This exquisite lithograph by Marc Chagall (1887–1985), titled Le Bouquet a la Main (The Bouquet in Hand), from the album Chagall, originates from the 1957 edition published by Maeght Editeur, Paris, and printed by Mourlot Freres, Paris, 1957. This tender and luminous composition captures one of Chagall’s most emblematic motifs—the offering of flowers as a symbol of love, joy, and renewal. Le Bouquet a la Main portrays a figure holding a radiant bouquet, rendered with the artist’s signature dreamlike palette and poetic lyricism. The floating figure, gentle hues, and ethereal setting evoke both the intimacy of affection and the spiritual transcendence that define Chagall’s vision of love as a universal and sacred force. The work embodies his mastery of lithography and his ability to transform everyday gestures into timeless allegories of beauty and emotion.
Executed as a lithograph on velin paper, this work measures 9.06 x 7.875 inches (23.01 x 20 cm). Unsigned and unnumbered as issued. The edition exemplifies the exceptional craftsmanship of the Mourlot Freres atelier, celebrated for its close collaboration with Chagall and its technical precision in the art of color lithography.
Artwork Details:
Artist: Marc Chagall (1887–1985)
Title: Le Bouquet a la Main (The Bouquet in Hand), from Chagall, 1957
Medium: Lithograph on velin paper
Dimensions: 9.06 x 7.875 inches (23.01 x 20 cm)
Inscription: Unsigned and unnumbered as issued
Date: 1957
Publisher: Maeght Editeur, Paris
Printer: Mourlot Freres, Paris
Catalogue raisonne references: Chagall, Marc, and Julien Cain. Chagall Lithographe. Andre Sauret, Editeur, 1960, illustration 207. Cramer, Patrick, and Meret Meyer. Marc Chagall: Catalogue Raisonne Des Livres Illustres. P. Cramer ed., 1995, illustration 34.
Condition: Well preserved, consistent with age and medium
Provenance: From the album Chagall, published by Maeght Editeur, Paris, 1957
Notes:
Excerpted from the album (translated from French), This album was printed by Drager Freres in Montrouge on behalf of Maeght Editeur, 13, Rue de Teheran, Paris VIII. The original color lithographs were drawn by Mourlot Freres. The photographs of the works printed are of Y. Hervochon, M. Routhier, Draeger. Copyright 1957.
About the Publication:
The 1957 album Chagall, published by Maeght Editeur, Paris, and printed by Mourlot Freres, represents a landmark collaboration between Marc Chagall and two of the foremost names in 20th-century art publishing and lithography. The album presents a selection of color lithographs that highlight the artist’s poetic vision and technical mastery of the medium. Each work exemplifies Chagall’s distinctive approach to composition—where figures, animals, and symbols of love and faith intertwine in a dreamlike harmony of form and color. The lithographs were printed with exceptional fidelity and brilliance, capturing the immediacy and emotional depth of Chagall’s hand. This publication stands as one of the most significant artistic documents of the postwar period, bridging modernist experimentation and spiritual lyricism through the timeless language of color and imagination.
About the Artist:
Marc Chagall (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall’s art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style—merging elements of Cubism, Fauvism, Expressionism, and Surrealism—defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors—Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Chagall, sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately $28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928).
Marc Chagall Le Bouquet a la Main, Chagall Mourlot Freres, Chagall Maeght Editeur, Chagall 1957 lithograph, Chagall velin, Chagall collectible print, Chagall modernist lithograph.