Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 15

Henry Moore
Studies for Sculpture on Blue Grey Background - Signed Lithograph, #30/60

1957

$3,950
£3,033.43
€3,476.27
CA$5,560.62
A$6,229.13
CHF 3,245.94
MX$75,982.51
NOK 41,248.50
SEK 38,894.39
DKK 25,945.95

About the Item

Studies for Sculpture on Blue Grey Background - Signed Lithograph, #30/60 Lithograph of six studies for a sculpture by Henry Moore (British, 1898-1986). These six drawings depict a mother holding her child while sitting on a bench. These were likely preliminary drawings for the various "Maquette for Madonna and Child" sculptures that Moore completed in the 1940s. The sculptures are on display at Tate Britain as a part of the "Modern and Contemporary British Art" exhibition. Signed "Moore" in the lower right corner. Numbered "30/60" in the lower left corner. Publisher: Berggruen and Company Printer: Mourlot Freres, Paris Presented in a silver colored frame with an off-white mat. Frame size: 28.5"H x 22.5"W Image size: 18"H x 14.5"W Henry Spencer Moore (30 July 1898 – 31 August 1986) was an English artist. He is best known for his semi-abstract monumental bronze sculptures which are located around the world as public works of art. Moore also produced many drawings, including a series depicting Londoners sheltering from the Blitz during the Second World War, along with other graphic works on paper. His forms are usually abstractions of the human figure, typically depicting mother-and-child or reclining figures. Moore's works are usually suggestive of the female body, apart from a phase in the 1950s when he sculpted family groups. His forms are generally pierced or contain hollow spaces. Many interpreters liken the undulating form of his reclining figures to the landscape and hills of his Yorkshire birthplace. Moore became well known through his carved marble and larger-scale abstract cast bronze sculptures, and was instrumental in introducing a particular form of modernism to the United Kingdom. His ability in later life to fulfil large-scale commissions made him exceptionally wealthy. Despite this, he lived frugally; most of the money he earned went towards endowing the Henry Moore Foundation, which continues to support education and promotion of the arts.
  • Creator:
    Henry Moore (1898 - 1986, British)
  • Creation Year:
    1957
  • Dimensions:
    Height: 28.5 in (72.39 cm)Width: 22.5 in (57.15 cm)Depth: 0.75 in (1.91 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    Print is in good condition, with minor tonal ageing, as expected. Frame is used and may show signs of wear, including surface scratches and loss of silver paint. Imperfections have been minimized, but frame is included "as-is" at no charge.
  • Gallery Location:
    Soquel, CA
  • Reference Number:
    Seller: DBH95691stDibs: LU54215550142

More From This Seller

View All
"Study 6" - 1975 Figurative Lithograph on Paper
By Jim Smyth
Located in Soquel, CA
"Study 6" - 1975 Figurative Lithograph on Paper Abstract figurative lithograph by Jim Smyth (American, b. 1938). The nude figure is seen with one hand above her head, holding a cloth, as she gazes down. Numbered, titled, signed and dated along bottom. "5/12", "Study 6", "Smyth 75." Presented in a brown mat. Mat: 16"H x 12"W Paper: 10 1/2"H x 8"W Image:9 1/4"H x 6 1/2"W Jim Smyth has studied at the Academia de Belle Arti in Fiorenza, Italy, Ecole des BeauxArts in Geneva, New York Academy, and the Art Students League. He is also a graduate of UC Berkeley with a degree in Fine Art. Although academically trained, Smyth practices and teaches a more impressionistic style of painting, focusing on the Alla Prima technique. He is particularly knowledgeable about drawing, perspective, color theory and the human figure, his passion. Smyth, with extensive academic knowledge, has a profound love of all human representations as illustrated by his humorous quick sketches from life. He also practices and teaches oil painting and pastels. When not in Provence, or Southeastern France, Smyth teaches intensely in art schools, art centers and several colleges in the Bay Area. He is a beloved instructor and his classes fill in quickly as he is very knowledgeable. On his return to the United States, he began studying with Mr. Alanson Appleton at the College of San Mateo, San Mateo, California. Smyth was a founding member of the Appletree Etchers, Inc., an etching print shop organized by Mr. Appleton and his students to develop and promote color intaglio. Smyth served as Master Printer at the studio for many years perfecting the techniques of intaglio and developing the color theories of Mr. Appleton as applied to the deeply etched plate. Smyth received his degree from the University of California, Berkeley, in 1972 and holds the California Community College Certificate and an Adult Education Certificate. Smyth was invited to teach "Anatomy for Artists" at Foothill College, Los Altos Hills, California, as a result of his many years of dissection of the cadaver and developed the course of study of Perspective for the college. During this period, he began teaching Life Drawing at the Pacific Art League of Palo Alto, Palo Alto, California. During the following thirty years Smyth has taught an average of twelve classes per week at the Pacific Art League of Palo Alto, the Palo Alto Art Center and the Burlingame Recreation Department among others in all phases of drawing and painting. He has conducted many workshops for the California Academy of Painters in many aspects of drawing and painting. Currently, he is an Adjunct Professor of Drawing at the College of San Mateo, San Mateo, California. He is an authority on the materials of painting and drawing, techniques of traditional drawing and painting, color theory, perspective and anatomy for artists. In his career in Life Drawing, Smyth has made over two hundred thousand drawings from the model. In addition to studies at Berkeley, Smyth has studied at the College of San Mateo, Foothill College, De Anza College, Mission College, and West Valley College, all in California. One of the pivotal points in his career was studying with Mr. Maynard Dixon Stewart at the University of San Jose, California. He spent a year at the New York Academy of Art where he was offered a full scholarship and at the Art Students League of New York. He concurrently attended classes at the National Academy of Design in New York. Among others, Smyth studied with M. Andrejivec, Ted Schmidt, Elliot Goldfinger, Gary Fagin, Ted Jacobs, Leo Neufeld...
Category

1970s American Impressionist Figurative Prints

Materials

Paper, Ink, Etching, Lithograph

"Study 2", Seated Figure Lithograph
By Jim Smyth
Located in Soquel, CA
Beautiful nude figurative lithograph by Jim Smyth (American, b. 1938). Numbered, titled, signed and dated "8/12", "Study 2", "Smyth 75” along the bottom edge. Unframed. Jim Smyth has studied at the Academia de Belle Arti in Fiorenza, Italy, Ecole des BeauxArts in Geneva, New York Academy, and the Art Students League. He is also a graduate of UC Berkeley with a degree in Fine Art. Although academically trained, Smyth practices and teaches a more impressionistic style of painting, focusing on the Alla Prima technique. He is particularly knowledgeable about drawing, perspective, color theory and the human figure, his passion. Smyth, with extensive academic knowledge, has a profound love of all human representations as illustrated by his humorous quick sketches from life. He also practices and teaches oil painting and pastels. When not in Provence, or Southeastern France, Smyth teaches intensely in art schools, art centers and several colleges in the Bay Area. He is a beloved instructor and his classes fill in quickly as he is very knowledgeable. On his return to the United States, he began studying with Mr. Alanson Appleton at the College of San Mateo, San Mateo, California. Smyth was a founding member of the Appletree Etchers, Inc., an etching print shop organized by Mr. Appleton and his students to develop and promote color intaglio. Smyth served as Master Printer at the studio for many years perfecting the techniques of intaglio and developing the color theories of Mr. Appleton as applied to the deeply etched plate. Smyth received his degree from the University of California, Berkeley, in 1972 and holds the California Community College Certificate and an Adult Education Certificate. Smyth was invited to teach "Anatomy for Artists" at Foothill College, Los Altos Hills, California, as a result of his many years of dissection of the cadaver and developed the course of study of Perspective for the college. During this period, he began teaching Life Drawing at the Pacific Art League of Palo Alto, Palo Alto, California. During the following thirty years Smyth has taught an average of twelve classes per week at the Pacific Art League of Palo Alto, the Palo Alto Art Center and the Burlingame Recreation Department among others in all phases of drawing and painting. He has conducted many workshops for the California Academy of Painters in many aspects of drawing and painting. Currently, he is an Adjunct Professor of Drawing at the College of San Mateo, San Mateo, California. He is an authority on the materials of painting and drawing, techniques of traditional drawing and painting, color theory, perspective and anatomy for artists. In his career in Life Drawing, Smyth has made over two hundred thousand drawings from the model. In addition to studies at Berkeley, Smyth has studied at the College of San Mateo, Foothill College, De Anza College, Mission College, and West Valley College, all in California. One of the pivotal points in his career was studying with Mr. Maynard Dixon Stewart at the University of San Jose, California. He spent a year at the New York Academy of Art where he was offered a full scholarship and at the Art Students League of New York. He concurrently attended classes at the National Academy of Design in New York. Among others, Smyth studied with M. Andrejivec, Ted Schmidt, Elliot Goldfinger, Gary Fagin, Ted Jacobs, Leo Neufeld, David Leffel, Jack Ferragasso, Jim Childs and Everett Raymond Kinstler and Kim English. Smyth has also studied with the noted painter and colorist, Ovanes Berberian. In 2002 Jim was invited to study at the Academy of Art in St. Petersburg, Russia, where he worked in Life Drawing and Life Painting. Smyth is a popular lecturer, a sought after demonstrator and juror. He is the recipient of many awards for both his painting and his teaching. In 1988 and again in 2003, he received the Kenneth Washburn...
Category

1970s American Impressionist Figurative Prints

Materials

Paper, Etching

Vintage Nude Figurative - Steel Plate Monotype
By Patricia A. Pearce
Located in Soquel, CA
Nude figurative by Patricia A. Pearce (American, b. 1948). Initialed "PP" on verso with the artist's name. Presented in a new blue mat with foamcore backing. Image size: 13"H x 11.25...
Category

1980s Contemporary Figurative Prints

Materials

Paper, Monotype

Vintage Figurative Nude - Steel Plate Etching
By Patricia A. Pearce
Located in Soquel, CA
Nude figurative by Patricia A. Pearce (American, b. 1948). Initialed "PP" on verso with the artist's name. Presented in a new cream mat with foamcore backing. Image size: 13"H x 11"W...
Category

1980s Contemporary Figurative Prints

Materials

Paper, Lithograph

"Study 2" Figurative Lithograph
By Jim Smyth
Located in Soquel, CA
Nude figurative lithograph by Jim Smyth (American, b. 1938). Numbered, titled, signed and dated "5/12", "Study 2", "Smyth 74” along the bottom edge. Unframed. Jim Smyth has studied at the Academia de Belle Arti in Fiorenza, Italy, Ecole des BeauxArts in Geneva, New York Academy, and the Art Students League. He is also a graduate of UC Berkeley with a degree in Fine Art. Although academically trained, Smyth practices and teaches a more impressionistic style of painting, focusing on the Alla Prima technique. He is particularly knowledgeable about drawing, perspective, color theory and the human figure, his passion. Smyth, with extensive academic knowledge, has a profound love of all human representations as illustrated by his humorous quick sketches from life. He also practices and teaches oil painting and pastels. When not in Provence, or Southeastern France, Smyth teaches intensely in art schools, art centers and several colleges in the Bay Area. He is a beloved instructor and his classes fill in quickly as he is very knowledgeable. On his return to the United States, he began studying with Mr. Alanson Appleton at the College of San Mateo, San Mateo, California. Smyth was a founding member of the Appletree Etchers, Inc., an etching print shop organized by Mr. Appleton and his students to develop and promote color intaglio. Smyth served as Master Printer at the studio for many years perfecting the techniques of intaglio and developing the color theories of Mr. Appleton as applied to the deeply etched plate. Smyth received his degree from the University of California, Berkeley, in 1972 and holds the California Community College Certificate and an Adult Education Certificate. Smyth was invited to teach "Anatomy for Artists" at Foothill College, Los Altos Hills, California, as a result of his many years of dissection of the cadaver and developed the course of study of Perspective for the college. During this period, he began teaching Life Drawing at the Pacific Art League of Palo Alto, Palo Alto, California. During the following thirty years Smyth has taught an average of twelve classes per week at the Pacific Art League of Palo Alto, the Palo Alto Art Center and the Burlingame Recreation Department among others in all phases of drawing and painting. He has conducted many workshops for the California Academy of Painters in many aspects of drawing and painting. Currently, he is an Adjunct Professor of Drawing at the College of San Mateo, San Mateo, California. He is an authority on the materials of painting and drawing, techniques of traditional drawing and painting, color theory, perspective and anatomy for artists. In his career in Life Drawing, Smyth has made over two hundred thousand drawings from the model. In addition to studies at Berkeley, Smyth has studied at the College of San Mateo, Foothill College, De Anza College, Mission College, and West Valley College, all in California. One of the pivotal points in his career was studying with Mr. Maynard Dixon Stewart at the University of San Jose, California. He spent a year at the New York Academy of Art where he was offered a full scholarship and at the Art Students League of New York. He concurrently attended classes at the National Academy of Design in New York. Among others, Smyth studied with M. Andrejivec, Ted Schmidt, Elliot Goldfinger, Gary Fagin, Ted Jacobs, Leo Neufeld, David Leffel, Jack Ferragasso, Jim Childs and Everett Raymond Kinstler and Kim English. Smyth has also studied with the noted painter and colorist, Ovanes Berberian...
Category

1970s American Impressionist Figurative Prints

Materials

Paper, Etching

Mid Century Modernist Seated Nude Figure Study
By George Giusti
Located in Soquel, CA
Abstract nude figurative drawing by George Giusti, (Italian 1908-1990). India ink on gesso patterned drawing paper created in 1949. Signed “George Giusti 1949” in the lower right corner. Presented in a distressed giltwood frame with glass and a light pink and grey mat. Image size: 15.75”H x 10”W This extraordinary artist was born in 1908 in Milan, Italy, of a Swiss father and an Italian mother. He studied at the Brera Academy of Fine Arts in Milan and did graphic design there before deciding to move to Zürich, Switzerland, where he opened a design studio, which he operated for seven years. While on a visit to the United States in 1938, Giusti was induced to stay by the several excellent commissions that were offered to him, including the opportunity to collaborate with Herbert Matter on the design of the Swiss pavilion at the 1939 New York World’s Fair. Giusti is well known in Europe and America for his architecture and sculpture, as well as his graphics. He studied architecture in Milan and worked at it from time to time, producing stunning examples of contemporary design. For more than four decades in America, and before that in Italy and Switzerland, George Giusti’s graphic designs have graced the covers of Time, Fortune, Holiday and other major magazines, as well as most of the publications of the United States Information Agency, and Giusti had a twelve-year design association with Geigy Pharmaceuticals. He has done advertising and graphic designs, illustrations, trademarks, client and employee publications, package designs for major corporations, and drawings. He has succeeded to the extent that his designs are consistently ahead of their time. It is Giusti’s expressed intention to build a bridge between fine art and art for commercial use. He disdains the terms “fine” and “commercial” as defining a distinction which should not exist. Art is art, he believes, whatever its purported use. Exhibitions: George Giusti’s work has been exhibited in America’s large cities and in most of the capitals of the world. His portfolio has been published in Graphis, Switzerland, Idea, Japan, Gebrauschsgraphik, Germany, Pagina Art, Italy, and Communication Art, and The United States. Awards and Affiliations: Over the years, Giusti has garnered more than ten gold and silver medals and eighty other awards and citations. He is a member of the American Institute of Graphic Arts, Alliance Graphique Internationale, International Center for Graphic Art (Typographic Art...
Category

1940s Modern Nude Drawings and Watercolors

Materials

Gesso, Paper, India Ink

You May Also Like

Eight Sculptural Ideas - Lithograph by Henry Moore - 1973
By Henry Moore
Located in Roma, IT
Hand signed, numbered and dated. Edition of 65 prints.  Excellent condition.
Category

1970s Modern Figurative Prints

Materials

Lithograph

Eight Sculptural Ideas - Lithograph by Henry Moore - 1973
By Henry Moore
Located in Roma, IT
Eight Sculptural Ideas is an original lithograph realized by the British artist Henry Moore (Castleford, 1898 - Much Hadham, 1986). Hand-signed and...
Category

1970s Contemporary More Prints

Materials

Paper, Lithograph

Figures - Lithograph by Henry Moore - 1976
By Henry Moore
Located in Roma, IT
Figures  is a lithograph artwork by the British artist  Henry Moore (Castleford, 1898 - Much Hadham, 1986). Hand-signed on the lower right. Numbered, edition of 50 prints. Origina...
Category

1980s Contemporary Figurative Prints

Materials

Lithograph, Screen

Henry Moore signed, numbered and dated lithograph, 2 seated figures, 1963
By Henry Moore
Located in Petworth, West Sussex
Henry Moore OM CH FBA (British, 1898 – 1986) 2 Seated figures in stone, 1963 Lithograph in black Signed, numbered and dated ‘VII / XXXV…. Moore 63.’ (lower edge in pencil) 33 x 29.1/...
Category

20th Century Modern Figurative Prints

Materials

Lithograph

Seven Sculptural Ideas - Lithograph by Henry Moore - 1973
By Henry Moore
Located in Roma, IT
Hand signed, numbered and dated. Edition of 65 prints. Very good condition.
Category

1970s Contemporary Figurative Prints

Materials

Lithograph

Figures Allongées - Lithograph by Henry Moore - 1971
By Henry Moore
Located in Roma, IT
Figures allongées is an print by the British artist  Henry Moore  (Castleford, 1898 - Much Hadham, 1986). This color lithograph on paper was edited by the French magazine XXe Siécle...
Category

1970s Contemporary More Prints

Materials

Lithograph