Jean-Emile Laboureur

La Petite Plage

1926

Jean-Emile Laboureur (1877-1943), L’ile Desert, etching, 1914, signed in pencil lower left and numbered lower right (33/35). Reference: Laboureur 135, only state, from the edition of...

Jean-Emile Laboureur (1877-1943), Sur la Marne, engraving, 1924, signed in pencil lower right [with the initial lower right in the plate]. Reference: S. Laboureur 277, third state (o...

Jean-Emile Laboureur (1877-1943), Le Promenade au Phare, engraving, 1925, signed in pencil lower left and numbered lower right (24/70) [with the initial in the plate lower left]. Ref...

Jean-Emile Laboureur (1877-1943), Maisons au Bord de la Mer, etching, 1936, numbered bottom right (26/66) and inscribed in the bottom margin by Suzanne Laboureur (see below). Referen...

Medium: Lithograph on vélin paper, hinged on archival support sheet, as issued Year: 1968 Paper Size: 13 x 16 inches; image size: 5 x 13.75 inches Inscription: Signed in the plate an...

La Plage à 12h 61 x 50 cm Acrylic on canvas La Plage à 12h by Grégoire Mathias captures the essence of a sunlit midday at the beach, where relaxed figures gather under striped p...

This exquisite lithograph after Georges Braque (1882–1963), titled La plage de Varengeville (The Beach at Varengeville), originates from the 1968 folio Varengeville, published by Mae...

10h à Royan (10am in Royan) Acrylic on canvas board Dimensions (unframed): 27 x 22 cm Signed lower left Condition: Excellent, presented in a gilded wooden frame with linen inlay In 10h à Royan, Grégoire Mathias captures a serene moment of seaside life through the geometric precision and rhythmic energy that define his Diachronic Cubism. Set against the vivid blues of the Atlantic coast, a figure enjoys a quiet morning coffee as sun and sea interplay in harmonious color blocks. The composition’s strong lines and vibrant contrasts evoke both warmth and movement — the golden light of morning, the hum of conversation, and the timeless rhythm of a day beginning by the ocean. Mathias’s refined Cubist language transforms this simple scene into a layered meditation on leisure and perception, blending abstraction with recognizable forms. Executed in acrylic on canvas board and signed lower left, the painting balances structure and spontaneity, revealing the artist’s unique ability to merge classic Cubist heritage with contemporary clarity. Perfect for: Collectors of modern French Cubism and/or Mediterranean themed scenes Interior designers seeking colorful, geometric compositions for coastal or contemporary spaces Buyers looking for affordable, original works by a rising French modernist Collector's Insights Small-format works like this represent an ideal entry point into Mathias’s oeuvre. They embody his characteristic use of rhythm, structure, and color in a format accessible to new collectors, while holding strong potential for appreciation as his market expands internationally. Keywords: Greg Mathias, French Cubism, Diachronic Cubism, modern coastal art, French Riviera painting...