This exquisite lithograph by Marc Chagall (1887–1985), titled Le Couple a l'Arbre (The Couple at the Tree), from the album The Lithographs of Chagall, Volume II, originates from the 1963 edition published by Andre Sauret, Editeur, Monte Carlo, and Boston Book and Art Shop, Inc., Boston, and printed by Mourlot Freres, Paris, September 1963. This tender and dreamlike composition encapsulates one of Chagall’s most enduring themes—the harmony of love set within the natural world. Le Couple a l'Arbre depicts two lovers embracing beneath a radiant tree, their forms entwined within a luminous, ethereal atmosphere. The work symbolizes unity, fertility, and spiritual transcendence, evoking both the intimacy of earthly love and the timeless serenity of Chagall’s poetic imagination. Through his characteristic fusion of vivid color, floating figures, and symbolic imagery, the artist transforms a simple romantic scene into a universal allegory of joy, memory, and divine connection.
Executed as a lithograph on velin paper, this work measures 12.216 x 9.875 inches (31.03 x 25.08 cm). Unsigned and unnumbered as issued. The edition exemplifies the exceptional craftsmanship of the Mourlot Freres atelier, renowned for its close collaboration with Chagall and its technical mastery in fine art lithography.
Artwork Details:
Artist: Marc Chagall (1887–1985)
Title: Le Couple a l'Arbre (The Couple at the Tree), from The Lithographs of Chagall, Volume II, 1963
Medium: Lithograph on velin paper
Dimensions: 12.216 x 9.875 inches (31.03 x 25.08 cm)
Inscription: Unsigned and unnumbered as issued
Date: 1963
Publisher: Andre Sauret, Editeur, Monte Carlo, and Boston Book and Art Shop, Inc., Boston
Printer: Mourlot Freres, Paris
Catalogue raisonne references: Cain, Julien, and Fernand Mourlot. Chagall Lithographe III, 1962–1968. Andre Sauret, Editeur, 1969, illustration 397. Cramer, Patrick, and Meret Meyer. Marc Chagall: Catalogue Raisonne Des Livres Illustres. P. Cramer ed., 1995, illustration 56.
Condition: Well preserved, consistent with age and medium
Provenance: From the album The Lithographs of Chagall, Volume II, published by Andre Sauret, Editeur, Monte Carlo, and Boston Book and Art Shop, Inc., Boston, 1963
Notes:
Excerpted from the album, This album, which was designed and compiled by Fernand Mourlot and Andre Sauret, was finished in September 1963. The reproductions were printed on the presses of Draeger Freres, and the original lithographs on the presses of Mourlot Freres.
About the Publication:
The Lithographs of Chagall, Volume II, published in 1963 by Andre Sauret, Monte Carlo, and Boston Book and Art Shop, Inc., Boston, continues the celebrated collaboration between Marc Chagall and master printer Fernand Mourlot. This volume presents a remarkable collection of lithographs that illuminate Chagall’s artistic journey through themes of love, spirituality, and wonder. Printed with extraordinary sensitivity at the Mourlot Freres atelier, each lithograph captures the brilliance of Chagall’s color and the fluid poetry of his line. The publication stands as a testament to the harmony between artist, printer, and publisher—an enduring alliance that produced some of the most beautiful printed works of the modern era. The 1963 volume reflects Chagall’s vision at its most luminous and romantic, affirming his position as one of the greatest colorists and storytellers of the 20th century.
About the Artist:
Marc Chagall (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall’s art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style—merging elements of Cubism, Fauvism, Expressionism, and Surrealism—defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors—Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Chagall, sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately $28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928).
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