Lisa Takahashi

Full Moon, Contemporary Art, Cycling Art, Sports Art, Peloton Artwork

2019

Chris Keegan Floral Mask Limited Edition Figurative Screen print Edition number 30 Image size: H:40 cm x W:40 cm Complete Size of Unframed Work: H:40 cm x W:40 cm x D:0.1cm Sold Unfr...

Carne Griffiths Earth Limited Edition Print Edition of 33 (3 Artist Proofs) Image Size: H 70cm x W 50cm Signed Sold Unframed Earth is a limited edition giclee print by Carne Griffit...

Chris Keegan Swimmer Limited Edition Silkscreen Print Limited Edition of 50 Size: H 40cm x W 56cm x D 0.1cm Sold Unframed Please note that insitu images a...

This screen-print is a part of series "The Moon, The Sun and so on" which was exhibited in October 2018 at 'Slow Galerie' in Paris. Shakti is the embodiment of feminine energy in Tantric Hinduism. The figure of 'Shakti' has taken a relaxed pose and emanates softly powerful energy. On the left side: The Sanskrit word सूयःर् (sūryaḥ) means "the sun". On the right side: चन्द्रः (candraḥ) means "the moon". The Sanskrit elements were designed in collaboration with Valters Negribs, a doctoral researcher in Oriental Studies at the University of Oxford. AGNESSAGA (Agnese Tauriņa) is an image-maker working across disciplines such as illustration, graphic design and fine art. She is currently working between Riga and Oxford . AGNESSAGA completed her Graphic Communication bachelors degree at Central Saint Martins in 2016. She takes audience to a sensual and pulsating world. Screen - printing is a signature medium of AGNESSAGA. In her latest series of art prints...

"Fifty Years Later" - Linocut Print on Paper 1/10 A silhouetted image of a person's profile dropping their ballot into a voting box. The simple shapes, t...

Martha Reed was the daughter of the artist Doel Reed and as an adult she joined her parents in Taos, New Mexico. There she designed clothes with a south-we...

Pablo Picasso "Diurnes" (Femme Assise En Pyjama De Plage II) 1962 Linocut printed in ochre and brown, 1962, on Arches paper Inscribed "Epreuve D'Artist" (Artist Proof) lower left, as...

The New Cable British Modern Mid 20th Century Vorticist European Vorticism Woman Sybil Andrews CPE (British/Canadian, 1898-1992) "The New Cable," 1931 12 x 16 1/2 inches Color linocut Signed, titled, inscribed 'Second State', and numbered 13/60 in pencil Framed: 19 x 24 inches Literature: Coppel Sa17 Illustrated on page 10 of the catalog The proposed edition of the first state of the Giant Cable was 50, but only 30 impressions were pulled. Andrews removed the blue background for the second state, which was published under the title The New Cable in an edition of 60. BIO Sybil Andrews was a printmaker, painter, graphic artist and educator who was born in Bury St. Edmonds, Suffolk, England. She moved to London (England) in 1922. In 1947, she emigrated to Campbell River (Vancouver Island) British Columbia, Canada, where she worked, taught and lived for the rest of her life. She died at a hospital in Victoria (B.C.) Her mediums were the colour linocut (1) (most famous), etching, posters, pastels, ink, watercolour, monoprint and oil. Her subjects were human activity (at work, sports, travel, etc.), figures, animals, genre, allegory, architecture and landscape. Her style was Art Deco (see AskART styles), Futurism, Cubism and Vorticism (2). Her work is identified by a simple format, clean lines, distortion, vivid colours, drama and rhythm. Quote: "The colour linocut was just the medium for me, being interested in dynamics and ideas and patterns... It is impossible to be fussy with lines, you have to simplify, you are forced to simplify your idea to its fundamentals." Andrews produced 76 linocuts in her life, of which 43 were made from 1929 to 1939, which is considered to be her best period. John Hassall's art correspondence course (1918) was the beginning of her formal art education. She went from there to Heatherley's School of Fine Art (London/1922) where she studied under Henry Massey (see AskART) and met artistic partner Cyril Power (see AskART). At the same time, she studied independently with sculptor Henri Glicenstein (see AskART) who taught her drypoint etching and to draw from life. She also attended the Grosvenor School of Modern Art (1925). Iain McNab (1890-1967) was Principal and Claude Flight (3) (see AskART) an instructor who had a great influence on her choice of linocut as a primary medium. Some of his other students and her associates were Edith Lawrence (1890-1973), Lill Tschudi (1911-2001), Eileen Mayo (see AskART) and William Greengrass (1896-1970). After emigrating to Canada she taught art continuously until a month before her death. She was elected a member of the Canadian Painters - Etchers Society (after 1976 the Print and Drawing Council of Canada) in 1951. She began exhibiting her work in 1921.In 1929 she was included in "The First Exhibition of British Linocuts...