Engraving Figurative Prints

French Village is an original artwork realized by Eugène Corneau between the end of the 1920s and the beginning of the 1930s. The monogram of the artist is present on the lower left...

Hillside is an original etching realized by Eugène Burnand (1850-1921) in the Late 19th century. Signed on the plate. Good conditions with foxing. ...

Lovers in Meadow is an etching realized by Eugène Burnand (1850-1921) in the Late 19th century. Signed on the plate. Good conditions with foxing. The artwork is realized through ...

Joseph interpret his dream to Jacob is an original artwork realized after Dutch artist Lucas van Leyden (1494 –1533). Later reprint, probably of the e...

Figure is an original etching and drypoint on paper realized by an anonymous artist of the mid-20th Century. In very good conditions. The artwork created through confident strokes,...

The Portrait is an etching realized by Eugène Burnand (1850-1921) in the Late 19th century. Good conditions with foxing. The artwork is realized thro...

Cromer is an engraving on paper realized by F.Finden in 1838. The artwork is in good condition. The artwork is depicted in a well-balanced composition.

Wrestling is an etching realized by Eugène Burnand (1850-1921) in the Late 19th century. Signed on the plate. Good conditions with foxing. The artw...

Untitled is a drypoint artist's proof realized by Ardengo Soffici (Rignano sull’Arno 1879 – Vittoria Apuana 1964). It is signed and dated on the lower right. This is one of the mos...

Figure is an original etching and drypoint on paper realized by an anonymous artist of the mid-20th Century. In very good conditions. The artwork created through confident strokes,...

Dunstanborough Castle is an Engraving realized in 1845 by E. Finden. Signed in plate. The artwork is realized in a well-balanced composition.

Blyth is an Engraving realized in 1845 by E.Finden. Signed in plate. The artwork is realized in a well-balanced composition.

Image dimensions: 13 x 18 cm. Etching on ivory colored paper. Etching on ivory colored paper, with two embossing stamps: "Libreria Prandi Reggio E." in lower-right corner,"H. Peti...

Entrance to Shields Harbour is an Engraving realized in 1845 by W.Finden. Signed in plate. The artwork is realized in a well-balanced composition.

Canning Dock and Custom House, Liverpool is an etching realized in 1845 by T.Higham. Signed in plate. The artwork is realized in a well-balanced composition.

Figure is an original etching and drypoint on paper realized by an anonymous artist of the mid-20th Century. In very good conditions. The artwork created through confident strokes,...

The Cabin is an original Modern artwork realized by Sir Francis Saymour-Haden (16 September 1818 – 1 June 1910) in 1877. Beautiful Proof on vélin fort, with stamp "Lugt 1048”. Full ...

Painter is an original print in etching and drypoint on white paper realized by an anonymous artist of the Mid-20th Century. In very good conditions. The artwork created through def...

Portrait is an etching and drypoint on paper realized by an anonymous artist in the Mid-20th Century. Good conditions. The profile is depicted through deft and fine delicate stroke...

View of Rome is an original Etching and Drypoint realized by Carlo Alberto Petrucci in 1964. Good condition included a white cardboard passpartout (37x52 cm). Hand signed by the artist with pencil. Carlo Alberto Petrucci (4 August 1881 - 11 February 1963) was an Italian engraver, painter and museologist. The son of Luigi, owner of an antique library, and Beatrice del Nero of an old Roman family, after graduating from the Leonardo da Vinci Institute he worked as an accountant. Between 1902 and 1903 he attended the evening classes of the nude school at the International Artistic Association and there he met Umberto Prencipe and Antonio Mancini...

The Vase is an original print in etching and drypoint on white paper realized by an anonymous artist of the Mid-20th Century. In very good conditions. The artwork created through co...

The Figure is an original Etching and Drypoint realized by Paul Petit in 1964. Hand-signed. Numbered, 41/50. The artwork is depicted through confident strokes in a well-balanced c...

Artist: Percy John Delf Smith (English, 1882-1948) Title: "Scythers Resting" *Signed by Delf Smith in pencil lower right. It is also signed in the plate (printed signature) lower lef...

Hand signed. Edition of 200 copies. This beautiful etching belongs to the series of illustrations that the French artist André Dunoyer de Segonzac realized for the "Georgics" by the...

Bengt Lindström - Original Handsigned Engraving The Seven Deadly Sins. 76 x 56 cm Signed in pencil by Bengt Lindström Paris, ABCD, 1976. Original etching in color Limited edition 90 ex. This is the unique copy offered to Claude Manesse, The story of B. Lindström was collected by Frederick Towarnicki, assisted by Agathe Malet-Buisson. The engravings were drawn on the presses of Claude Manesse. Bengt Lindström (1925-2008) Bengt Lindström was born on September 3rd, 1925 in Storsjökapell, a small isolated village in the Swedish province of Norrland. The young child thus grew up in that vast, mythical and harsh expanse of mounts, glistening lakes and endless forests known as Lapland. His father was a primary school teacher who was fond of Lapps and who showed great interest in their ethnic group and culture. The child was only three days old when Lapp King Kroik, his godfather, administered the Baptism of the Earth, where the child is conveyed between two roots of a tree to grant him protection from the Gods. Lapps as well as local lumberjacks would occasionally abandon their silent ways to tell him and reveal the tales, legends and mysteries of the Great White North. 1935-1945 : He left Storsjökapell and headed to Härnösand, where he wrote short science-fiction novellas, became a renowned athlete and began to paint. 1944-1946 : Isaac Grünewald Art School in Stockholm, Sweden. Study drawing with Aksel Jörgensen at the Copenhagen Fine Arts School in Denmark. He realized his first two lithographs, Meditation and Le Modèle Etendu (The Stretched Model). 1947-1952 : He arrived in Paris. He travelled to Italy, where he visited Florence and Assisi, developing a deep fascination for Giotto and Cimabue. He was granted a scholarship by Swedish magazine Aftontidningen, which helped him move into a workshop in Arcueil, France. He began working on mosaics. 1953-1967 : He returned to Paris, once again taking up lithography and engraving, which holds a vital position in his work. He moved into a workshop in Rueil-Malmaison. This was the start of his collaboration with the Rive Gauche Gallery in Paris. London Tooth & Sons Gallery Director M. Cochrane purchased a large number of his works. He left the workshop in Rueil-Malmaison to settle in Savigny-sur-Orge, France. He began taking to figurative art with Masks, Gods and Monsters. He exhibited with the Nouvelle Figuration Group at the Mathias Feld Gallery. He also began working with the Ariel Gallery in Paris. 1968-1978 : Lindström completed a series of 10 lithographs about Scandinavian mythology. He also completed a series of drypoint works. An association with the Protée Gallery in Toulouse, France, led to exhibitions at the Protée Gallery II in Paris starting in 1984. He executed a large mural painting the Grand Hotel in Härnösand, Sweden. He also made two large frescoes for the Nacksta-Sundsvall covered market in Sweden. He took to sharing his working time between the workshop in Savigny-sur-Orge and the one in Sundsvall. He began collaboration that was to last several years with the ABCD Gallery in Paris, which provided exclusive publication for his engravings and strong ink work. Les Hommes du Nord (Men of the North) was the first of the major tapestries. He published a boxed set album, Eddan, Eddan, Eddan, illustrating Scandinavian mythology. Together with Jacques Putman, he completed two editions of bronze sculptures, Les Enfants Sauvages (The Wild Children). 1979-1982 : He worked on glass, making thirty dishes and goblets for renowned Swedish glassmaker Kosta Boda. He painted a car for Volvo, Sweden’s leading car manufacturer. Then, close to his birthplace, he painted gigantic tarpaulins over forty metres high, covering the slopes of the neighbouring Våladalen Mountain, as a protest against the building of a dam. This action caused a sensation and provoked fierce reactions. He also created small painted papier mâché sculptures, Têtes (Heads), as well as some gold and silver jewellery. 1983 : He exhibited seven monumental 3x2.5m works at the Art and History Museum in Stockholm: Les Grands Dieux Ase (The Great Aesir Gods), depicting the gods from Scandinavian mythology: Thor, Odin, Frej, Balder, Ymer, Loki and Unknown God, as well as acrylic paintings about the Valkyries. Les Grands Dieux was ultimately exhibited in a purpose-built chapel adjoining the Midlanda Contemporary Arts Centre in 1996. He completed Thor’s Hammer, a monumental sculpture. 1985-1990 : He lived also in the Alicante region, where Spanish friends found him a new workshop. While there he completed Novelda, an album of lithographs featuring poems by Spanish poet Paco Pastor. He completed a new mural, 5mx5m, for the Västeras Science Institute in Sweden. He then started working with the San Carlo Gallery in Milan, Italy, which coordinated all of the Italian events. Major exhibitions and retrospectives were held in Italy, Belgium, Luxembourg, Germany and Spain. He created two boxed set albums, containing series of 10 aquatints, Monde Autre et Chamanes (Otherworld and Shamans), featuring poems by Michel Perrin. 1991-1994 : He went back to working in black and white, completing some very-large-format works. In Murano, in association with the San Carlo Gallery, he created Grands Verres (Large Glasses), a series of large vases and sculptures made of crystal. He painted Kåtan Mimi, an 8x9m Lapp tent, for the town of Arjeplog in Swedish Lapland. He completed a couple of 2m-high painted polyester sculptures, Lui et Elle (Him and Her). He then made a new series of crystal glasses and sculptures in Murano, Italy. He completed Présence (Presence), a new 3.5x2.7m tapestry for the municipality of Timrå, Sweden. He started on the Grands Initiés (Great Insiders) series, all large format and mixed black and white techniques. He finished the strong series about Norse gods. 1995-1996 : He moved into a new workshop in Paris. A retrospective was held at the Sundsvall Museum in Sweden, and on that occasion he painted a monumental 700-m² canvass, Le Géant sur la montagne (The Giant on the Mountain), which was hung all summer long on the mountain slope facing the town. He went on to complete a suite of six silkscreen prints on the same theme. Then he inaugurated the Y, a monumental sculpture. Lindström then completed Temps Zéro (Zero Time), a watch made for Swatch. One of his works, L’hiver (Winter), made the cover of the first 1996 issue of Telerama, the leading French weekly. In association with Sydkraft Sweden, he painted a fresco for the municipality of Örebro on a 17m-high tank with a surface area of 3,000 m², located at the crossroads of major Swedish motorways, by the entrance to the Åbyverket industrial estate. He also created a 6.5m-high Tången sculpture made of painted concrete in Ånge, which was inaugurated on September 3rd in the presence of their Majesties the King and Queen of Sweden. 1997-1999 : He began working on ceramics in Albisolla, Italy. He also completed a new 30m-high fresco for the town of Örebro, located close to the tank he had painted in 1996 near Åbyverket. The year saw the inauguration of the Midlanda Contemporary Arts Centre in Sweden, which harbours the collection of the Bengt and Michèle Lindström Foundation, featuring the entire engravings collection (about 800 works), as well as a selection of paintings and sculptures. He completed a 4x10m mural in the lobby of the University of Eskilstuna, Sweden, and also completed two monumental frescoes on the Akkats dam and a mural on the power station facing Jokkmokk in Swedish Lapland. 2000-2003 : He painted all of the sides of a semi-articulated lorry for Scania, Sweden’s main truck manufacturer. In Italy, he completed a new series of crystal sculptures with Adriano Bérengo. He finished the Great Prophets, a series of 2x2m oil on canvass works. Swiss publisher Ides et Calendes published a small but luxurious monograph, with text by Françoise Monnin. A notebook was also published, Le Visage dans l’Art de Bengt Lindström (Faces in the Art of Bengt Lindström). He completed a substantial series of large blue acrylic paintings, Femmes (Women). 2003 : Bengt fell ill and was unable to paint, but the exhibitions went on. 2004 : Saw the release of the film by Dag Jonzon and Hans Östbom, produced by Dell’arte AB and Östbom Filmbild, about the life of Bengt Lindström. Entitled Lindström - Le Diable de la couleur et de la forme (Lindström – The Colour and Form Devil), the film was produced thanks to support from Film Västernorrland, Länsstyrelsen Västernorrland and Sveriges Television. It was broadcast on Swedish television channels. That same year, the Midlanda Contemporary Arts Centre was closed as a result of municipal policy. 2005-2007 : The 6m-high sculpture Le Loup (The Wolf), made for PEAB, was inaugurated in Botkyrka-Stockholm. Lindström – The Colour and Form Devil was screened at the Paris Swedish Cultural Centre and released on DVD. The Michèle and Bengt Lindström Foundation was donated and transferred to the Länsmuseet i Västernorrland in Härnösand, Sweden, where a special room was prepared to host Les Grands Dieux Ase. Edition of the 1998 Ceramics, created in association with Francis Dellile’s ”La Tuilerie” workshop. The Bengt Lindström Collection was inaugurated at, Murberget, the Länsmuseet i Västernorrland in Härnösand, Sweden. He illustrated Sinfonietta för Juliana, a collection of poems by Italian poet and art critic Sebastiano Grasso. On January 29th, 2008, Bengt Lindström passed away at his home in Sweden. 2008-2012 : The Fondation Krimaro presents the first volume of the works of Bengt Lindström in his collection. Numerous exhibitions-tribute to the work are presented in major cities in Europe. 2012 : Retrospective - Black and White in the engravings - Museum of Härnösand, Murberget, Sweden. Main exhibitions 1952 Fair Réalités Nouvelles – New realities, Paris, France. 1953 Craven Gallery, Paris, France. 1954 Gummeson Gallery, Stockholm, Sweden. Fair Salon d’Octobre, Paris, France. 1958 Breteau Gallery, Paris, France. 1959 Autour du Spontanéisme – Around the sontaneity, Stockholm, Sweden. L’Europe Nouvelle – The new Europe, LaUnited Statesnne, Switzerland. 1960 Rive Gauche Gallery, Paris, France. 1961 Tooth Gallery, London, England. Le Zodiaque Gallery, Brussels, Belgium. Fair Salon de Mai, Paris, France. 1962 Nouvelle Figuration – New Figuration , Mathias Fels Gallery, Paris, France, 1964 Nord-Sud – North-South, in several cities in Sweden. Ariel Gallery, Paris, France, 15 artists of my generation. Museum of Fine Arts in Gent, Belgium, Figuration-Défiguration – Figuration – Disfigurement. 1965 Rive Gauche Gallery. Paris, France. Nord Gallery, Lille, France. Birch Gallery, Copenhagen, Denmark. 1966 Museum of Modern Art, Gothenburg, Sweden. 1967 Veranneman Gallery, Brussels, Belgium. Carnegie Institute, Pittsburgh, United States. Seibu Gallery, Tokyo, Japan, 23 peintres in Paris. 1968 Ariel Gallery, Paris, France, followed by six exhibitions until 1976. 1969 La Pochade Gallery, Paris, France. Protée Gallery, Toulouse, France, who exhibited him in Paris, Gallery Protée II, from 1984. 1973 Galliera Museum, Paris, France. 1974 Gallery 111, Lisbon, Portugal. 1982 Gallery Protée-Arco, Madrid, Spain and Fair Foire de Cologne, Germany. 1983 Historia Museum, Stockholm, Sweden, The Ase gods and the Valkyries. 1984 Gallery Arcano XXI, Lisbon, Portugal. Gallery Christian Cheneau, Paris, France. Museum Château comtal, Carcassonne, France. 1985 Gallery Italia, Alicante, Spain. 1986 Gallery Sala Gaspar, Barcelona, Spain. Gallery Juan Mordo-Arco, Madrid, Spain. Gallery Italia, Alicante, Spain. Museum of Salamanca, Salamanca, Spain. Gallery Three Continents, New-York, United States. Gallery Protée, Toulouse France, Autour du Roi Lear – Around King Lear. 1987 Gallery Kostel, Paris, France. Gallery Zwirner, Cologne, Germany. Gallery Leu, Rottach-Egern, Germany. 1988 Maison du Lot, Figeac, France. Gallery Protée, Paris, France. Gallery Michèle Sadoun, Paris, France 1989 Gallery Michèle Sadoun, Paris, France, La terre des ancêtres - The Land pf the ancestors. Gallery Protée, Paris, France, Nomads. Gallery Raab, London, England. 1990 Gallery Michèle Sadoun, Paris, France. Centre Culturel de Brest, France. 1991 Gallery Michèle Sadoun, Paris, France. 1992 Archotèque, Saint-Denis, La Réunion, France. Museum of Vesoul, Vesoul, France. Gallery San Carlo, Milan, Italy. 1993 Gallery 111, Lisbon, Portugal. Tonnellerie du Cognac Monnet...

Books is an original print in etching and drypoint on white paper realized by an Anonymous artist of the Mid-20th Century. In very good conditions. The artwork created through confi...

The Old Teacher of Philosophy is an original artwork realized by French Artist Jeanne Bardey (1872 - 1954) Drypoint print. Hand-signed on the lower right in pencil, on up dated 191...

Leaving Home is a superb etching and drypoint on ivory-colored and laid paper, realized by Edmond Ramus, after Franch Holl, as the inscription on plate and out of the image report. On the higher-margin "Exposition Universelle de 1878". Printed by A. Salmon, this original print represents a crowded waiting room before a departure, better represents all the feelings, thoughts, postures, lost hopes of a departure after leaving home. With deep dramatic and vibrant blacks, and intense greys, sophisticated draperies and deep shadows, this artwork although his intensity has something of deep humanity, and is incredibly modern! A touching original print for your sophisticated private collection. In good conditions, except for a usual burnished paper and a diffused foxing does not affect the image, also the edges. Edmond Ramus (1822 – 1890) was a French etcher best known for his copies of paintings...

Figures in Landscape is an original print in etching and drypoint on white paper realized by an anonymous artist of the mid-20th Century. In very good conditions. The artwork create...

The Couple is an original print in etching and drypoint on white paper realized by an anonymous artist of the mid-20th Century. In very good conditions. The artwork created through ...

Abstract Poetic Composition is an original print in etching and drypoint on white paper realized by an Anonymous artist of the Mid-20th Century. Good conditions with slight foxing on...

Madonna and Child ( Vergine di Bellini) is an original print ( Bulino) realized in 1966 by Ferdinand Gaillard (1834-1887) in the 19th Century. The artwork represents a beautiful po...

Figure is an original etching and drypoint on paper realized by an anonymous artist of the mid-20th Century. In very good conditions. The artwork created through confident strokes,...

Figures 1945 is an original drypoint realized by Mino Maccari (1945). The artwork is in good conditions, except for worn paper on the margins. Image Dimensions: 20x18.8 cm. Hand- ...

Women Carrying pitchers is an original print in etching and drypoint on white paper realized by an Anonymous artist of the Mid-20th Century In very good conditions. The artwork crea...

Loneliness is an original print in etching and drypoint, realized by an anonymous artist of the Mid-20th Century. In very good conditions. The artwork created through confident str...

Composition is an original print in etching and drypoint on paper realized by an anonymous artist of the mid-20th Century. In very good conditions. The artwork created through conf...

Composition is an original print in etching and drypoint on paper realized by an anonymous artist of the mid-20th Century. In very good conditions. The artwork created through conf...

The Pitcher is an original print in etching and drypoint on white paper realized by an Anonymous artist of the Mid-20th Century. In very good conditions. The artwork created through...

"Military" 1917s is a beautiful print in etching technique, realized by Anselmo Bucci (1887-1955). Hand signed. Numbered 61/100 of prints on the lower left. On the lower left corner...

At the Sea is an original drypoint realized by Mino Maccari (1925-1930). The artwork is in good conditions, except for worn paper on the margins. Hand-signed by the artist on the r...

The dancer is an original artwork realized by Ilse Voigt in the first years of the 1950s. Etching and drypoint on Japan paper. Good conditions except for wide stains on the lower corners. Ilse Voigt (Chemnitz, 1905 – Magdeburg, 1990) was an artist, pastellist, illustrator, and drawer. She attended the Fine Arts Academy of Berlin where she took Emil Orlik's classes. From 1964, she participated in international collective exhibitions. At the Salon des Indépendants, she became one of the company members. She exhibited in many art galleries in Paris and Switzerland. She painted and illustrated flowers, portraits...

"Military" 1917s is a beautiful print in etching technique, realized by Anselmo Bucci (1887-1955). Hand signed. Numbered 61/100 of prints on the lower left. On the lower left corner...

Abstract Composition is an original print in etching and drypoint on white paper realized by an Anonymous artist of the mid-20th century. In very good conditions. The artwork create...

City of future is an original print in etching and drypoint on white paper realized by an Anonymous artist of the Mid-20th Century. In good conditions. The artwork created through d...

Figures is an original print in etching and drypoint on white paper realized by an anonymous artist of the mid-20th century. In very good conditions. The artwork created through con...

Nudes in the wood is an original print in etching and drypoint on white paper realized by an Anonymous artist of the Mid-20th Century. In very good conditions. The artwork created t...

Wonderful etching and drypoint on ivory colored paper, representing a woman lying on a sofa. Signed and dated (1873) on plate on the lower left margin. Fourth and final state on four...

Figure is an original artwork realized by Ilse Voigt. Original etching and drypoint on paper. Good conditions except for fairly aged lower and upper margins. This artwork represen...

Walt Kuhn (1877-1949), Strong Girl, drypoint, 1916 [signed in pencil by Kenneth Hays Miller and inscribed “Zinc sheet E printed by Howard Moore Park 1928”). In very good condition, printed on a cream wove paper, 7 1/2 x 5 1/4, the sheet 11 1/8 x 8 1/2 inches. Provenance: ex Collection: The Metropolitan Museum of New York, with their stamp verso. ex Coll: Jonathan Greenberg, New York City A very good impression of this rare early Kuhn print. This is listed as number 48 in the Kennedy Galleries Walt Kuhn Checklist, made for an exhibit of his prints in 1967; it is cited as a print where no more than 6 impressions are known to exist. Kuhn was of course intimately familiar with circuses and carnivals...

Artist: Reuben Nakian, American (1897 - 1986) Title: Myths and Legends: Plate III, Voyage to Crete (Black) Year: 1979 Medium: Drypoint Etching with C...

Olympian Games Engraving, 1957 Signed, dated, titled and numbered (see photos) Edition: 25 (7/25) From the first and only edition, probably less than 8 impressions printed Printed by the artist Condition: Excellent soft fold in upper left margin Image size: 15 7/8 x 19 7/8 inches Sheet size: 18 1/2 x 22 3/8 inches Provenance: Estate of the artist Martha A. French Revocable Trust Item Reference LU14013763732 Crucifixion, color etching, 1947 Item Reference LU14013160582 The Web, engraving, 1950 Item Reference LU14011892032 The Swan, mixed media (etching & soft ground), 1957 Item Reference LU1404294651 Snowy Egret, engraving, 1954, third edition c. 1990, printed by the master printer Jon Clemens Item Reference LU1402253433 Debris, color etching, c. 1940, printed by the artist at the John Herron Art Institute, Indianapolis, Indiana Item Reference LU140331242 Crucifixion, engraving, 1958 Item Reference LU140145330 Strange Animals, engraving, 1947 Item Reference G130708140172 The Gull, engraving, 1955 Item Reference LU14012448972 Moon Rays...

Pablo Picasso (1881-1973) Femme au Turban, Vieux Gentilhomme, Borreau et Homme aux yeux fous (sheet 23 from Series 157, Bloch 1878; Baer 1883), etching and aquatint, 1970, with the a...

Jim Dine drew the plate for this image in the same period as his “Thirty Bones of My Body” 1972 portfolio of drypoint tool images. Crisbrook paper (30 x 22 in. / 76.2 x 56 cm.) and p...

Paul Jouve (after) - Tiger - Engraving 19 x 14 cm Editions Rombaldi, Paris, 1950. Copy on velin creme de Rives Copper engraving heightened with pochoir.

"To my mother" is the main graphic work of the artist Sidonie Springer. The portfolio consists of 10 images drawn by the artist in charcoal and partially tinted in color, which come ...

4 individual drypoint engravings sold as a grouping that forms the whole. There are only 5 sets. This is #2 of 5. Paper size is 30 x 32 cm. Paper is Grabado, Punta seca. Graduat...

Margaret Frances "Peggy" Bacon (May 2, 1895 – January 4, 1987) was an American printmaker, illustrator, painter and writer. Bacon was known for her humorous and ironic etchings and drawings, as well as for her satirical caricatures of prominent personalities in the late 1920s and 1930s. Bacon's parents were both artists and met while attending the Art Students League in New York. At the end of 1913, Bacon first studied art at the School of Applied Design for Women but disliked it calling it, "the prissiest, silliest place that ever was." She transferred after a few weeks to the School of Fine and Applied Arts on the West Wide where she took classes in illustration and life drawing. During the summer of 1914 Bacon attended Jonas Lie's landscape class in Port Jefferson, Long Island. From 1915-1920 Bacon studied painting with Kenneth Hayes Miller, John Sloan, George Bellows and others at the Art Students League. While at the League, Bacon became friends with several other artists. Her circle of friends and acquaintances included Dorothea Schwarz (Greenbaum), Anne Rector (Duffy), Betty Burroughs (Woodhouse), Katherine Schmidt (Kuniyoshi Shubert), Yasuo Kuniyoshi, Molly Luce...

Engraving on vélin de Rives paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Portrait de A. Decaris, 1953. Published by Editions d'Art ...

Drypoint etching on papier de Rives B.F.K. pur fil paper. Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, Voyages fantastiques ...