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Jose Clemente Orozco
THE MASSES

1935

$4,750List Price

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L'inspiré Self Portrait Marc Chagall Valentina Vava Lithograph 1963 Mourlot 398
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Inspiration or L'inspiré - The artist and his wife, self-portrait. This is a self-portrait of the great artist, depicting him as lost in thought before one of his paintings, which is apparently related to his home country Russia, as suggested by the small figure in the lower right of the work. Chagall’s wife Valentina (“Vava”), who was also from Russia, is looking over his shoulder, full of longing. The small surreal elements that are characteristic of Chagall’s paintings are also present here: the silhouettes of the houses that seems to stick out of the painting and a figure with a flute or trombone standing on its head. Chagall Lithographe, Volume II of the catalogue raisonné of Chagall's lithographic work, see Mourlot 398, 1957-1962, Paris 1963, imprinted by Imprimerie Mourlot for the publisher André Sauret. A lithographic plate from the catalog that was published in 10,000 copies. Condition : Excellent Set inside a cream mount bearing brass cartellino Visible sheet size length 23cm, Height 31.50cm In a carved and gilded frame Frame size Length 44cm, Height 55.5cm The reverse with a paper label in Japanese Provenance : Private Collection, purchased with Lovers in Grey
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Discussion
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In this charming regionalist lithograph, Benton captures a classic Midwestern American scene: two men talking, drinking, and smoking together in a bar. Titled 'Discussion', the artwo...
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Old Man Reading
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Prodigal Son
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A man raises his hand to his chin, his neck tilted and face turned to look at a dilapidated farmhouse, barely held together by planks of wood and exposed to the elements. Behind him ...
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Picasso and the Human Comedy, Verve Lithograph Print, 1954 Oringinal Lithograph
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Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954 Original lithographs published by Mourlot Frères Original lithograph print from Verve Vol. VIII, No 29/30 printed by t...
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Picasso and the Human Comedy, Verve Lithograph Print, 1954 Original lithograph
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Picasso and the Human Comedy, Verve, Vol. VIII, No 29/30, 1954 Original lithographs published by Mourlot Frères Original lithograph print from Verve Vol. VIII, No 29/30 printed by t...
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Giorgio de Chirico 1960s Original Signed Lithography Lithograph with golden yellow background Signed in pencil lower left ‘P d A’ Artist's proof Signed in pencil lower right ‘G. De ...
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British Post Office Greetings Telegrams (1935-1978), after various artists
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British Post Office Greetings Telegrams (1935-1978), after various artists photolithograph dimensions, including frames: 33 x Telegram 9 ¾ x 11 ⅞ in. (24.8 x 30.1 cm.) 31 x Telegram 10 ½ x 12 in. (26.8 x 30.5 cm.) 12 x Telegram 11 ½ x 18 in. (29.2 x 45.7 cm.) and similar 12 x Telegram 9 x 11 ½ in. (22.9 x 29.2 cm.) 1 x Telegram 11 ¾ x 12 ¾ in. (29.8 x 32.4 cm.) 1 x Telegram 9 x 10 ⅜ in. (22.9 x 26.3 cm.) 1 x Telegram 8 x 10 ½ in. (20.3 x 26.7 cm.) A set of ninety-one (91) The historical equivalent of a text or WhatsApp message, the first telegram was sent in code in 1844 from Washington to Baltimore by Samuel Morse, asking “What hath God wrought?” By 1870 (the year that the British General...
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‘LE REPOSE du MODELE' - Rare First State
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William Tell And His Son In Front Of The Hat
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ANDREAS PAUL WEBER (German 1893 – 1980) WE’RE OVER THR MOUNTAIN (Wir sind überm Berg) (A68, D2718) Lithograph over tinted ground, signed in pencil and in monogram in the stone. Image, 14 ½ x 19 1/4. Large full sheet with watermark and deckle edge, 24 ½ x 19 ¼. In very good condition. The A. Paul Weber Museum was inaugurated in Ratzeburg in 1973. Andreas Paul Weber died on 9 November 1980. This important German lithographer, draughtsman and painter bequeathed a comprehensive œuvre, in which critical satirical works figure prominently. THE WEBER MUSEUM HAS ADDITIONAL INFORMATION AND A BIOGRAPHY The following is a biography taken from the prominent German auction house KETTERER /KUNST: Andreas Paul Weber attended secondary modern school in Arnstadt between 1903 and 1910 before briefly attending the School for the Decorative and Applied Arts in Erfurt. In 1908 Weber joined the 'Jungwandervogel', a movement which sought to develop a new, modern lifestyle based on walking and living close to nature. At the same time Andreas Paul Weber began experimenting with lithography and worked as a commercial artist. When the first world war broke out, Weber served as a railway engineer on the Eastern Front, where he worked for the army as a draughtsman from 1916. After the war Andreas Paul Weber illustrated numerous books, including Till Eulenspiegel, Reineke Fuchs and the critical contemporary work Der Zeitgenosse by Hjalmar Kutzleb, which were Weber's first successes. In 1925 Weber founded the 'Clan-Presse' ['Clan Press'], where he and his son Christian printed...
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