This exquisite lithograph by Marc Chagall (1887–1985), titled Le Musiciens Vagabonds (The Wandering Musicians), from the album The Lithographs of Chagall, Volume II, originates from the 1963 edition published by Andre Sauret, Editeur, Monte Carlo, and Boston Book and Art Shop, Inc., Boston, and printed by Mourlot Freres, Paris, September 1963. This lyrical and evocative composition captures one of Chagall’s most beloved and recurring themes—the musician as a symbol of spiritual wandering, joy, and creative expression. Le Musiciens Vagabonds portrays a group of itinerant players adrift in a dreamlike landscape, their vibrant tones and rhythmic gestures forming a visual symphony of harmony and nostalgia. The work reflects Chagall’s enduring fascination with music as a metaphor for the poetic and transcendental dimensions of human experience, merging memory, imagination, and devotion into a timeless celebration of art and emotion.
Executed as a lithograph on velin paper, this work measures 12.216 x 9.875 inches (31.03 x 25.08 cm). Unsigned and unnumbered as issued. The edition exemplifies the exceptional craftsmanship of the Mourlot Freres atelier, renowned for its close collaboration with Chagall and its technical mastery in fine art lithography.
Artwork Details:  
Artist: Marc Chagall (1887–1985)  
Title: Le Musiciens Vagabonds (The Wandering Musicians), from The Lithographs of Chagall, Volume II, 1963  
Medium: Lithograph on velin paper  
Dimensions: 12.216 x 9.875 inches (31.03 x 25.08 cm)  
Inscription: Unsigned and unnumbered as issued  
Date: 1963  
Publisher: Andre Sauret, Editeur, Monte Carlo, and Boston Book and Art Shop, Inc., Boston  
Printer: Mourlot Freres, Paris  
Catalogue raisonne references: Cain, Julien, and Fernand Mourlot. Chagall Lithographe III, 1962–1968. Andre Sauret, Editeur, 1969, illustration 396. Cramer, Patrick, and Meret Meyer. Marc Chagall: Catalogue Raisonne Des Livres Illustres. P. Cramer ed., 1995, illustration 56.  
Condition: Well preserved, consistent with age and medium  
Provenance: From the album The Lithographs of Chagall, Volume II, published by Andre Sauret, Editeur, Monte Carlo, and Boston Book and Art Shop, Inc., Boston, 1963  
Notes:  
Excerpted from the album, This album, which was designed and compiled by Fernand Mourlot and Andre Sauret, was finished in September 1963. The reproductions were printed on the presses of Draeger Freres, and the original lithographs on the presses of Mourlot Freres.  
About the Publication:  
The Lithographs of Chagall, Volume II, published in 1963 by Andre Sauret, Monte Carlo, and Boston Book and Art Shop, Inc., Boston, is a continuation of one of the most important collaborations in modern printmaking. The volume presents a rich collection of Chagall’s lithographs that capture his poetic vision during the 1950s and early 1960s, a period marked by luminous color and lyrical spirituality. Each lithograph, printed with extraordinary fidelity by Mourlot Freres, embodies the artist’s profound ability to merge emotion with visual rhythm, translating dreamlike imagery into masterful works of modern art. The publication stands as both an artistic and historical achievement, exemplifying the harmony between artist, printer, and publisher. It remains one of the great printed tributes to Chagall’s lifelong devotion to the art of the lithograph and his unparalleled celebration of life, faith, and imagination.  
About the Artist:  
Marc Chagall (1887–1985) was a Belarus-born French painter, printmaker, and designer whose visionary imagination, radiant color, and deeply poetic symbolism made him one of the most beloved and influential artists of the 20th century. Rooted in the imagery of his Jewish heritage and the memories of his childhood in Vitebsk, Chagall’s art wove together themes of faith, love, folklore, and fantasy with a dreamlike modern sensibility. His unique style—merging elements of Cubism, Fauvism, Expressionism, and Surrealism—defied categorization, transforming ordinary scenes into lyrical meditations on memory and emotion. Influenced by Russian icon painting, medieval religious art, and the modern innovations of artists such as Pablo Picasso, Henri Matisse, and Georges Braque, Chagall developed a profoundly personal visual language filled with floating figures, vibrant animals, musicians, and lovers that symbolized the transcendent power of imagination and love. During his early years in Paris, he became an integral part of the Ecole de Paris circle, forming friendships with Amedeo Modigliani, Fernand Leger, and Sonia Delaunay, and his creative spirit resonated with that of his peers and successors—Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray—artists who, like Chagall, sought to push the boundaries of perception, emotion, and form. Over a prolific career that spanned painting, printmaking, stained glass, ceramics, and stage design, Chagall brought an unparalleled poetic sensibility to modern art, infusing even the most abstract subjects with human warmth and spiritual depth. His works are held in the most prestigious museums around the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Guggenheim, where they continue to inspire generations of artists and collectors. The highest price ever paid for a Marc Chagall artwork is approximately $28.5 million USD, achieved in 2017 at Sotheby’s New York for Les Amoureux (1928).  
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