John Crash Matos

X-Men Suite: Wolverine; Storm; Magento; Cyclops (4 Artworks), John Crash Matos

2000

Artist: John Matos (1961) Title: Storm from the X-Men Suite Year: 2000 Edition: 162/250, plus proofs Medium: Silkscreen on archival two-ply museum board Size: 24 x 18 inches Conditio...

Artist: John Matos (1961) Title: Cyclops from the X-Men Suite Year: 2000 Edition: 162/250, plus proofs Medium: Silkscreen on archival two-ply museum board Size: 24 x 18 inches Condit...

Artist: John Matos (1961) Title: Magento from the X-Men Suite Year: 2000 Edition: 162/250, plus proofs Medium: Silkscreen on archival two-ply museum board Size: 24 x 18 inches Condit...

Artist: Larry Zox (1937-2006) Title: Three Square Composition Year: 1978 Edition: VII/LX; 200 Arabic Numeral, 60 Roman Numeral, plus proofs Medium: Silkscreen on Arches paper Size: 2...

X-Men: House of X / Powers of X House of X and Powers of X abbreviated as HOX and POX are two X-Men comic books created by writer Jonathan Hickman and artists Pepe Larraz, R.B. Silv...

Los Angeles street artist Gary John exploded onto the international art scene first during Art Basel Miami in 2013. John’s playfully bold work quickly gained attention and he was nam...

The Strangest Super-Heroes of All. The foundation of a pop-culture phenomenon. When Marvel publisher Martin Goodman asked Stan Lee to deliver another new team book for his line of comics, he had no idea he’d be getting something like The X-Men. In fact, nobody could have imagined the extraordinary phenomenon the X-Men would eventually grow into—not Goodman, not Lee, not even the forward-thinking futurist Jack Kirby. What they started out as was a charming, ragtag team of misfits, devised by Lee and Kirby to be mutants—youngsters born with “X-tra” powers thrust upon them not by accidentally crossing paths with cosmic rays or a nuclear blast, but by the fate of birth—led by a no-nonsense professor who trained them to become heroes that could protect the world from menaces, mutant and otherwise. The first years of storytelling laid the foundation for much of what has put the X-Men at the crossroads of comics and popular culture: Hounded by a public that fears and misunderstands them, mutantkind find themselves at the heart of their own civil rights struggle; Cyclops, Marvel Girl, Angel, Beast, and Iceman found safety amongst themselves despite the challenges that set them apart from others in society; and Professor Xavier lined up against his ideological foe, Magneto, who had assembled a Brotherhood of Evil Mutants to take the fight for their self-preservation directly to humankind. Along the way, Lee and Kirby—who were on fire taking comics into the Marvel Age—introduced a menagerie of villains and supporting characters that would become mainstays of Marvel and its lore: the super-powered siblings Quicksilver and Scarlet Witch; the formidable Blob; the unstoppable Juggernaut; the jungle dweller from the Savage Land, Ka-Zar; the demigod from the stars, the Stranger; and Bolivar Trask and his army of mutant-hunting Sentinels. And as Lee and Kirby gave way to new talents so they could move on to new corners of the Marvel Universe, Atlas era art veteran Werner Roth teamed with writing newcomer and future X-Men legend Roy Thomas...

John CRASH Matos is a true pioneer of the Graffiti movement. Crash was first noticed through his murals on subway cars and is now regarded as a pioneer of the Graffiti art movement. This painting on canvas by Crash features a number of Super Hero symbols. Batman, Spiderman, The Flash, Fantastic 4, The Green Lantern, Superman, Robin and Captain America! The canvas measures 24x24" His work is said to convey a "visual link between street life and established society". and in 1980, Crash curated the now iconic exhibition: "Graffiti Art Success for America" at Fashion MODA, launching the graffiti movement into a mainstream art movement. In 1983, Crash was given his first major gallery showing at the legendary Sidney Janis Gallery in New York City. The first time a Graffiti artist ever exhibited at a major gallery, around the same time Keith Haring started showing at the Tony Shafrazi gallery, taking street art and graffiti art from the streets to a fine art gallery. CRASH has been part of numerous museum and gallery shows around the world focusing on Graffiti and Street Art, and has works in many permanent museum collections. Crash also has painted Stratocaster guitars for Eric Clapton and John Mayer...