Items Similar to Internal perspective of Biet... - Etching by Lino Bianchi Barriviera - 1947
Want more images or videos?
Request additional images or videos from the seller
1 of 5
Lino Bianchi BarrivieraInternal perspective of Biet... - Etching by Lino Bianchi Barriviera - 19471947
1947
About the Item
Plan and section of Biet Golgotha Micael is a modern artwork realized by Lino Bianchi Barriviera in 1947.
Black and white etching.
Signed and dated on plate.
Plate n.8 (as reported on the higher margin).
The artwork is from the series "The monolithic churches of Lalibelà and others in Ethiopia". As reported on the artwork "Drawings, engravings by Lino Bianchi Barrivera from the relief by Elio Zacchia (1939-1947)"
Between 1938 and 1939 Lino Bianchi Barriviera participated in a study mission to Ethiopia commissioned by Duke Amedeo of Aosta, from which he made several engravings.
Good conditions except some foxings.
Lino Bianchi Barriviera (Barriviera is the maternal surname that he added to the paternal one in 1933), artist, painter and etcher, was born in Montebelluna (Treviso) in 1906 and died in Acilia (Rome) in 1985. After the first years of his youth, he lived in Venice and Florence, settled finally in Rome in 1935, and at the end of the 70’s moved to Acilia. The fame of the artist is mainly linked to his large production, more than 950 plates, for which he mostly used etchings but also experimented with several other techniques; it has also to be noted that he performed masterfully in other forms of arts, first of all the oil painting, and then wall frescoes and tempera decorations, wood-carving, stained-glass windows, mosaics, ceramics, embossing, stamp engravings and jewel making.
- Creator:Lino Bianchi Barriviera (1906 - 1985)
- Creation Year:1947
- Dimensions:Height: 23.23 in (59 cm)Width: 24.41 in (62 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:Seller: T-1465891stDibs: LU650313825212
About the Seller
4.9
Platinum Seller
Premium sellers with a 4.7+ rating and 24-hour response times
1stDibs seller since 2017
7,500 sales on 1stDibs
Typical response time: 2 hours
- ShippingRetrieving quote...Shipping from: Grasse, France
- Return Policy
Authenticity Guarantee
In the unlikely event there’s an issue with an item’s authenticity, contact us within 1 year for a full refund. DetailsMoney-Back Guarantee
If your item is not as described, is damaged in transit, or does not arrive, contact us within 7 days for a full refund. Details24-Hour Cancellation
You have a 24-hour grace period in which to reconsider your purchase, with no questions asked.Vetted Professional Sellers
Our world-class sellers must adhere to strict standards for service and quality, maintaining the integrity of our listings.Price-Match Guarantee
If you find that a seller listed the same item for a lower price elsewhere, we’ll match it.Trusted Global Delivery
Our best-in-class carrier network provides specialized shipping options worldwide, including custom delivery.More From This Seller
View AllThe Gentleman and the Wayfarer - Original Etching - Late-19th Century
Located in Roma, IT
The gentleman and the Wayfarer is an Original Etching realized by an artist of late 19th century.
The artwork is in very good condition on a white cardboard.
No signature.
Category
Late 19th Century Modern Figurative Prints
Materials
Etching
Le Match de Football - Original Etching by Louis Marcel Myr - 1925
Located in Roma, IT
Le Match de Football is an original etching realized by Louis Marcel Myr (1893-1964) in 1925.
The original work is contained in a white passepartout (32.5x49.5 cm).
Good condition,...
Category
1920s Modern Figurative Prints
Materials
Etching
Death and the Lumberjack - Original Etching by Alphonse Legros - 1876
By Alphonse Legros
Located in Roma, IT
Death and the Lumberjack is an original artwork realized by Alphonse Legros (1837-1911) in 1876.
The original work is contained in a cream colored cardboard passepartout (50x35 cm)....
Category
1990s Modern Figurative Prints
Materials
Etching
Garden - Original Etching by Gustave Pierre - Early 20th Century
Located in Roma, IT
Garden is an Original Etching realized by Gustave Pierre in the Early 20th Century.
Signed on the plate.
Gustave René Pierre, born in Verdun on March 7, ...
Category
Early 20th Century Modern Figurative Prints
Materials
Etching
Nude Woman - Original Etching By Bertrand PY - 20th Century
Located in Roma, IT
Nude Woman is an original etching realized by Bertrand PY (1895-1973) during the 20th century.
The original work is contained in a cream colored cardboard...
Category
Early 20th Century Modern Figurative Prints
Materials
Etching
Woman - Original Etching by Jeanne Bardey - Early 20th Century
By Jeanne Bardey
Located in Roma, IT
Woman is an original etching realized in Early 20th Century after Auguste Rodin by French artist Jeanne Bardey (1872 - 1954)
Numbered.Edition, 9/25.
Good conditions.
Jeanne Barde...
Category
Early 20th Century Modern Figurative Prints
Materials
Etching
You May Also Like
“Americana”
By Ralph Fabri
Located in Southampton, NY
Here for your consideration is a wonderful original etching on archival paper by the well known American artist, Ralph Fabri. Strong impression; signed in pencil by the artist lower right margin. Titled and dated bottom left of the sheet “1947-Americana”. Condition of the etching is excellent. Top corner of sheet and bottom right corner of sheet have tiny creases. Not visible, under the mat. Sheet size is 12 by 15 inches. Image size is 8 by 9.75 inches. Matted but not framed. Provenance: A Long Island, New York collector.
Painter and printmaker, commercial artist, writer, and teacher, Ralph Fabri was born Fabri Reszo in Hungary in 1894. He was educated in Budapest, first studying architecture at the Royal Institute of Technology from 1912 to 1914. He then enrolled in the Royal Academy of Fine Arts, from which he graduated in 1918 with a Professor's Diploma (M.A.) "for teaching drawing, painting and geometry – including descriptive and projective geometry – in schools of higher education."
Fabri arrived in New York City in 1921 and soon adopted the anglicized version of his name, Ralph Fabri. He began doing commercial design work and during the academic year of 1923/24 was enrolled as an evening student at the National Academy of Design. After becoming an American citizen in 1927, he traveled extensively in Europe. Upon returning to New York that same year, Fabri decided his financial situation was stable enough to allow him to focus his attention on fine art.
During the Great Depression, Fabri's already inadequate portrait commissions and art sales further declined and he returned to commercial work. He established a workshop known as the Ralph Fabri Studios, that designed theatrical and movie sets, window displays, and retail interiors. But Fabri found the workshop dirty and distasteful, and eventually was able to concentrate on advertising work which could be done from home. The largest clients for his pen and ink drawings were The Stamp and Album Co. of America, Inc. (for which he designed covers for stamp albums and produced illustrations for envelopes housing sets of stamps sold to collectors), Geographica Map Co., and Joseph H. Cohen & Sons (for whom he designed and illustrated mail order catalogs). Another source of income during this period was the design and construction of an addition to "Iroki," Theodore Dreiser...
Category
1940s American Modern Figurative Prints
Materials
Archival Paper, Etching
$675 Sale Price
30% Off
Chelsea Old Church, London
By William Walcot R. E. Hon. R. I. B. A.
Located in Storrs, CT
Chelsea Old Church. 1924. Etching, drypoint, and aquatint. Dickins 94. 5 3/8 x 8 (sheet 8 1/2 x 9 3/4). Edition 100 for The Print Collector's Club. A fine proof with tonal wiping, printed on cream wove paper. Signed and dedicated "W.R. Button from W. Walcot London 1930" in pencil.
Chelsea Old Church, also known as All Saints, is an Anglican church, on Old Church Street, Chelsea, London SW3, England, near Albert Bridge. It is the church for a parish in the Diocese of London, part of the Church of England. Inside the Grade I listed building, there is seating for 400 people. There is a memorial plaque to the author Henry James (1843–1916) who lived nearby on Cheyne Walk. To the west of the church is a small public garden containing a sculpture by Sir Jacob Epstein.
When he was seventeen,William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel Metropole...
Category
Early 20th Century Modern Landscape Prints
Materials
Drypoint, Etching, Aquatint
$400 Sale Price
20% Off
Ludgate Hill
By William Walcot R. E. Hon. R. I. B. A.
Located in Storrs, CT
Ludgate Hill. 1921. Etching, aquatint, and drypoint. Dickins 69. 5 5/8 x 5 1/8 (sheet 13 5/8 x 9 3/4). A fine proof with plate tone, printed on 'J Wha[tman] cream wove paper. Edition of 275 for the UK and 125 for the US. Signed in pencil.
Ludgate Hill is a street that runs west from St. Paul's Churchyard to Ludgate Circus (built in 1864), and from there becomes Fleet Street. The Ludgate Hill railway station, between Water Lane and New Bridge Street, is a station of the London, Chatham, and Dover Railway. It was closed before World War II and the railway bridge and viaduct between Holborn Viaduct and Blackfriars stations was demolished in 1990 to enable the construction of the City Thameslink railway station in a tunnel. This also involved the regrading of the slope of Ludgate Hill at the junction. About halfway up Ludgate Hill is St Martin, Ludgate church. This was physically joined to the Ludgate.
When he was seventeen, William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel...
Category
Early 20th Century Modern Landscape Prints
Materials
Drypoint, Etching, Aquatint
$400 Sale Price
20% Off
San Marco [Venice].
By William Walcot R. E. Hon. R. I. B. A.
Located in Storrs, CT
William Walcot. R.E., R.I.B.A. San Marco. Etching with drypoint and aquatint. Dickins 66, Harvey-Lee 91. 3 7/8 x 5 7/8 (sheet 9 1/4 x 12 1/8). Venice set, # 2. Edition 415. A rich impression printed on cream wove paper. Fold in the margin, well outside the image; otherwise good condition. Signed in pencil. Housed in a 16 x 20-inch archival mat.
Soon after Walcot's arrival in England, the Fine Art Society sponsored a trip sent to Italy. This scene is one of four small drypoints that resulted from the artist’s stay in Venice.
When he was seventeen, he began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel Metropole...
Category
Early 20th Century Modern Landscape Prints
Materials
Drypoint, Etching, Aquatint
Alington in Wiltshire (The First Swallow).
By Robin Tanner
Located in Storrs, CT
Alington in Wiltshire (The First Swallow). 1927. Etching. Garton 2.iv. 6 3/4 x 8 7/8 (sheet 10 1/2 x 13 1/2). Final state published by in an editon of 12 by Garton & Cooke in 1982 (Nicolson published an edition of 40 in 1927). In states iii and iv, the swallow of the title was removed. In state iv, the sky was re-etched and the cross-hatching was slightly finer. Signed in pencil.
Garton writes, page 11: "The design was based on the Anglican chapel-of-ease is the farmyard of Bulisge at Allinston near Chippenham....The print was originally entitled The First Swallow, but the swallow was burnished out before the 1927 edition....Fifty years later new work was effected in the worn-out areas of the sky and distance to produce prints which, in his opinion, were better than those of the original edition."
Robin Tanner was an English artist, etcher, and printmaker. He followed the visionary tradition of Samuel Palmer and English neo-romanticism. His etchings began following night-school classes at Goldsmiths College, London. He had been inspired by the major Samuel Palmer retrospective exhibition organized by Martin Hardie...
Category
1920s Modern Landscape Prints
Materials
Etching
$1,250 Sale Price
37% Off
Twixt Dawn and Day
By Sir Frank Short
Located in Storrs, CT
Twixt Day and Dawn. 1919. Aquatint. Hardie catalog 165 state ii. Image 9 7/8 x 11 1/2 (sheet 13 9/16 x 16 7/8). A masterly inked impression produces subtle lighting variations throu...
Category
Early 20th Century Modern Landscape Prints
Materials
Aquatint
$500 Sale Price
39% Off