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  • Design Credit: Samantha Todhunter Design Ltd., Photo Credit: Oliver Clarke. Dimensions: H 30.75 in. x W 22 in.
  • Design Credit: Lucy Harris Studio, Photo Credit: Francesco Bertocci. Dimensions: H 30.75 in. x W 22 in.
  • Design Credit: Timothy Godbold, Photo Credit: Karl Simone. Dimensions: H 30.75 in. x W 22 in.
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Jim Dine
Four Hearts, 1971, Jim Dine

1971

$3,000
$3,75020% Off

About

Artist: Jim Dine (1935) Title: Four Hearts Year: 1971 Medium: Lithograph on Arches paper Size: 30.75 x 22 inches Edition: 350, plus proofs Condition: Excellent Inscription: Signed by the artist in pencil. Notes: Published by Professional Prints with the National Gallerie Berlin JIM DINE (1935- ) Jim Dine's artwork reflect his skill as a draftsman and his virtuosity as a painter. Frequently, these skills are combined, but more often he has chosen to separate them so that some prints dramatically display his linear techniques and others his power as a painter. A modern master of printmaking, Jim Dine has long combined Pop-informed imagery with a highly personal point of view. He has created objects which are privately symbolic such as his series of Hearts which refers to his wife Nancy, and his Bathrobe studies, for instance, are progressive self-portraits.

Details

  • Creator
    Jim Dine (1935, American)
  • Creation Year
    1971
  • Dimensions
    Height: 30.75 in. (78.11 cm)Width: 22 in. (55.88 cm)
  • Medium
  • Movement & Style
  • Period
  • Condition
  • Gallery Location
    Fairfield, CT
  • Reference Number
    1stDibs: LU134219997062

Shipping & Returns

  • Shipping
    Ships From: Fairfield, CT
  • Return Policy

    A return for this item may be initiated within 1 day of delivery.

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About the Artist

Jim Dine

The Ohio-born artist Jim Dine brought his ever-shifting, multidisciplinary vision to New York in 1958, a time of transition in the American art world. Abstract Expressionism, which had dominated the scene for years, was on the wane, and a group of young artists, including Dine, Allan Kaprow, Jasper Johns and Robert Rauschenberg, was eager to replace it with a movement that flipped the traditional rules of art-making on their head.

Beyond dissolving the boundaries between mediums and genres, attaching found objects and detritus to their canvases, these revolutionaries began staging performative “happenings” in public spaces, redefining the very definition of a work of art. As Pop art took form, Dine used objects with personal significance, like his paintbrushes, to transform his paintings into two-dimensional sculptures. He was included in the Norton Simon Museum’s 1962 “New Painting of Objects,” often considered the first true Pop art exhibition in America, but he remained a chameleon, constantly changing his style, material and technique.

More than his contemporaries, Dine has forged new paths in drawing, scrawling words and names across the canvas to create graphic, abstract landscapes. He is obsessed by certain motifs — such as hearts and his own bathrobe — which recur in various forms throughout his oeuvre. He has occasionally worked in classical genres, such as portraiture, as exemplified by the 1980 aquatint Nancy Outside in July. He has also co-opted the bold, graphic vocabulary of advertising and commercials, as in the sleek 2010 composition Gay Laughter at the Wake.

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About the Seller
5.0
Located in Fairfield, CT
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