The Fisherman's Wife Original lithograph Handsigned in pencil Numbered / 80 ex On vellum 20 x 13 cm (c. 8 x 5 inch) Excellent condition

Camille HILAIRE The Fisherman Original lithograph Handsigned in pencil On Vellum 40 x 30 cm (c. 16 x 12 in) Excellent condition

Monochromatic abstract figurative etching by Italian artist Giacomo Manzú. The piece depicts an image of Jesus Christ with a distinct facial expression on wove paper. Signed and editioned 98/200 by the artist at the bottom. Glass framed in a natural wooden frame. This particular work is included in the 1975 Portfolio "Omaggio a Michelangelo" (Homage to Michelangelo) which comprises 13 prints (8 partly colored etchings and 5 color lithographs). The portfolio includes other original signed and editioned prints by artists Horst Antes, Jorge Castillo, Emilio Greco, Renato Guttuso, David Hockney, Jean Ipoustéguy, Fiacomo Manzù, Marino Marini, André Masson, Henry Moore, Eduardo Paolzzi, Fritz Wotruba, and Paul Wunderlich. Dimensions Without Frame: H 31 in. x W 23.5 in. Artist Biography: Giacomo Manzù, original name Giacomo Manzoni, (born December 22, 1908, Bergamo, Italy—died January 17, 1991, Ardea), Italian sculptor who, in the mid-20th century, revived the ancient tradition of creating sculptural bronze doors for ecclesiastical buildings. His sober realism and extremely delicate modeling alternately achieved austere severity and sensuousness of form and surface, lending a new spirit of vitality to figurative bronze sculpture. Manzù had to leave school at an early age to learn a trade, and he was apprenticed to local craftsmen who taught him to carve wood and to work in metal and stone. After service in the Italian army from 1927 to 1928, Manzù went to Paris to try his luck as a sculptor, but after three weeks he collapsed from hunger and was deported back to Italy. He settled in Milan, and, after receiving a commission in 1929 to decorate a chapel at the Catholic University, he devoted himself to sculpting full-time. Manzù’s early works were nudes, portraits, and biblical subjects, executed in a style that at first was influenced by Etruscan, Egyptian, and medieval art. However, he soon adopted the Impressionist techniques of the Italian sculptor Medardo Rosso...