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Leon Bibel
'Clown' — WPA American Expressionism

1939

About the Item

Leon Bibel, 'Clown', color serigraph, 1939, edition 20. Signed, dated, titled, and numbered '/20' in pencil. A fine, richly-inked, painterly impression, with fresh colors, on buff laid paper; the full sheet with margins (1 to 2 inches), in excellent condition. Scarce. Archivally matted to museum standards, unframed. Created by the artist for the New York City Works Progress Administration (WPA). Image size 13 3/4 x 11 inches (349 x 279 mm); sheet size 16 3/4 x 13 7/8 inches (425 x 352 mm). Collection: Columbus Museum of Art. ABOUT THE ARTIST Painter, printmaker, and sculptor, Leon Bibel, was born in Poland in 1913 but moved with his family to San Francisco as a child. He trained at the California School of Fine Arts and received a scholarship to study under the German Impressionist Maria Riedelstein. He worked in collaboration with Bernard Zackheim, a student of Diego Rivera, to create frescoes for the San Francisco Jewish Community Center and the University of California Medical School. In 1936 Bibel moved from California to join the Federal Art Project of the New York City WPA. He was assigned to the Graphic Art Project and the Easel Project at Harlem Art Center. He also taught at both P.S. 94, and Bronx House, in New York City. Bibel’s program in the WPA ended in 1941, and he moved with his wife to South Brunswick, New Jersey, ceasing his artistic pursuits to support his family. He resumed his artistic work in the early 1960s and continued to explore the mediums of painting and sculpture until his death. A constant innovator, Bibel experimented with diverse printmaking mediums. His work is distinguished by its boldly conceived, dramatic composition and passionately executed expressionist renderings. Bibel's parents immigrated from Poland, and he remained staunchly pacificist, even throughout WWII. Much of his work during this period focused on the destructiveness of war and the consequent suffering and alienation of humankind. An artist of the people, his work is imbued with a sense of humanity and a concern for social justice and the plight of the working man. Bibel’s numerous exhibitions include the Newark Museum (1966, one-person); Jersey City Museum (1967); Hunterdon County Art Center, Clinton, NJ (1978); Monmouth College Art Festival (1978); Rutgers State University (1978); New Jersey State Museum (1978, one-person); Rider College, Lawrenceville, NJ (1983, one-man); Hillel Foundation of Rutgers (1985-86, one-man); Trenton State College (1985); Noyes Museum (1986); National Academy of Design (1987); Rutgers Labor Education Center (1988, one-person); Ellarslie Museum, Trenton, NJ (1990); Mercer County Community College, Trenton, NJ (1990); South Brunswick Public Library (1990-91, one-person); Hillel Foundation of Rutgers (1991); Trenton City Museum (1991); Noyes Museum (1991); Klutznick Museum, Washington, DC (1992); Joseph Gallery, Hebrew Union College (1992, one-person); National Jewish Museum (1992); and Hunterdon Art Center (1993, one-person). His work is held in the permanent collections of the Metropolitan Museum of Art, the Museum of Fine Arts in Boston, the Newark Museum, the Zimmerli Art Museum of Rutgers, the Amon Carter Museum, the Dade County Museum, the Klutznick Museum, the Art Collection of the Federal Reserve Board, Rutgers State University, Rider College, Ohio University, George University, and the New Brunswick State Theater, as well as many corporate and private collections.
  • Creator:
    Leon Bibel (1913 - 1995)
  • Creation Year:
    1939
  • Dimensions:
    Height: 13.75 in (34.93 cm)Width: 11 in (27.94 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Myrtle Beach, SC
  • Reference Number:
    Seller: 1015821stDibs: LU532312239142

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Mary Van Blarcom, 'Crown of Roses', color serigraph, c. 1945, edition not stated but small. Signed in pencil beneath the image, lower left. Titled in pencil, bottom left sheet corner. A rich painterly impression, with fresh colors, on cream laid paper, with full margins (3/8 to 7/8 inch), in excellent condition. Matted to museum standards, unframed. Image size 8 13/16 x 12 11/16 inches; sheet size 9 1/2 x 8 5/16 inches. ABOUT THE ARTIST Painter, printmaker, and craftsperson, Mary Van Blarcom was born in Newark, New Jersey, and studied at Wellesley College. She was a member of the National Serigraph Society, where she served on the board of trustees from 1945 through 1952 and was 1st vice-president from 1949-51. She was also a member of the National Association of Women Artists, the Artists Equity Association, the American Color Print Society, the New Jersey Artists Association (Director), and Artists of Today. Van Blarcom exhibited actively throughout the 1940s at many prominent art organizations, including Montclair Art Museum, 1941-45 and 1947-51 (prize, 1948); Society of Independent Artists, 1942-44; Artists of Today, 1942-46; Elisabeth Ney Museum, 1943; Northwest Printmakers, 1944, 1946-49; Laguna Beach Art Association, 1945-47, 1949; National Association of Women Artists, 1945-50, (prize, 1946); Library of Congress, 1946-47; Museum of Modern Art Traveling Exhibition, 1945-47; Carnegie Institute, 1947; Serigraph Gallery, 1946, 1951 (solo); American Color Print Society, 1947-52; Newark Museum, 1947-48, 1951; California State Library, 1947, 1949; National Serigraph Society, 1949 (prize), 1950 (prize); University of Chile, 1950; New Jersey State Museum, 1950; Philadelphia Art Alliance, 1951; and the Main Gallery, NY, 1952. Van Blarcom’s work is represented in the collections of the Newark Public Library, the U.S. Library of Congress; the American Association of University Women; the New York Public Library; Tel-Aviv Museum, Alabama Polytechnic Institute, Princeton Print Club...
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