Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 7

Ipposai Yoshifuji
WO RO SI IA ZIN Russian Soldier with His Family

1861.02

About the Item

WO RO SI IA ZIN Russian Soldier with His Family Color woodcut, 1861 2nd month Signed upper left (see photo) Titled upper right in black cartouche (see photo) Format: oban Style: Yokohama-e Publisherr: Sagamiya Tokichi (Marks #435) active 1955-1866 Metropolitan Museum of Art in New York, has an impression of this image RARE Condition: with usual aging Image size: 13 7/8 x 9 3/8 inches Rebecca Salter in her Japanese Popular Prints... on page 18 gives a different take on the situation that Yoshifuji found himself in. "A giant of the period, however, was Utagawa Kuniyoshi (1797-861). Although best known for warrior prints which reflected the militaristic undercurrents of the time, he was also responsible for some of the most light-heartend and humorous works in this book. His followers in the Utagawa school, Utagawa Yoshitsuya (1822-66), Utagawa Yoshitora (ca. 1850s-70s), and Utagawa Yoshiiku (1833-1904) and Utagawa Yoshifuji (1828-87) all worked in woodblock's difficult declining years. An efficient commercial printing and publishing industry had been built on the popular appetite for topical images reflecting the times. The audience which had sustained the prints so effectively was declining, and Western printing methods were being introduced. But a living still had to be made by the remaining artists and craftsmen trained in the old technology. They were obliged to explore other avenues. Yoshifuji, for example, became well-known for omocha-e (toy prints), made very cheaply and sold to children. The standard of production was undeniably inferior to earlier prints, but this does not mean that these prints are not worthy of attention... They may have been made as throwaway items (and indeed few remain) but they demonstrate a visual sophistication reminiscent of earlier prints and can reveal subtle insights into the forces working to change Japanese society from within and without."
  • Creator:
    Ipposai Yoshifuji (1828 - 1887, Japanese)
  • Creation Year:
    1861.02
  • Dimensions:
    Height: 13.88 in (35.26 cm)Width: 9.38 in (23.83 cm)
  • Medium:
  • Period:
  • Condition:
  • Gallery Location:
    Fairlawn, OH
  • Reference Number:
    Seller: UK23461stDibs: LU14012523562

More From This Seller

View All
The Story of Tamiya Bataro
By Taiso Yoshitoshi
Located in Fairlawn, OH
The Story of Tamiya Bataro Color woodcut diptych, March 22, 1886 Signed and sealed by the artist (see photo) Yoshitoshi signature, Taiso seal Series: New selection of eastern brocad...
Category

1880s Figurative Prints

Materials

Woodcut

Self Portrait-L.B. AET 56
By Leonard Baskin
Located in Fairlawn, OH
Self Portrait-L.B. AET 56 Color woodcut printed in black and green, 1978 Signed in pencil lower right (see photo) Edition: 150 (97/150) Condition: Excellent Image: 32 x 22” Sheet: 35...
Category

1970s American Modern Figurative Prints

Materials

Woodcut

No Footprints Show, Where the Flowers Grow Deep
By Shiko Munakata
Located in Fairlawn, OH
No Footprints Show, Where the Flowers Grow Deep Woodcut, 1961 Unsigned (as isssued) From: The "Way" of the Woodcut, three woodcuts, 1961 Publisher: Pratt Adlib Press, Brooklyn, New Y...
Category

1960s Modern Figurative Prints

Materials

Woodcut

Shunga: Twelve Signs of the Zodiac - Goat
Located in Fairlawn, OH
Shunga: Twelve Signs of the Zodiac - Goat Color woodcut with gauffrage (embossing) Unsigned (as usual) Format: Shikishiban Publisher: Privately produced Unusually well preserved with the fugitive blue still intact Image size: 5-1/8 x 5-3/4" Sheet size: 5 3/8 x 6 1/4" From Wikipedia, the free encyclopedia In this Japanese name, the surname is Isoda. Isoda Koryūsai (礒田 湖龍斎, 1735–1790) was a Japanese ukiyo-e print designer and painter active from 1769 to 1790. Life and career Koryūsai was born in 1735 and worked as a samurai in the service of the Tsuchiya clan. He became a masterless rōnin after the death of the head of the clan and moved to Edo (modern Tokyo) where he settled near Ryōgoku Bridge in the Yagenbori area. He became a print designer there under the art name Haruhiro in 1769, at first making samurai-themed designs. The ukiyo-e print master Harunobu died in 1770, and about that time Koryūsai began making prints in a similar style of life in the pleasure districts. Koryūsai was a prolific designer of individual prints and print series,[1] most of which appeared between 1769 and 1881. In 1782, Koryūsai applied for and received the Buddhist honour hokkyō ("Bridge of the Law") from the imperial court and thereafter used the title as part of his signature. His output slowed from this time, though he continued to design prints until his death in 1790. Works Koryūsai created a total of 2,500 known designs, or an average of four a week. According to art historian Allen Hockley, "Koryūsai may ... have been the most productive artist of the eighteenth century". The series Models for Fashion: New Designs as Fresh Young Leaves (Hinagata wakana no hatsumoyō, 1776–1781) ran for 140 prints, the longest known ukiyo-e print series of beauties. He designed at least 350 hashira-e pillar prints, numerous kachō-e bird-and-flower prints, a great number of shunga erotic prints, and others. Ninety of his nikuhitsu-ga paintings are known, making him one of the most productive painters of the period. Legacy Despite Koryūsai's productivity and popularity—both in his time and amongst later collectors—his work has attracted little scholarship. The first ukiyo-e histories written in the West in the 19th century elevated certain artists as exemplars; Koryūsai's work came to be seen as too indebted to Harunobu, who died in 1770, and inferior to that of Kiyonaga, whose peak period came in the 1880s. An example is Woldemar von Seidlitz's Geschichte des japanischen Farbenholzschnittes ("History of Japanese colour prints", 1897), the most popular of the early ukiyo-e histories, which paints Koryūsai as a successor to Harunobu and a rival of Kiyonaga in the 1770s who slipped into mediocrity and imitation of his rival by the end of the decade.[5] Interest lay mainly in the details of Koryūsai's life—a samurai who received court honours was unusual in the proletarian world of ukiyo-e. In 2021, contemporary woodblock printmaker David Bull...
Category

1770s Other Art Style Figurative Prints

Materials

Woodcut

Beauty on a Veranda with Fan and Mirror
By Suzuki (Hozumi) Harunobu
Located in Fairlawn, OH
Signed: Harunobu ga Series: Series: Eight Fashionable Parlor Views (Furyu zashiki hakkei)? Format Japanese: chuban Provenance: Private Collection, Philadelphia Collection of McCleaf ...
Category

Mid-18th Century Edo Prints and Multiples

Materials

Woodcut

Morita Kanya XIII As Genta Kagesue in the play Genta Kando
By Natori Shunsen
Located in Fairlawn, OH
Morita Kanya XIII As Genta Kagesue in the play Genta Kando Color woodcut, 1928 Signed and stamped middle right edge Natori stamp lower left image edge Series: Collection of Creative...
Category

1920s Showa Figurative Prints

Materials

Woodcut

You May Also Like

Entrance to garden. Black and white woodcut, Figurative, Polish artist
By Franciszek Bunsch
Located in Warsaw, PL
Black and white figurative woodcut print by Polish artist Franciszek Bunsch. Print comes from limited edition, it is numbered and signed by the artist. FRANCISZEK BUNSCH (1926-2025...
Category

Early 2000s Other Art Style Figurative Prints

Materials

Woodcut, Paper

Faces and masks. Black and white print, Figurative, Polish artist
By Franciszek Bunsch
Located in Warsaw, PL
Black and white with figurative woodcut print by Polish artist Franciszek Bunsch. Print comes from limited edition, it is numbered and signed by the artist. FRANCISZEK BUNSCH (1926...
Category

Early 2000s Other Art Style Figurative Prints

Materials

Woodcut, Paper

''Papavers'' Contemporary Woodcut with Red Poppies in Vase in Interior
Located in Utrecht, NL
Vincent van Ojen is a true master of the woodcut technique. Through years of dedication and research, he has perfected this ancient medium, resulting in works of remarkable depth and...
Category

2010s Contemporary Figurative Prints

Materials

Woodcut

Iris at Dusk
Located in San Francisco, CA
This artwork titled "Iris at Dusk" 1980 is an original color woodblock print with embossing by American artist Daniel Joshua Goldstein, b.1950....
Category

Late 20th Century American Realist Landscape Prints

Materials

Woodcut

Surrealist Woodblock Print Royal College of Art LGBTQ+ Female Blue Green Birds
By Isabel Rock
Located in Norfolk, GB
Isabel Rock is a creator of contemporary fairy tales. A graduate of the Royal College of Art in London, her work is an explosion of strange occurrences while a surreal narrative take...
Category

2010s Surrealist Figurative Prints

Materials

Woodcut, Mixed Media

Woodcut Heart
By Jim Dine
Located in New York, NY
This original color woodcut was created by the artist in 1993. Hand-monogrammed by the artist in pencil and numbered, from the edition of 500. Available for local pick up...
Category

20th Century Contemporary Prints and Multiples

Materials

Woodcut

Woodcut Heart
Price Upon Request

Recently Viewed

View All