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Keith HaringPop Shop VI, 1989 complete set of 4 artworks1989
1989
About the Item
The complete portfolio of 4 individual pieces. Each with the Keith Haring Estate stamp verso, signed in pencil by the Executor for the Estate, Julia Gruen, and numbered 26/200. Published by Martin Lawrence Editions, Los Angeles. Reference Littman, K, & Haring K. Keith Haring, Editions on Paper 1982-1990: The Complete Printed Works, Cantz, Stuttgart, 1997, p.150-151. Framed Dimensions 21-5/8" x 24-5/8" (55 x 62.5 cm) each of the four pieces.
- Creator:Keith Haring (1958-1990, American)
- Creation Year:1989
- Dimensions:Height: 13.5 in (34.29 cm)Width: 16.5 in (41.91 cm)Depth: 0.2 in (5.08 mm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:Framed Dimensions are not included. Dimensions listed are for each of the four pieces.
- Gallery Location:Miami, FL
- Reference Number:1stDibs: LU466314211852
Keith Haring
Keith Haring began experimenting with his bold, graphic lines and cartoon-inspired figures on the walls of New York City subway stations in the early 1980s. He called them his “laboratory,” places to develop a radical new aesthetic based on an ideology of creating truly democratic public art.
Haring’s paintings, prints and murals address the universal themes of death, love and sex, as well as contemporary issues he experienced personally, like the crack-cocaine and AIDS epidemics. They derive much of their impact from the powerful contrast between these serious subjects and the joyful, vibrant pictographic language he uses to express them, full of dancing figures, babies, barking dogs, hearts and rhythmic lines, as well as references to pop culture.
To make his art even more accessible, in 1986, Haring opened the Pop Shop in Soho. In a foreshadowing of today’s intermingling of art and fashion, the shop sold merchandise and novelty items featuring imagery by Haring and contemporaries like Kenny Scharf and Jean-Michel Basquiat. While his works sometimes included text, for the most part, he chose to communicate through drawing.
“Drawing is still basically the same as it has been since prehistoric times,” Haring once declared. “It lives through magic.”
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