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Luca PignatelliOlympic Flame - Original Original Lithograph by Luca Pignatelli - 20082008
2008
$893.21
£665.11
€750
CA$1,223.52
A$1,364.36
CHF 711.86
MX$16,741.21
NOK 9,060.90
SEK 8,585.01
DKK 5,709.48
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About the Item
Olympic Flame, Olympic Games Beijing is a wonderful colored aquatint from the portfolio "The Unique Collection for the Olympic Fine Arts 2008" realized by Luca Pignatelli on the occasion of the Olympic Games held in Beijing in 2008.
Hand-Signed in pencil on the lower right margin. Hand-number in pencil on the lower left margin. Edition of 18/260 prints.
Each artwork of this portfolio is recognizable by the official stamp of the Olympic Organising Committee on the lower-left corner.
In very good conditions.
- Creator:Luca Pignatelli (1962, Italian)
- Creation Year:2008
- Dimensions:Height: 37.21 in (94.5 cm)Width: 27.56 in (70 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:Seller: T-1206651stDibs: LU65038351102
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By Luca Pignatelli
Located in Roma, IT
Olympic Flame is a colored aquatint from the portfolio "The Unique Collection for the Olympic Fine Arts 2008" realized by Luca Pignatelli in occasion of the Olympic Games held in ...
Category
Early 2000s Contemporary Figurative Prints
Materials
Lithograph
Olympic Flame - Lithograph by Luca Pignatelli - 2008
By Luca Pignatelli
Located in Roma, IT
Olympic Flame is a colored aquatint from the portfolio "The Unique Collection for the Olympic Fine Arts 2008" realized by Luca Pignatelli in occasion of the Olympic Games held in ...
Category
Early 2000s Contemporary Figurative Prints
Materials
Lithograph
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Hand-signed on the lower right, Numbered on the lower left, edition of 7/260 prints.
Excellent conditions.
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Olympic Connections - Original Lithograph by Pier Augusto Breccia - 2008
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Located in Roma, IT
Olympic Connections, Olympic Games Beijing 2008 is an original lithograph print realized by Pier Augusto Breccia. This artwork is from the portfolio The Unique Collection for the Olympic Fine Arts 2008 presented during the Olympic Games and produced in 260 copies as the only official artistic product of the 2008 Beijing Olympics. Each artwork of this portfolio is recognizable by the official stamp of the Olympic Organising Committee.
Hand-signed on the lower right, Numbered on the lower left, edition of 7/260 prints.
Excellent conditions.
Per Augusto Breccia was born in Trento (Italy), on April 12, 1943, the son of Elsa Faini of Trento and Angelo Breccia of Porano (Orvieto). Since 1948 he has lived in Rome, where he has pursued the full curriculum of studies.
The father was a surgeon; his mother, a hospital operating room chief nurse. From a surgical point of view, “the operating theatre was his nursery”.
In his adolescence, his surgical “predestination” was in a certain way in contrast to his particular inclination toward the humanistic world. During his 14th and 15th years, fascinated by Dante, he studied with passion, by himself, the Divine Comedy, learning to appreciate the artistic, universal contents beyond the allegoric representations. At 16, upon entering classic high school, he discovered the glamour of the ancient Greek world. On his own initiative, he translated in blank endecasyllabics (published by Signorelli Ed.) Sofocle’s “Antigone” and the “Tied Prometheus” by Aeschilus. He also translated the Plato...
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Hand-signed on the lower right, Numbered on the lower left, edition of 18/260 prints.
Excellent conditions.
Per Augusto Breccia was born in Trento (Italy), on April 12, 1943, the son of Elsa Faini of Trento and Angelo Breccia of Porano (Orvieto). Since 1948 he has lived in Rome, where he has pursued the full curriculum of studies.
The father was a surgeon; his mother, a hospital operating room chief nurse. From a surgical point of view, “the operating theatre was his nursery”.
In his adolescence, his surgical “predestination” was in a certain way in contrast to his particular inclination toward the humanistic world. During his 14th and 15th years, fascinated by Dante, he studied with passion, by himself, the Divine Comedy, learning to appreciate the artistic, universal contents beyond the allegoric representations. At 16, upon entering classic high school, he discovered the glamour of the ancient Greek world. On his own initiative, he translated in blank endecasyllabics (published by Signorelli Ed.) Sofocle’s “Antigone” and the “Tied Prometheus” by Aeschilus. He also translated the Plato...
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