Isidor Stanislas Helman

Le Revolution Française - Etching by I.S. Helman

End of 1700

Created at the height of Matisse’s mature period, this work exemplifies the artist’s turn toward clarity, purity of line, and compositional balance. Matisse, in his signature linear ...

A superb example of the Matisse’s mastery of line, restraint, and psychological nuance. The sitter, a young girl rendered with the most economical of strokes, emerges from the page w...

This sensuous and playful scene is characteristic of Oldenburg’s printmaking ouevre: a veritable heap of women displaying various expressions of ecstasy and repose. The loose sketches were drawn directly onto the plate by the artist, a master draftsman whose erotic etchings are largely unknown. The composition is based on the drawing: Clinical Study, Towards a Heroic-Erotic Monument in the Academic/Comic Style...

The bird is Georges Braque's calling card. When the 70-year-old artist was commissioned to create monumental decorations for the Louvre, he chose the bird as his subject. This winged animal appears again and again in his oeuvre, but its representation is noteworthy in this print. To those who would say that Braque is not a draftsman, Dora Vallier writes, "for [him], drawing is not a means of giving outward appearance to forms but of showing what lies within." Along the same lines, Braque himself says, "Forget things, only remember their relationship." These two statements encourage thoughtful viewing. Coming back to its nest and hatched egg, a great black bird is hardly visible against the dark green of its home and the brown leaves behind. Rather than spend time on the details, Braque emphasizes the spatial arrangement of the scene. Everything is compressed down to one level; the curtain of heart-shaped leaves blends together as it falls toward the nest. Braque sees how the tree, nest and bird interrelate, and this entwined relationship is what he chooses to show. Created circa 1950, this original color etching is hand-signed by Georges Braque (Argentueil, Val-d'Oise, 1882 - Paris, 1963) in pencil in the lower right margin and numbered 281/300 in pencil in the lower left margin. The edition was printed by Atelier Krommelinck, Paris on Rives paper, and published by Maeght, Paris. Catalogue Raisonné: Georges Braque The Green Nest (Le nid...

Pablo Picasso Peintre et Femme Cuillant des Fleurs (Painter and Woman Picking Flowers), 1970 showcases a beautifully crisp work of art that Picasso imaginatively creates. Simple and ...

Created in 1979, this etching and aquatint on Somerset paper is hand-signed by Wayne Thiebaud (Mesa, 1920 - Sacramento, 2021) in pencil in the lower right margin and is numbered from...

Using his intuitive skill as a master artist, Miró combines dry-point with cement imprint to create a rich textural experience that is enhanced by beautiful and friendly visual image...

Pablo Picasso Painter in a Hat, Bearded Model and Naked Woman Spectator, 1963 Etching 18 x 14 ½ in Ed. 38 / 50 Georges Bloch catalogue raisonné as No. 1130 A number from this editio...

Between 1964 and 1965, Picasso created 10 aquatint etchings that were published as a supplement to Pierre Reverdy's literary work "Sable Mouvant". A stri...

- with the stamped signature on the lower right, as issued - numbered 15/50 - dated in the plate 29.3.71 - from the Suite 156 - published by Galerie Louise ...