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Jane FreilicherComposition, Description of a Masque, Jane Freilicher1998
1998
About the Item
Woodcut on vélin Tosa Hanga à la main paper. Paper Size: 16 x 12 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Description of a Masque, 1998. Published by The Limited Editions Club, New York; printed by Keiji Shinohara, Portland, 1998. Excerpted from the folio, This album was designed, set and printed by Dan Carr and Julia Ferrari at Golgonooza Letter Foundry & Press in Jannon-Garamond with Weiss titling, in an edition of CCC. The paper was handmade for this edition at the H. M. P. mill. The illustrations by Jane Freilicher were printed by Keiji Shinohara on handmade Tosa Hanga paper.
JANE FREILICHER (1924-2014) was an American representational painter of urban and country scenes from her homes in lower Manhattan and Water Mill, Long Island. She was a member of the informal New York School beginning in the 1950s, and a muse to several of its poets and writers. Freilicher was at the center of a milieu of important New York painters and poets, including painters Helen Frankenthaler, Joan Mitchell, Grace Hartigan, Fairfield Porter, Larry Rivers, and poets of the New York School including John Ashbery, Kenneth Koch, Frank O'Hara and James Schuyler. Along with Frankenthaler, Hartigan, Mitchell, and Nell Blaine, she was among only a handful of women artists who were exhibiting alongside their male counterparts. In 1996 she was awarded the Annual Academy of the Arts Lifetime Achievement Award from the Guild Hall Museum in East Hampton, New York.
- Creator:Jane Freilicher (1924, American)
- Creation Year:1998
- Dimensions:Height: 16 in (40.64 cm)Width: 12 in (30.48 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Auburn Hills, MI
- Reference Number:1stDibs: LU1465216135642
Jane Freilicher
Jane Freilicher (1924–2014) was an influential American painter known for her lyrical landscapes, still lifes, and interior scenes. Associated with the New York School, she maintained close ties with leading poets and painters of her time, including Frank O’Hara, John Ashbery, and Willem de Kooning. Freilicher’s work balanced figurative tradition with modernist sensibilities, often depicting views from her Manhattan and Long Island studios in soft, atmospheric tones. Her paintings are celebrated for their quiet intimacy, painterly elegance, and subtle interplay between observation and abstraction.
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