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Jim Dine
Red Pants II, Jim Dine

1999

Price Upon Request

About

This hand-colored etching on handmade paper was created in 1999. Signed in pencil and numbered, from the edition of 20. Accompanied by Certificate of Authenticity from Michael Lisi Contemporary Art.

Details

  • Creator
    Jim Dine (1935, American)
  • Creation Year
    1999
  • Dimensions
    Height: 34.75 in. (88.27 cm)Width: 55.75 in. (141.61 cm)
  • Medium
  • Period
  • Condition
  • Gallery Location
    New York, NY
  • Reference Number
    1stDibs: LU5542992531

Shipping & Returns

  • Shipping
    Rates vary by destination and complexity.
    Ships From: New York, NY
  • Return Policy

    This item cannot be returned.

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About the Artist

Jim Dine

The Ohio-born artist Jim Dine brought his ever-shifting, multidisciplinary vision to New York in 1958, a time of transition in the American art world. Abstract Expressionism, which had dominated the scene for years, was on the wane, and a group of young artists, including Dine, Allan Kaprow, Jasper Johns and Robert Rauschenberg, was eager to replace it with a movement that flipped the traditional rules of art-making on their head.

Beyond dissolving the boundaries between mediums and genres, attaching found objects and detritus to their canvases, these revolutionaries began staging performative “happenings” in public spaces, redefining the very definition of a work of art. As Pop art took form, Dine used objects with personal significance, like his paintbrushes, to transform his paintings into two-dimensional sculptures. He was included in the Norton Simon Museum’s 1962 “New Painting of Objects,” often considered the first true Pop art exhibition in America, but he remained a chameleon, constantly changing his style, material and technique.

More than his contemporaries, Dine has forged new paths in drawing, scrawling words and names across the canvas to create graphic, abstract landscapes. He is obsessed by certain motifs — such as hearts and his own bathrobe — which recur in various forms throughout his oeuvre. He has occasionally worked in classical genres, such as portraiture, as exemplified by the 1980 aquatint Nancy Outside in July. He has also co-opted the bold, graphic vocabulary of advertising and commercials, as in the sleek 2010 composition Gay Laughter at the Wake.

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About the Seller
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