James Bama

"The Volunteer - Civil War" Historical Portrait, 742/1500

1988

Portrait of a Native American Elder in oil on Artist's Board Stately portrait of an elderly man by Hoyt Yeatman II (Jr) (American, 1926-2019). Shown against a dark background, the man is wearing a blue tunic, red headband...

Fur Trapper in Winter - Portrait in Oil on Canvas Majestic full length portrait of a fur trapper standing in the snow by John Pieron. A man stands an...

Stately mid century portrait of a man, done in charcoal in 1956, by William Clothier Watts (American, 1867-1961). Signed and dated "Willi...

Large Scale Surrealist Portrait in Acrylic on Board Bold surrealist portrait by Robert William Hinds (American, b. 1926). This piece has a dream-like quality, with the subject stand...

Samuel Wilson (Born 1986) San Antonio, TX Image Size: 30 x 24 Medium: Oil on Board "WE THE PEOPLE" When you see them in person you will say UNBELIEVEABL...

"The Abolitionist" features vibrant hues of blue, pink, purple, green and yellow. Richard Thomas Scott is inspired by the work of Rembrandt, Andrew Wyeth,...

Caravaggio painted "The Incredulity of St. Thomas" with Christ looking down as he pilots Thomas’ hand to his side. Not looking at Thomas or the others, but to his wound. He seems interested in the proof of his embodiment. He wants to know that this is real. He too, questions his body, his life and death. As for the paintings, William uses materials and methods of the Civil War era. The linen on which he paints was in use at that time as well as the tubed oil paints. He is one of the few artists who tacks his canvas to the stretchers using similar tacks that would have been used by Winslow Homer. While he leaves the works unframed for this reason, the artwork could certainly be framed. This artwork is unframed. Contact the gallery for framing options. Reenactment is a material culture where the feel of authentic wool has transformative power. The closer you can recreate the “kit” of the authentic soldier the closer you are to that past. In the pursuit of touching the past there are questions- Is this real? Did this happen? Is this me? Is this us? The gesture of piloting a finger into the side represents these repetitive questions. - William Blake Known for his highly charged depictions of Civil War reenactments, William Blake’s powerful paintings show the recursive bodies of reenactors as they gesture across time. Participating in over 40 reenactment events, Blake currently interprets as the artist-correspondent Winslow Homer at these battle reenactments. He immerses himself in the materiality of his own obsession by constructing period clothes, camping on battlefields, and documenting the reenactment similar to Homer’s documentation of the authentic war. The figures in the paintings reverberate the past with respect and with a desire to educate, humble, and play. With each annual iteration of American Civil War...

Self Portrait-L.B. AET 56 Color woodcut printed in black and green, 1978 Signed in pencil lower right (see photo) Edition: 150 (97/150) Condition: Excellent Image: 32 x 22” Sheet: 35...