Juliana Seraphim

Asturias II, Surrealist Etching by Juliana Seraphim

circa 1970

Asturias I Juliana Seraphim, Palestinian (1934–2005) Date: Circa 1970 Etching on Arches, signed and numbered in pencil by the artist and Miguel Asturias Edition of 200 Image Size: 19...

Juliana Seraphim, Palestinian (1934 - ) - Asturias I, Year: Circa 1970, Medium: Etching, signed and numbered in pencil by the artist and Miguel Asturias, Edition: 200, Image Size:...

Guillermo Silva Santamaria, Colombian (1922 -2007) - Vencedor y Vencido, Year: 1963, Medium: Etching, Aquatint and Intaglio, signed, titled, numbered and dated in pencil, Edition: ...

Lucien Coutaud, French (1904 - 1977) - Visage Nocturne I, Year: 1951, Medium: Etching on Arches, signed, dated and numbered in pencil, Edition: AP, Image Size: 13 x 9.75 inches, Siz...

José Viera (Spain, 1949) 'La noche', ca. 1990-1999 engraving on paper 15.8 x 24.5 in. (40 x 62 cm.) Edition of 225 ID: VIE1176-001-225 Hand-signed by author

Surreal Fantasy is a 1967 original limited edition ( 18/30 ) black and white signed etching by Italian artist Alberto Longoni in good condition. ...

Enrico Baj (1924-2003) Italian, limited edition print. Hand signed and numbered in pencil from limited edition of 100 Aquatint etching with the addition of hand watercolor painting ...

ARMODIO (1938) Abstract Composition Original Etching Signed and justified c.p.a Dimensions: 49,5 x 34,5 cm. Armodio was born in Piacenza in 1938. His training depends not so much on the attendance of the "Gazzola" Art Institute in his city, but also on the encounter with the painter Luciano Spazzali, whose study is the ideal place for experimentation and contamination. Here he met the painter Gustavo Foppiani, first teacher and then a fellow traveler; the two work together and then join the painter Carlo Bertè who will divide the study until 1980. This formed a free grouping animated by curiosity towards the most varied manifestations of culture, intent on reading reality under the sign of irony and inclined towards playful transgression. The first Piacenza personal exhibition was in 1963 at the Genocchi Gallery in Piacenza and in 1964, thanks to Foppiani, the Obelisk of Rome...