Louis Lozowick

'Tanks #1' — American Precisionism

1929

Louis Lozowick, 'Mural Study: Lower Manhattan', lithograph, edition 10 or fewer, 1936. Flint 135. Signed and dated in pencil. Signed in the stone, lower right. A fine, richly-inked...

Howard Cook, 'Financial District', lithograph, 1931, edition 75, Duffy 155. A fine, richly-inked impression, on cream wove paper, the full sheet with wide margins (2 3/4 to 5 5/8 inches), in excellent condition. Image size 13 5/16 x 10 3/8 inches (338 x 264 mm); sheet size 23 x 16 inches (584 x 406 mm). Matted to museum standards, unframed. Literature: 'American Master Prints from the Betty and Douglas Duffy Collection', the Trust for Museum Exhibitions, Washington, D.C., 1987. Collections: Crystal Bridges Museum of American Art, Library of Congress, Metropolitan Museum of Art, Philadelphia Museum of Art, Smithsonian American Art Museum. ABOUT THE ARTIST Howard Norton Cook (1901-1980) was one of the best-known of the second generation of artists who moved to Taos. A native of Massachusetts, he studied at the Art Students League in New York City and at the Woodstock Art Colony. Beginning his association with Taos in 1926, he became a resident of the community in the 1930s. During his career, he received two Guggenheim Fellowships and was elected an Academician in the National Academy of Design. He earned a national reputation as a painter, muralist, and printmaker. Cook’s work in the print mediums received acclaim early in his career with one-person exhibitions at the Denver Art Museum (1927) and the Museum of New Mexico (1928). He received numerous honors and awards over the years, including selection in best-of-the-year exhibitions sponsored by the American Institute of Graphics Arts, the Brooklyn Museum, the Society of American Etchers, and the Philadelphia Print Club. His first Guggenheim Fellowship took him to Taxco, Mexico in 1932 and 1933; his second in the following year enabled him to travel through the American South and Southwest. Cook painted murals for the Public Works of Art Project in 1933 and the Treasury Departments Art Program in 1935. The latter project, completed in Pittsburgh, received a Gold Medal from the Architectural League of New York. One of his most acclaimed commissions was a mural in the San Antonio Post Office in 1937. He and Barbara Latham settled in Talpa, south of Taos, in 1938 and remained there for over three decades. Cook volunteered in World War II as an Artist War Correspondent for the US Navy, where he was deployed in the Pacific. In 1943 he was appointed Leader of a War Art Unit...

Harry Sternberg, 'Blast Furnace #1', etching, aquatint and roulette, 1946, edition 250, Moore 147. Signed in pencil. A superb, richly-inked impression, w...

Howard Cook, 'Soaring New York', aquatint, soft-ground etching, roulette, 1931-32, edition 25, Duffy 165. Signed, dated, and annotated 'imp' in pencil. A superb, richly-inked, atmosp...

William Sharp (1900 - 1961) Factory on the River Oil on canvas 20 1/2 x 28 1/2 inches Initialed lower left: WS Provenance: Estate of the artist Private Collection, New York Swann Auction Galleries, American Art, June 13, 2019, Lot 178 Private Collection, New York Colonial Sand and Stone Co., founded by Generoso Pope, was once the country’s largest sand and gravel business, providing the concrete for much of New York City’s skyline, including the Empire State Building, Rockefeller Center, Radio City Music Hall, airports and subways. William Sharp was born on June 13, 1900, in Lemberg, Austria, where he attended college and the Academy for Arts and Industry. He later studied in Kraków, Poland, and in Berlin and Munich, Germany. Sharp began his career as a designer of stained-glass windows and as a painter of murals. He served in the German army during World War I. After the war he became a newspaper artist in Berlin and a well-known etcher. Sharp drew political cartoons that were bitterly critical of the growing Nazi movement. As the influence of National Socialism intensified, he began to contribute drawings, under a pseudonym, to publications that were hostile to Hitler. After Hitler assumed power, Sharp was confronted with these drawings and told that he would be sent to a concentration camp. However, in 1934, he escaped to the United States. His first newspaper assignment in America was making courtroom sketches for The New York Mirror...

Clarence Holbrook Carter (American, 1904-2000) Study for Worlds Beyond, 1980 Graphite, collage and white heightening on illustration board Signed and dated lower right 10.75 x 4.5 in...

Signed lower left, "Wesley Wright", and painted circa 1960. A substantial, mid-century watercolor view of an industrial area with grain containers and smokestacks.

An excellent impression of this extremely rare, early lithograph. This is the second edition (of two) and is signed, dated and numbered in pencil by Lozowick. Printed by Burr Miller,...