J. J. Grandville

Pauvre France - Original Lithograph by J.J. Grandville - 1831

1831

Il ne s'agit pas d'aboyer, ici, mais de mordre is an original lithographs by J.J. Grandville from "Scènes de la vie privée et publique des animaux, 1852. Published by Manesq & Harvar...

Singeries is an original lithograph, realized by Jean-Jacques Grandville in 1832, double table 158/159 of La Caricature n ° 79 (3 maggio), sheet size 36.5x55 cm. In very good cond...

L’échénillement et les Sémailles is an original lithograph, realized by Jean-Jacques Grandville in 1833. Included a frame. In very good conditions. Jean Ignace Isidore Gérard (1803-1847) known by the pseudonym of Jean-Jacques or J. J. Grandville, was a French caricaturist. Grandville's ability for political provocation made his work with great impact. He worked in a wide variety of formats, from his first job illustrating the parlor game...

Vie Privée et Publiques des Animaux is an original lithographs on ivory-colored paper realized by J.J. Grandville from Scènes de la vie privée et publique des animaux, 1852. Publishe...

The circa 1840 engraving "Attaque de l'Hôtel de Ville - Trois Glorieuses" was engraved by Jean-Pierre-Marie Jazet after an original painting by H. Lecomte. This artwork vividly captu...

On ne pense pas à tout – Romantic French Lithograph, Paris circa 1840 This charming and slightly mischievous 19th-century lithograph titled *On ne pense pas à tout!* (translated: “O...

Original hand colored copper plate engraving. Printed in Paris, circa 1875. Plate: XXV111 Title: Soyez sans inquiétude, Mousieur ; deux mois de traitement, et je vous renvoie votre fils aussi droit que vois et moi. Unframed. 14.50” W x 11.50” H matted. By original owner). Image size: 8.5” x 5.50” One of us set of four very RARE different images purchased from the original owner. Other three available on separate 1st Dibs listings. JJ Granville bio: Jean Ignace Isidore Gérard (13 September 1803 – 17 March 1847) was a prolific French illustrator and caricaturist who published under the pseudonym of Grandville, and numerous variations (e. g. Jean-Jacques Grandville, Jean Ignace Isidore Grandville) throughout his career. Art historians and critics have called him "the first star of French caricature...

"VALMY! (L'Estampe Moderne)" is a print watermarked PL BAS after a drawing by Adolphe Willette. It depicts a general with his army and a young girl. 15 3/4" x 12" art 23" x 19 1/4" frame Adolphe Léon Willette (30 July 1857 – 4 February 1926) was a French painter, illustrator, caricaturist, and lithographer, as well as an architect of the famous Moulin Rouge cabaret. Willette ran as an "anti-semitic" candidate in the 9th arrondisement of Paris for the September 1889 legislative elections. Biography Willette was born in Châlons-sur-Marne. He studied for four years at the École des Beaux-Arts under Cabanel, training which gave him a unique position among the graphic humorists of France. Whether comedy or tragedy, dainty triviality or political satire, his work is instinct with the profound sincerity of the artist. He set Pierrot upon a lofty pedestal among the imaginary heroes of France, and established Mimi Pinson, frail, lovable, and essentially good-hearted, in the affections of the nation. Willette is at once the modern Watteau of the pencil, and the exponent of sentiments that move the more emotional section of the public. Always a poet, and usually gay, fresh, and delicate, in his presentation of idylls exquisitely dainty and characteristically Gallic, illustrating the more "charming" side of love, often pure and sometimes extremely materialistic. Willette frequently reveals himself bitter and fierce, even ferocious, in his hatreds, being a violent though at the same time a generous partisan of political ideas, furiously compassionate with love and pity for the people whether they be ground down under the heel of political oppression, or are merely the victims ot unrequited love, suffering all the pangs of graceful anguish that are born of scornful treatment. There is charm even in his thrilling apotheosis of the guillotine, and in the introduction into his caricatures of the figure of Death itself. The artist was a prolific contributor to the French illustrated press under the pseudonyms "Cemoi", "Pierrot", "Louison", "Bebe", and "Nox", but more often under his own name. He illustrated Melandri's Les Pierrots and Les Giboulles d'avril, Le Courrier français, and published his own Pauvre Pierrot and other works, in which he tells his stories in scenes in the manner of Busch. He decorated several "brasseries artistiques" with wall-paintings, stained glass, &c., notably Le Chat noir and La Palette d'or, and he painted the highly imaginative ceiling for La Cigale...