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Joseph Hirsch
SEPTEMBER MORN

1966

$4,800List Price

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THE BRIDGE
By Frank Benson
Located in Portland, ME
Benson, Frank. THE BRIDGE. Paff 227. Drypoint on copper, 1923. A trial proof of the second state, printed on uncalendared Japanese Vellum, annotated "B-1," the first of two trial pro...
Category

20th Century American Realist Figurative Prints

Materials

Drypoint

PHOEBE PASSES MY GATE
Located in Portland, ME
Hutty, Alfred. PHOEBE PASSES MY GATE. Drypoint, c. 1931. Edition size c.75. 8 1/8 x 7 1/4 inches (plate), 10 1/4 x 8 3/4 inches (sheet). Print...
Category

1930s American Realist Figurative Prints

Materials

Drypoint

MAN MONKEY.
By John Sloan
Located in Portland, ME
Sloan, John. MAN MONKEY. M.130. Etching, 1905. Edition of 100, Signed by Sloan. Dated in the lower margin "June 13 - 1905," and further inscribed "J. S. imp. dated by Sloan - final s...
Category

Early 1900s American Realist Figurative Prints

Materials

Etching

RUNNING THE RAPIDS
By Frank Benson
Located in Portland, ME
Benson, Frank. RUNNING THE RAPIDS. Paff 269. Etching, 1927. Edition of 150. Signed in pencil. Printed on Whatman paper. 5 7/8 x 7 3/4 inches (plate), 8 1/2 x 10 5/8 inches (sheet). A...
Category

1920s American Realist Figurative Prints

Materials

Etching

THE LIFE CLASS - SECOND STONE (THE MODEL, LIFE CLASS).
By George Wesley Bellows
Located in Portland, ME
Bellows, George. THE LIFE CLASS - SECOND STONE (THE MODEL, LIFE CLASS). Mason 43, Bellows 193. Lithograph, 1917. Edition of 49, signed by Bellows. Inscribed "No.20," titled and sign...
Category

Early 20th Century Figurative Prints

Materials

Lithograph

THE TEAM
By Raphael Soyer
Located in Portland, ME
Soyer, Raphael. THE TEAM. Lithograph with hand coloring, 1932 (Cole 23). 14 3/4" x 11." Edition of 25 published by Asociated American Artists, NY. A unique, or one of a few colored b...
Category

1930s Figurative Prints

Materials

Color, Lithograph

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The Chap-Book. Color lithograph/Price Cents /1895.
Located in New York, NY
The Chap-Book. Color lithograph/Price Cents /1895. Published by Stone & Kimball Chicago Designed by Claude F. Bragdon. On Linen .Minor wear at edges and at top of poster. Minor paper...
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1880s American Realist Figurative Prints

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Didn't He Ramble? (Jazz Musician Trumpet Player)
Located in Wilton Manors, FL
Whitford Carter (1915-1973). Didn't He Ramble?, 1964. Lithograph on paper, image measures 13 x 17 inches; 19 x 22 inches in original frame. Signed, dat...
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Mid-20th Century American Realist Figurative Prints

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Chono Ca Pe, An Ottoe chief,
Located in Pasadena, CA
History Of The Indian Tribes Of North America, With Biographical Sketches And Anecdotes Of The Principal Chiefs. Embellished With One Hundred And Twenty Portraits, From The Indian Gallery...
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Early 20th Century American Realist Figurative Prints

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Chono Ca Pe, An Ottoe chief,
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Chon-Mon-I-Case, an Otto half chief.
Located in Pasadena, CA
History Of The Indian Tribes Of North America, With Biographical Sketches And Anecdotes Of The Principal Chiefs. Embellished With One Hundred And Twenty Portraits, From The Indian Ga...
Category

Early 20th Century American Realist Figurative Prints

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Chon-Mon-I-Case, an Otto half chief.
Located in Pasadena, CA
History Of The Indian Tribes Of North America, With Biographical Sketches And Anecdotes Of The Principal Chiefs. Embellished With One Hundred And Twenty Portraits, From The Indian Gallery...
Category

Early 20th Century American Realist Figurative Prints

Materials

Lithograph

Coffee Huskers
By George Biddle
Located in New York, NY
George Biddle (1885-1973), Coffee Huskers, 1928, lithograph, signed, titled and numbered [also inscribed ’43/Biddle/1928 in the plate]. Reference: Pennigar 77, Trotter 43. From the edition of 100, on Rives cream wove paper, with the Rives watermark. In excellent condition, probably never framed or matted, the full sheet, 13 1/4 x 9 3/4, the sheet 16 x 11 1/2 inches, archival mounting (mylar non-attached hinging between acid free boards glassine cover). A fine black impression. Biddle wrote of this lithograph, in 1943: “After scraping the tusche away…I worked back with a pensil (sic) and again with diamond. This all adds to the richness of texture and color.” This work produces a very sophisticated lithographic look, akin in some ways to drypoint work in etching. After Groton, Harvard College and Harvard Law (and several breakdowns) Biddle concluded that a conventional career in law was not for him; he decided on art, went to Paris, worked with Mary Cassatt and familiarized himself with modernist currents in art (as well as more traditional European art). After serving in WWI, and the dissolution of his marriage, he became interested in working outside of the European tradition (although his travels continued to include Europe, and he spent a period working under the influence of Jules Pascin in Paris in the mid-‘20’s). Coffee Huskers, like many of the Mexican and Haitian prints...
Category

1920s American Realist Figurative Prints

Materials

Lithograph

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