Marino Marini

Cheveaux et Jongleur - Lithograph by Marino Marini - 1951

1951

Image dimensions 20.5 x 15.3 cm. Stilt-Walking Shepherds is a fascinating color lithograph realized by an anonymous artist in 1860. Dated 1860 bottom left, p. 23. On the lower le...

Seagulls is an original lithograph realized by Giuseppe Viviani in 1962. Hand-signed on the lower right. Condition of preservation is good except for folding which affects the colo...

Mounted Trumpeter is a beautiful artwork realized by A. Knoop. Litograph. In very good condition. Signature on plate on the upper left side of the artwork.

The Frogs is an enchanting lithograph realized by Fabrizio Clerici (1913-1993). Hand-signed, written in pencil, on the lower right. Acronyms "P.A", on the lower left. Image Dimensi...

Blue toned serigraph of a carousel with horses. The work is signed and numbered by the artist. It is not framed but comes with a white matte. Artist Biography: Barbara Maples...

Original 1919 Give The World The Once Over in the United States Navy vintage poster. Archival linen backed. This poster presents itself very fine condition. The lower text por...

Jacques NAM Nude and cat Original lithographie Printed signature in the plate On vellum 15 x 11" (38 x 28 cm) Very good condition, manipulation bend in ...

Bareback Act, Old Hippodrome By Gifford Beal (1879-1956) Signed Lower Right Unframed: 6.5" x 9.5" Framed: 17.5" x 20" Gifford Beal, painter, etcher, muralist, and teacher, was born in New York City in 1879. The son of landscape painter William Reynolds Beal, Gifford Beal began studying at William Merritt Chase's Shinnecock School of Art (the first established school of plein air painting in America) at the age of thirteen, when he accompanied his older brother, Reynolds, to summer classes. He remained a pupil of Chase's for ten years also studying with him in New York City at the artist's private studio in the Tenth Street Studio Building. Later at his father's behest, he attended Princeton University from 1896 to 1900 while still continuing his lessons with Chase. Upon graduation from Princeton he took classes at the Art Students' League, studying with impressionist landscape painter Henry Ward Ranger and Boston academic painter Frank Vincent DuMond. He ended up as President of the Art Students League for fourteen years, "a distinction unsurpassed by any other artist." His student days were spent entirely in this country. "Given the opportunity to visit Paris en route to England in 1908, he chose to avoid it" he stated, "I didn't trust myself with the delightful life in ParisIt all sounded so fascinating and easy and loose." His subjects were predominately American, and it has been said stylistically "his art is completely American." Gifford achieved early recognition in the New York Art World. He became an associate member of the National Academy of Design in 1908 and was elected to full status of academician in 1914. He was known for garden parties, circuses, landscapes, streets, coasts, flowers and marines. This diversity in subject matter created "no typical or characteristic style to his work." Beal's style was highly influenced by Chase and Childe Hassam, a long time friend of the Beal family who used to travel "about the countryside with Beal in a car sketching...