Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 11

Marc Chagall
“Lithograph 3”

1974

About the Item

Original colored lithograph, hand signed by the artist Narc Chagall lower right middle. Sight size is 13.75 by 10 inches. This was the cover for Lithograph 3 published by Mourlot in 1974. Condition is excellent. Matted but presently unframed. Framing options are available. Overall size matted is 18.25 by 15 inches. Archival protected wrap. Provenance: A Sarasota, Florida collection. The artwork comes with a Certificate of Authenticity from the National Art Guild (See last photograph). Marc Chagall was a man of keen intelligence, a shrewd observer of the contemporary scene, with a great sympathy for human suffering. He was born on July 7, 1887 in Vitebsk, Russia; his original name was Moishe Shagal (Segal), but when he became a foremost member of the Ecole de Paris, he adopted French citizenship and the French spelling of his name. Vitebsk was a good-sized Russian town of over 60,000, not a shtetl. His father supported a wife and eight children as a worker in a herring-pickling plant. Sheltered by the Jewish commandment against graven images, the young Chagall never saw so much as a drawing until, one day, he watched a schoolmate copying a magazine illustration. He was ridiculed for his astonishment, but he began copying and improvising from magazines. Both Chagall's parents reluctantly agreed to let him study with Yehuda Pen, a Jewish artist in Vitebsk. Later, in 1906, they allowed their son to study in St. Petersburg, where he was exposed to Russian Iconography and folk art. At that time, Jews could leave the Pale only for business and employment and were required to carry a permit. Chagall, who was in St. Petersburg without a permit, was imprisoned briefly. His first wife, Bella Rosenfeld, was a product of a rich cultivated and intellectual group of Jews in Vitebsk. Chagall was made commissar for the arts for the area, charged with directing its cultural life and establishing an art school. Russian folklore, peasant life and landscapes persisted in his work all his life. In 1910 a rich patron, a lawyer named Vinaver, staked him to a crucial trip to Paris, where young artists were revolutionizing art. He also sent him a handsome allowance of 125 francs (in those days about $24) each month. Chagall rejected cubism, fauvism and futurism, but remained in Paris. He found a studio near Montparnasse in a famous twelve-sided wooden structure divided into wedge-shaped rooms. Chaim Soutine, a fellow Russian Jew, and Modigliani lived on the same floor. To Chagall's astonishment, he found himself heralded as one of the fathers of surrealism. In 1923, a delegation of Max Ernst, Paul Eluard and Gala (later Salvador Dali's wife) actually knelt before Chagall, begging him to join their ranks. He refused. To understand Chagall's work, it is necessary to know that he was born a Hasidic Jew, heir to mysticism and a world of the spirit, steeped in Jewish lore and reared in the Yiddish language. The Hasidim had a special feeling for animals, which they tried not to overburden. In the mysterious world of Kabbala and fantastic ancient legends of Chagall's youth, the imaginary was as important as the real. His extraordinary use of color also grew out of his dream world; he did not use color realistically, but for emotional effect and to serve the needs of his design. Most of his favorite themes, though superficially light and trivial, mask dark and somber thoughts. The circus he views as a mirror of life; the crucifixion as a tragic theme, used as a parallel to the historic Jewish condition, but he is perhaps best known for the rapturous lovers he painted all his life. His love of music is a theme that runs through his paintings. After a brief period in Berlin, Chagall, Bella and their young daughter, Ida, moved to Paris and in 1937 they assumed French citizenship. When France fell, Chagall accepted an invitation from the Museum of Modern Art to immigrate to the United States. He was arrested and imprisoned in Marseilles for a short time, but was still able to immigrate with his family. The Nazi onslaught caught Chagall in Vichy, France, preoccupied with his work. He was loath to leave; his friend Varian Fry rescued him from a police roundup of Jews in Marseille, and packed him, his family and 3500 lbs. of his art works on board a transatlantic ship. The day before he arrived in New York City, June 23, 1941, the Nazis attacked Russia. The United States provided a wartime haven and a climate of liberty for Chagall. In America he spent the war years designing large backdrops for the Ballet. Bella died suddenly in the United States of a viral infection in September 1944 while summering in upstate New York. He rushed her to a hospital in the Adirondacks, where, hampered by his fragmentary English, they were turned away with the excuse that the hour was too late. The next day she died. He waited for three years after the war before returning to France. With him went a slender married English girl, Virginia Haggard MacNeil; Chagall fell in love with her and they had a son, David. After seven years she ran off with an indigent photographer. It was an immense blow to Chagall's ego, but soon after, he met Valentine Brodsky, a Russian divorcee designing millinery in London (he called her Fava). She cared for him during the days of his immense fame and glory. They returned to France, to a home and studio in rustic Vence. Chagall loved the country and every day walked through the orchards, terraces, etc. before he went to work. Chagall died on March 28, 1985 in the south of France. His heirs negotiated an arrangement with the French state allowing them to pay most of their inheritance taxes in works of art. The heirs owed about $30 million to the French government; roughly $23 million of that amount was deemed payable in artworks. Chagall's daughter, Ida and his widow approved the arrangement. Written and submitted by Jean Ershler Schatz, artist and researcher from Laguna Woods, California. Sources: Hannah Grad Goodman in Homage to Chagall in Hadassah Magazine, June 1985 Jack Kroll in Newsweek, April 8, 1985 Andrea Jolles in National Jewish Monthly Magazine, May 1985 Michael Gibson in ARTnews, September 1988 Time Magazine, July 30, 1965
  • Creator:
    Marc Chagall (1887 - 1985, French)
  • Creation Year:
    1974
  • Dimensions:
    Height: 13.75 in (34.93 cm)Width: 10 in (25.4 cm)Depth: 0.25 in (6.35 mm)
  • Medium:
  • Movement & Style:
  • Period:
  • Framing:
    Framing Options Available
  • Condition:
  • Gallery Location:
    Southampton, NY
  • Reference Number:
    1stDibs: LU14115700222

More From This Seller

View All
“When I Laid the Earth’s Foundations”
By Benton Murdoch Spruance
Located in Southampton, NY
Strong and vibrant color lithograph by the American artist, Benton Murdoch Spruance. Edition of 30 penciled left bottom margin. Titled in pencil middle margin and signed in pencil lo...
Category

1950s Modern Figurative Prints

Materials

Archival Paper, Lithograph

“Judith”
By Benton Murdoch Spruance
Located in Southampton, NY
Strong and vibrant color lithograph by the American artist, Benton Murdoch Spruance. Edition size in pencil lower left margin 7/40. Titled in pencil middle margin and signed in penc...
Category

1950s Modern Figurative Prints

Materials

Archival Paper, Lithograph

“Salome and John”
By Benton Murdoch Spruance
Located in Southampton, NY
Strong and vibrant color lithograph by the American artist Benton Murdoch Spruance. Edition size in pencil lower left margin Titled in pencil middle margin and signed in pencil lower...
Category

1950s Modern Figurative Prints

Materials

Archival Paper, Lithograph

“5 O’Clock”
By Adolf Arthur Dehn
Located in Southampton, NY
. Here for your consideration is an original signed lithograph by Adolf Arthur Dehn done in 1922 titled 5 O’Clock. The condition of the lithograph is excellent. Signed in the p...
Category

1920s Post-War Figurative Prints

Materials

Archival Paper, Lithograph

“Marcel Marceau Mime”
By Marcel Marceau
Located in Southampton, NY
Original artist signed colored lithograph by the well known French actor, artist and mime, Marcel Marceau. Circa 1975. Condition is very good Edition:, 112/275; signed in pencil lowe...
Category

1970s Post-Modern Figurative Prints

Materials

Archival Paper, Lithograph

“Longchamp”
Located in Southampton, NY
Original colored lithograph of the horse races at Longchamp in Paris, France. The lithographs is done in a classic Art Deco style. Condition is excellent. Circa 1980. Edition size ...
Category

1980s Art Deco Figurative Prints

Materials

Archival Paper, Lithograph

You May Also Like

Columbus Ohio State Judaica Lithograph Jewish Americana Family Reunion Portrait
By Sid Chafetz
Located in Surfside, FL
On deckle edged art paper. This is from a large collection of his pieces. This is not pencil signed and numbered. very small edition. Sid Chafetz (1922-) Born in Providence Rhod...
Category

1990s Modern Figurative Prints

Materials

Archival Paper, Lithograph

Columbus Ohio State Art Judaica Wedding Anniversary Lithograph Jewish Americana
By Sid Chafetz
Located in Surfside, FL
Sidney Chafetz Print Catalogue Raisonné. Columbus Museum of Art, Ohio. Variant Date: 1999. Medium: Lithograph. Print Image Size: 28 1/2 x 19 1/2 inches. Print Edition: no edition (with 1 artist's proof). Alternate Medium: Color lithograph. Ink(s): blue, yellow, black. Support: Rives wove paper. Gene and Irma Silverman, embracing on a sunny day in the park. Text at the bottom reads "Goddard Park, R.I., July, 1940. Irma Cohen and Gene Silverman. Married January 1941, parents of 3 children...
Category

1990s Modern Figurative Prints

Materials

Archival Paper, Lithograph

Columbus Ohio State Judaica Lithograph Jewish Americana Family Reunion Portrait
By Sid Chafetz
Located in Surfside, FL
On deckle edged art paper. This is from a large collection of his pieces. This is not pencil signed and numbered. very small edition. Sid Chafetz (1922-) Born in Providence Rhod...
Category

1990s Modern Figurative Prints

Materials

Archival Paper, Lithograph

Ohio Art Modern Americana Patriotic Lithograph American Flag Attentive Patriots
By Sid Chafetz
Located in Surfside, FL
Sidney Chafetz Print Catalogue Raisonné. Columbus Museum of Art, Ohio. Medium: Lithograph. Print Image Size: 21 3/4 x 26 1/4 inches. Print Edition: 10. This is not signed or number...
Category

1990s Modern Figurative Prints

Materials

Archival Paper, Lithograph

Columbus, Ohio State Artist Judaica Wedding Engagement Lithograph
By Sid Chafetz
Located in Surfside, FL
Description: Medium: Lithograph. Hand signed Print Image Size: 23 3/8 x 18 1/8 inches. Print Edition: no edition. this is marked B.A.T. Alternate Medium: Lithograph. Ink(s): black. Support: grey wove paper. Double portrait of the artist's aunt and uncle at their engagement, with Sophie standing next to a seated Robert Cohen. Text at the top reads "Sophie, born in Navaredek, Belarus, April 5, 1899, died in Providence, Jan 3, 1991. Robert, born in July 4, 1890 in Providence, R.I., Died in Providence, March, 1987. Engagement photo of Sophie Pearl Gabrilowitz and Robert Maurice Cohen...
Category

1990s Modern Figurative Prints

Materials

Archival Paper, Lithograph

Ohio Artist Modern Americana Patriotic Uncle Sam Lithograph American Flag
By Sid Chafetz
Located in Surfside, FL
a magnificent contemporary American art piece. On deckle edged art paper. This is from a large collection of his pieces. Sid Chafetz (1922-) Born in Providence Rhode Island, Sid C...
Category

1990s Modern Figurative Prints

Materials

Archival Paper, Lithograph

Recently Viewed

View All