Aquatint Figurative Prints

JACQUES VILLON 1875-1963 (Gaston Duchamp) Damville 1875-1963 Paris (French) Title: Manége Rue Caulaincourt ou Le Petit Manége Aux Chevaux de Bois, 1904 Technique: Original H...

Etching, aquatint and embossing with hand colouring in watercolour on paper Plate size: 39.5 x 39.5 cms (15 1/2 x 15 1/2 ins) Paper size: 58 x 58 cms (22 3/4 x 22 3/4 ins)

Etching, aquatint and embossing on paper Plate size: 39.5 x 39.5 cms (15 1/2 x 15 1/2 ins) Paper size: 58 x 58 cms (22 3/4 x 22 3/4 ins)

Etching, aquatint and embossing on paper Plate size: 39.5 x 39.5 cms (15 1/2 x 15 1/2 ins) Paper size: 58 x 58 cms (22 3/4 x 22 3/4 ins)

Etching, aquatint and embossing on paper Plate size: 39.5 x 39.5 cms (15 1/2 x 15 1/2 ins) Paper size: 58 x 58 cms (22 3/4 x 22 3/4 ins)

Etching and aquatint in colour "Char noir (Char V)" (Black Chariot, Chariot V) by Georges Braque from 1958. The edition on BFK RIVES comprises approx. 75 copies. The present copy...

Colour aquatint with embossing ""Feuillage en couleurs" (Colourful Leaves) by Georges Braque from 1956. The edition on BFK RIVES cromprises approx. 80 copies. The present copy is ...

Created in 2007, this color soft ground etching with aquatint on paper is hand-signed and dated by Robert Bechtle (San Francisco, 1932 - Berkeley, 2020)...

Created in 1979, this etching and aquatint on Somerset paper is hand-signed by Wayne Thiebaud (Mesa, 1920 - Sacramento, 2021) in pencil in the lower right margin and is numbered from...

Chuck Close Self Portrait, 2012 is hand-signed by Chuck Close (Washington, 1940 - New York, 2021) in pencil in the lower right margin and is ...

Etching and aquatint on Fabriano paper. Signed in pencil and numbered from the edition of 50 recto. Printed by 2 RC Editrice, Rome and published by Raymond Spencer Company for the...

Etching and aquatint on Fabriano paper. Signed in pencil and numbered from the edition of 50 recto. Printed by 2 RC Editrice, Rome and published by Raymond Spencer Company for the...

An aquatint etching out of 1988 in a very good condition and bright colours. 57 x 66 cm. Edition of 90, signed and numbered.

This artwork titled "Master Arthur" from the suite "Cirque de l'Etoile Filante" created in 1934, printed in 1938 is an original color aquatint, etching and drypoint by renown French ...

Signed in pencil, an artist's proof aside from the numbered edition of 95. Printed on Arches wove paper by Atelier Georges Visat, Paris. Published by Editions L'Oeuvre Gravée, Bern...

Signed in pencil, numbered from the edition of 95. Printed on Arches wove paper by Atelier Georges Visat, Paris. Published by Editions L'Oeuvre Gravée, Bern. Plate: 55 x 41.6 cm. ...

Signed in pencil, from the edition of 99. Printed on Arches wove paper by Atelier Georges Visat, Paris. Published by Editions L'Oeuvre Gravée, Bern in 1970. Plate: 41.1 x 54.6 cm....

Signed in pencil, from the edition of 100. Printed on Arches wove paper by Atelier Georges Visat, Paris. Published by Editions L'Oeuvre Gravée, Bern. Plate: 23.5 x 31 cm. (Sabati...

Signed in pencil, from the edition of 85. Printed on Arches wove paper and published by Georges Visat, Paris. Plate: 23.8 x 17.7 cm. (Sabatier 266).

Initialed by the artist MR lower left. Manuel Robbe was born in Paris in 1872 to a Northern French family from the town of Berthune. He studied etching and painting and became an ac...

Etching with aquatint, roulette, and drypoint, 1973. Signed in pencil and numbered from the edition of 120. From: Homage to Picasso. Printed on Rives paper by Aldo Crommelynck, Pa...

Aquatint etching on paper (Edition of 75) Signed and numbered in pencil, l.r. This artwork is offered by ClampArt, located in New York City. Born in Naples, Italy, Francesco Clemen...

John William Hill (1812-1879) "Boston" 1857 Hand-Colored Engraving Site Size: 29 x 41 inches Framed Size: 39 x 52 inches Born in London, England, John William Hill came to America with his family at age 7. His father, John Hill, was a well-known landscape painter, engraver, and aquatintist. John William had a career of two phases, a city topographer-engraver and then, the leading pre-Rafaelite school painter in this country. Employed by the New York Geological Survey and then by Smith Brothers...

Dame Laura Knight (1877-1970) "The Circus Dressing Room" 1925 Aquatint Engraving Signed in Pencil Lower Right Image Size: approx 14 x 9 inches Framed Size: approx. 23.5 x 18.5 inche...

In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintings, prints and drawings, whose style defies convenient labels. Abstract, surreal, cartoonish, sci-fi fantastic, metaphysical, apocalyptic-Baroque - all of these fit but also fall short of fully describing his art." (The Living Arts, June 13, 2000, p. B2) Valton Tyler was born in 1944 in Texas, where "the industrial world of oil refineries made a long-lasting impression on Valton as a very young child living in Texas City." (Reynolds, p. 25) After leaving Texas City, Valton made his way to Dallas, where he briefly enrolled at the Dallas Art Institute, but found it to be too social and commercial for his taste. After Valton's work was introduced to Donald Vogel (founder of Valley House Gallery), "Vogel arranged for Tyler to use the printmaking facilities in the art department of the Southern Methodist University in Dallas, where the young artist essentially taught himself several demanding printmaking techniques. 'It was remarkable,' Vogel says. 'Not only did he learn complicated etching methods, but he was able to express himself powerfully in whatever medium he explored.' Vogel became the publisher of Tyler's prints. Among them, the artist made editions of some 50 different images whose sometimes stringy abstract forms and more solid, architecturally arresting elements became the precursors of his later, mature style." (Gomez, Raw Vision #35, p. 36) "Eagle’s Nest" is Plate Number 37, and is reproduced in "The First Fifty Prints: Valton Tyler" with text by Rebecca Reynolds, published for Valley House Gallery by Southern Methodist University Press, Dallas, Texas, 1972. In "The First Fifty Prints," Reynolds provides the following quote from the artist regarding this print: “The structure on the right is an architectural symbol for an eagle. It is also like a machine that is igniting the shape on the left. Below, the egg that is coming out of the chute is a child which will evolve into another architectural eagle...

Aquating Engraving Image Size: Approx 19 x 15.5 Framed Size: Approx. 28.5 x 24.5 William Albert Ablett (1877 - 1937) Although born to English parents, William Ablett lived in Par...

Marino Marini "ll Teatro delle Maschere" 1973 Lithograph Signed and Numbered Ed. 25 Sheet Size: approx 27.5 x 39 inches Framed Size: approx 35 x 47 inches Marino Marini (February 27...

A fabulous impression of this scarce Picasso etching from the Vollard Suite published in 1939. In an excellent hand-carved museum frame with all acid-free conservation materials. ...

Isca Greenfield-Sanders Yellow Suit Bather, 2006 Color aquatint etching Plate: 21 x 21 inches; Sheet: 32 x 31 1/4 inches Edition of 50

Beginning with vintage slides, Greenfield-Sanders breaks down photographic images, and rebuilds them as her own. Putting the image through various incarnations, she grids and paints...